The Flapper

Dame Ginger is a youngster who lives in a boring provincial town, Orange Springs; due to her behavior and yearnings for a thrilling life, her father decides to send her to a boarding school, the kind of place where the upper class girls of the 20's learn to do important things like skiing or flirting, the last habit always with the supervision of a chaperon. In such an idle but strict place, and thanks to some adventures ( she falls in love with a mysterious adult man and will be involved in a robbery ) Ginger will have finally the chance to make her most inward dream come true, to be a genuine flapper.

Herr Alan Crosland 's direction of this film is remarkable ( even though Crossland later will betray the rules of the silent cinema, by directing the first talkie in film history ) because in this early 20's film the technique, continuity and rhythm are developed in an especially suitable way for a romantic comedy. The star is Dame Olive Thomas, an actress who died early and who shows in this film her versatility by playing a character with different shades, an innocent girl transformed into a flapper. In this excellent film restoration there are is also a collection of witty, funny and politically incorrect intertitles that were enjoyed by this stiff German aristocrat thanks to their irony and longhaired impudence.

And now, if you'll allow me, I must temporarily take my leave because this German Count has an appointment with a vamp, a more dangerous woman than a flapper.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

I viewed the Eastman House print of this film, which unfortunately is missing the original opening credits and inter-titles from the first reel. From the second reel onwards, there are some clever visual gimmicks in the titles -- at one point, part of a caption is replaced by footage of a boy riding a hobby-horse while the rest of the caption remains in place; at another point, a title flips over on its vertical axis when the villains enter the room, turn round, and go out again -- so I wonder what pleasures I might have missed in those first-reel inter-titles.

The title of 'The Flapper' is ironic, as this movie's heroine is an innocent ingenue who merely pretends to be a jazz-baby flapper. The beautiful Olive Thomas (age 25) plays 16-year-old Genevieve King, and in nearly every sequence she is believable as a teenager. Genevieve (nicknamed 'Ginger' for her high spirits) is sent off to the girls' seminary run by strict disciplinarian Mrs Paddles (hmm...), where the students wear Peter Thompson sailor uniforms. Two of Ginger's schoolmates are played by Norma Shearer and her sister Athole, but they have no dialogue or specific business.

Distinguished older man Richard Channing rides past the seminary every day, prompting romantic fantasies among the schoolgirls. When 16-year-old Ginger connives a sleigh ride with Channing, she tells him she's 'almost twenty'. To Channing's credit, he dumps her toot-sweet when he learns the truth.

This is one of those ladies' seminaries that has a safe full of jewellery. A student named Hortense (who definitely looks to be in her mid-20s) heists the swag and runs off with her henchman Thomas Morran, played by Arthur Housman. This actor had a long career playing funny drunks, so I was pleased to see him in a dramatic role that let him stay sober. Director Alan Crosland stages one scene cleverly, with Housman on-camera aiming a revolver at Olive Thomas, who is seen only as a reflection in the mirror. Our little Ginger has got herself involved in the jewel heist. She behaves very implausibly.

Among this film's pleasures are some beautiful wintry exteriors (filmed near Ithaca, NY) and some shots of Fifth Avenue in Manhattan. There are a few continuity errors. Among others: Olive Thomas boards an omnibus as it travels south in Fifth Avenue's west carriageway below 42nd Street. A moment later, as she steps off the 'bus, it's now travelling north in Fifth Avenue's east carriageway above 42nd Street.

African-Americans are seen quite prominently in this film, but only as musicians and waiters with no dialogue. I was very impressed by a dramatic device at nearly the very end of this movie, when events in the lives of Ginger King and another character are presented as incidents in a (non-fiction) newsreel. This same device was later used in 'Citizen Kane', but I doubt that Orson Welles ever saw 'The Flapper': he was only five years old when this movie was released.

Despite some implausible motivations, 'The Flapper' is mostly a realistic comedy, so I was annoyed by an 'impossible' gag in which a stuffed elk's head winks its eye at Olive Thomas. Even more distressing were two sequences with Ginger King in drama-queen mode: in the first, she attempts suicide; in the second, she vows to become 'a dope fiend'. The beautiful and talented actress Olive Thomas died shortly after this film was released, from what appears to have been an intentional drugs overdose. (It was ruled an accident ... but the facts indicate that it was a suicide, hushed up to avoid scandal.) Because these sequences foreshadow Olive Thomas's tragic death, they manage to cast a sombre tone over the entire film. I'll rate 'The Flapper' 6 out of 10.

I believe that all 3 of the comments for The Flapper were written by men, who didn't rate it very high. This movie was obviously made to appeal to the women, or more appropriately girls, of the day. I'm a girl and I rate it very high. The Flapper is an adorable movie about a teenage schoolgirl, Ginger King (Olive Thomas), who dreams of lovers and jazz cabarets, wanting to escape her mundane life at boarding school and ride off into the sunset with the handsome older man all the schoolgirls are in love with, Richard Channing (William P. Carleton). She fools Channing into thinking she's 20, and he takes her to a country club, but her "romantic night" is ruined when the bad girl (though she looks to be 40!) at school, Hortense, gets in her way. Throughout the rest of the film, Ginger pursues her dreams and visits 1920's nightclubs, wears glamorous clothes, but finds that being a flapper is not easy when she gets involved in a mysterious jewel heist and more! The Flapper is all fluff, but so cute! Olive Thomas shows a definite comedic flair in this movie, and it's so sad that she didn't get to go on with her career. The Flapper is a treasure, not just because of it's one of Olive Thomas' few surviving movies, but because it's a good, solid silent comedy that any silent film fan should see (whether you like chick flicks or not).

In "Orange Springs" (a small town in Florida), "Girls who hobnobbed at the soda fountain were talked about." Perhaps this is why beautiful young Olive Thomas (as Genevieve "Ginger" King) sips soda with boastful boyfriend Theodore Westman Jr. (as William "Bill" E. Forbes) on her estate. They must part company as Ms. Thomas is sent to a boarding school in a snowy town near New York. Coincidently, Mr. Westman has enrolled in a military academy next to the girls' boarding school. If you've seen movies like this, you already know all-girl schools and orphanages are often built next to all-male institutions.

Thomas makes friends easily, including moth-like Katherine Johnson (as Hortense) and social butterfly Norma Shearer (as an extra with a lot of screen time). The young women like to watch men. Their favorite is mysterious and romantic Wm. P. Carlton Jr. (as Richard Channing), an older guy who rides by on a horse regularly. Thomas and her friends fantasize the horseman is a professional gambler, actor or wife-beater. Thomas thinks she's falling in love with Mr. Carlton. She puts on fun clothes to become a "flapper" and is mistaken for a bad woman. The 1920s would be known for "flappers" like Colleen Moore and Clara Bow.

"The Flapper" was written by Frances Marion, who was then writing scenarios for Mary Pickford. This film may have, in some level of development, been considered a Pickford vehicle; and, it's easy to imagine her in the lead. For whatever reasons, Thomas got the assignment. It was kept in the family, as Olive Thomas was then Mrs. Pickford (married to Jack Pickford, Mary's brother). The film is fairly routine for the time, but has been elevated due to appearing with the title "The Flapper". Thomas could be considered more a proto-type than a real flapper. Later, Cyndi Lauper (see "Girls Just Want to Have Fun") was more of a flapper.

One of the best things about watching Alan Crosland adeptly direct this film is that the picture is so well preserved. Apparently the beginning and ending title/credits are damaged or missing, but the bulk of the film looks very pleasing. It's also worth noting that Thomas, who is charming throughout, died in September 1920, the same week as Robert Harron; the young stars' shocking and mysterious deaths shook what were arguably the two biggest film families in Hollywood at the time (actress Mary Pickford and director D.W. Griffith). Young co-stars Theodore Westman Jr. and Bobby Connelly also died tragically young.

****** The Flapper (5/10/20) Alan Crosland ~ Olive Thomas, Theodore Westman Jr., William P. Carleton, Norma Shearer

Olive Thomas was a terrific actress. Too bad she died so young (see her IMDb biography for more on this). This is one of her last films as she died later in 1920--at only age 25. And, it's the most accessible as it can be downloaded for free from the link on IMDb or you can get it from Netflix (which also includes a documentary about her).

The film is a parody of the 'flapper' attitude of the post-WWI years. Many women were becoming more liberated--socially and even sexually. In the film, Olive plays a 16 year-old who desperately wants to become one of these worldly flappers. She throws herself at an older man and pretends to be a lot older and MUCH more experienced girl to impress him--all the while ignoring a nice young man who is interested in her. Towards the end, she accidentally drifts into a robbery--and is implicated although she is innocent. But, as the worldly and wicked woman she's been pretending to be, the authorities are more than willing to believe she is involved.

This film would make a terrific double-feature along with Clara Bow's "It". Both show a similar sort of character but from different perspectives. Plus, both are quite enjoyable and well written. Worth seeing and a must-see if you are a fan of silents (like me).

By the way, the bad guy in the film is played by Arthur Housman. Housman was a VERY prolific guy in silents and talking pictures and mostly played silly and affable drunks. Here he plays a very, very different sort of man.