Saltarello e la forca elastica

Buster is out golfing with his girlfriend when Convict 13 escapes. The whistle sounding the alarm at the jail is mistaken by his caddy as the lunch whistle, and he sits down and begins to eat. Buster continues on alone to golf, single-minded, when a ball he hits ricochets off a building and hits him in the head, rendering him unconscious. The escaped convict sees Buster lying there and changes clothes with him. Buster regains consciousness and continues to golf, not noticing that he is wearing a convict's uniform until the armed guards appear to apprehend him. He manages to land himself in jail without the guards capturing him. He hits some luck when his girlfriend sees him there - she turns out to be the warden's daughter. But unfortunately for Buster, Convict 13 is scheduled to be hung that day.

Sybil Seely, who is the girlfriend here was also the bride in Keaton's "One Week". A large trouble-making convict is played by Big Joe Roberts who played burly villains in a multitude of Keaton films. The dog that appears here and steals Buster's golf balls was not Luke, Fatty Arbuckle's dog, who did appear in one Keaton short after he and Arbuckle went their separate professional ways.

Not as well known as Cops from two years later, it has a similar structure and some common gags, and is definitely worth watching. And even though there are much better safeguards against executing the wrong person today, Keaton's comedy has really lost nothing in the century that has passed.

Like many Keaton shorts, the plot is only a vehicle for Keaton to explore his imagination and to give him an opportunity to devise clever gags. When one watches a short such as this, it is important to think of it as a cartoon. It is not meant to be Citizen Kane, but only to be visually entertaining and to keep the audience guessing as to what Buster will do next. His physical comedy is wonderful here and I can't help but think that the creators of the Warner Brothers cartoons were great Buster Keaton fans. Keaton's reaction when he realizes that a burly convict whom he had just antagonized escaped from his cell and is standing right behind him is priceless, right down to Buster's cartoonish exaggerated heartbeat. This is followed by a move that would make Jackie Chan jealous. Convict 13 succeeds brilliantly at its goal and much of the humor is timeless. If you have the proper expectations, you will really enjoy this film.

"Convict 13" is an unrefined but fun short comedy, much less carefully made than Keaton's later films, but still having many good moments. Buster gets a couple of good opportunities to display his athleticism, and Joe Roberts also helps out with some funny moments.

The story starts with a silly mix-up that gets Buster tossed in jail. From there on, he gets involved in a series of antics, mostly improbable, but a very good set-up for physical humor. It has a good combination of slapstick, stunts, and chases, with some of the kind of material common to films of the 1910's plus some distinctive Keaton material. (There are also couple of good gags of the more morbid type that you'd expect from someone like Alfred Hitchcock.)

It might be of interest mainly to those who are already Keaton fans, but it's pretty funny, and well worth watching.

Buster Keaton short Convict 13 is as close to a live-action cartoon as you could get: it's one crazy scene after another, with only the slightest of plots to tie all of the scattershot comedy together.

The film opens on a golf course, as Keaton struggles with his game, landing his shot in a lake. He doesn't give up though, climbing onto some wood, paddling out with his club, and diving into the water to retrieve the ball, which has been swallowed by a fish. Having found the ball, he continues his round, but knocks himself out when a shot rebounds and hits him on the head. While Keaton is unconscious, an escaped convict swaps clothes with the golfer; moments later, guards arrive and take Keaton-now wearing distinctive striped prison-wear-back to pokey where he is to be hanged.

From here-in, it's rapid sight gags and buffoonery galore, with an elastic noose preventing Keaton's neck from being stretched, and a prison riot leading to all kinds of silliness, including an altercation with a gigantic inmate (Keaton still in danger, having swapped his prison garb for that of a guard). There's loads of fun to be had, with never a dull minute in the whole thing, which makes it easy to excuse the rather abrupt 'it was all a dream' ending.

7/10.

I'd like to add to Claudio's plot synopsis that this film is total surrealism. I was so struck by its superficial resemblance to reality but the story is really taking place in a crazy imaginary world where Keaton as the golfer can grab a fish out of the river (when the ball is knocked there), shake it around and have his golf ball pop out the fish's mouth. The film has a charm all it's own - so different from what Chaplin or Harold Lloyd were doing. I wonder if the European Dadaists were looking at Keaton's early stuff. The time frame is just right. The film is available, by the way,on the Kino Steamboat Bill Jr. DVD. But in an unrestored version, alas.