VALUTAZIONE IMDb
6,9/10
1230
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA penniless young man tries to save an heiress from kidnappers and help her secure her inheritance.A penniless young man tries to save an heiress from kidnappers and help her secure her inheritance.A penniless young man tries to save an heiress from kidnappers and help her secure her inheritance.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
'Snub' Pollard
- The Kidnapper
- (as Harry Pollard)
Peggy Cartwright
- The Waif
- (as Peggy Courtwright)
Sammy Brooks
- Undetermined Secondary Role
- (non citato nei titoli originali)
Anne Cartwright
- Woman
- (non citato nei titoli originali)
William Gillespie
- Baker
- (non citato nei titoli originali)
Helen Gilmore
- Hag
- (non citato nei titoli originali)
J.H. Hawkins
- Man
- (non citato nei titoli originali)
Wally Howe
- Will Snobie
- (non citato nei titoli originali)
Dee Lampton
- Driver
- (non citato nei titoli originali)
Harry Layton
- Man
- (non citato nei titoli originali)
Gus Leonard
- Will Walling
- (non citato nei titoli originali)
Gaylord Lloyd
- Undetermined Secondary Role
- (non citato nei titoli originali)
Marie Mosquini
- Maid
- (non citato nei titoli originali)
Fred C. Newmeyer
- Butler
- (non citato nei titoli originali)
John M. O'Brien
- Unidentified role
- (non citato nei titoli originali)
Hazel Powell
- Maid
- (non citato nei titoli originali)
Recensioni in evidenza
This Harold Lloyd silent film is fun because it has fast-moving story, plenty of chase scenes and sight gags, good camera-work and some great expressions on the actors' faces. It also has a couple of endearing people such as a poor little girl and her lame dog, and a good-hearted woman.
Of course, being a "silent," I expect exaggerated facial expressions, but some in here are ones that made me laugh out loud. You see all kinds, from shady winks to eyebrow raising to evil-looking smiles. Hey, it's a story about a crooked lawyer and a bunch of thugs (almost the same). One of the lawyers is named "Leech."
The little girl, called "The Waif," is played by cute Peggy Courtwright. "Waif" is a common term in these silent films, which Charlie Chaplin and others featured a lot: homeless, extremely poor creatures, male, female, children and dogs.
"The Girl" as she is called, is played by Mildred Davis. It was her first appearance in a Lloyd film. Four years later, she and Harold were married.
Another interesting feature in this film was the sudden switch to a blue tint in the second half. It would be shown for a couple of short scenes.
The ending, of course, was the best. You will have a smile on your face at the very last scene in the diner. These wild endings are the norm for silent comedies and are great fun to watch.. I loved how Harold rounded up the cops.
Of course, being a "silent," I expect exaggerated facial expressions, but some in here are ones that made me laugh out loud. You see all kinds, from shady winks to eyebrow raising to evil-looking smiles. Hey, it's a story about a crooked lawyer and a bunch of thugs (almost the same). One of the lawyers is named "Leech."
The little girl, called "The Waif," is played by cute Peggy Courtwright. "Waif" is a common term in these silent films, which Charlie Chaplin and others featured a lot: homeless, extremely poor creatures, male, female, children and dogs.
"The Girl" as she is called, is played by Mildred Davis. It was her first appearance in a Lloyd film. Four years later, she and Harold were married.
Another interesting feature in this film was the sudden switch to a blue tint in the second half. It would be shown for a couple of short scenes.
The ending, of course, was the best. You will have a smile on your face at the very last scene in the diner. These wild endings are the norm for silent comedies and are great fun to watch.. I loved how Harold rounded up the cops.
The Boy (Harold Lloyd) has no money for food. Neither does The Waif and her little dog. The Girl (Mildred Davis) is an innocent heiress being robbed of her inheritance without her knowledge. The Boy gets tricked into leading her kidnappers. All he really wants is the food. When she get kidnapped, he sets off to rescue her.
It's the first pairing of Harold Lloyd and his future wife Mildred Davis. The story is simple. Lloyd has plenty of good humor and a few minor stunts. Leading the cops is the comedic highlight. It's a good solid 22 minutes.
It's the first pairing of Harold Lloyd and his future wife Mildred Davis. The story is simple. Lloyd has plenty of good humor and a few minor stunts. Leading the cops is the comedic highlight. It's a good solid 22 minutes.
"From Hand to Mouth" marks a transition in Harold Lloyd's career, as he was phasing out the Chaplin imitations of his early days and began developing the bespectacled "glass character" that would bring him stardom. This is also Lloyd's first film with Mildred Davis, who became his long-term leading lady and (offscreen) his life-long wife. Snub Pollard and Noah Young, both of whom did excellent support work in many of Lloyd's best films, have good roles here. The film's climax, featuring a race against time, is a prototype for Lloyd's later "thrill" comedies.
In this movie, Lloyd plays a vaguely Chaplinesque drifter who mooches his way along with a little-girl waif (Peggy Cartwright, not very good). When a dog digs up a bankroll and gives it to the penniless Lloyd, he and Peggy rush off to a general store to buy some groceries. Lloyd hands over some cash, and takes possession of the food just as the grocer discovers that the dollars are counterfeit. This surprises Lloyd so much, he drops the food ... which is now ruined, and he has no money to pay for it.
Just as the grocer is threatening to arrest Lloyd, along comes an expensive car with a beautiful woman in it (Mildred Davis), who pays for the groceries. She's an heiress who (conveniently) is just about to claim her inheritance, but only if she can obtain certain documents (the McGuffin papers?) by midnight tonight. Naturally, a rival heir wants to stop her.
Snub Pollard is the leader of a gang of thugs who kidnap Davis, intending to detain her until the midnight deadline passes. Lloyd trails the goons to their hideout, and then tries to enlist the aid of a policeman. But the cop takes one look at Lloyd (who plays a shabby drifter in this film) and ignores him. Lloyd smacks the cop, who draws his nightstick and gives chase. With the cop in pursuit, Lloyd keeps running until he finds another cop ... then smacks him too, and now he's got two cops chasing him while he looks for a third. Lloyd keeps smacking the constables, until finally he's got a whole platoon of policemen chasing him. (This scene is clearly the prototype for the climax of Lloyd's sound film "Professor Beware".) When Lloyd has enough cops chasing him, he leads them back to Snub's hideout for a slam-bang finish. Will midnight strike before Lloyd can rescue Mildred and help her claim her inheritance?
This is not one of Lloyd's best films, but it's an interesting effort and it shows the gestation of his "glass character". The final scenes in the film are supposed to take place just before midnight, but the footage was clearly shot day-for-night and it isn't very convincing. I'll rate this film 4 out of 10.
In this movie, Lloyd plays a vaguely Chaplinesque drifter who mooches his way along with a little-girl waif (Peggy Cartwright, not very good). When a dog digs up a bankroll and gives it to the penniless Lloyd, he and Peggy rush off to a general store to buy some groceries. Lloyd hands over some cash, and takes possession of the food just as the grocer discovers that the dollars are counterfeit. This surprises Lloyd so much, he drops the food ... which is now ruined, and he has no money to pay for it.
Just as the grocer is threatening to arrest Lloyd, along comes an expensive car with a beautiful woman in it (Mildred Davis), who pays for the groceries. She's an heiress who (conveniently) is just about to claim her inheritance, but only if she can obtain certain documents (the McGuffin papers?) by midnight tonight. Naturally, a rival heir wants to stop her.
Snub Pollard is the leader of a gang of thugs who kidnap Davis, intending to detain her until the midnight deadline passes. Lloyd trails the goons to their hideout, and then tries to enlist the aid of a policeman. But the cop takes one look at Lloyd (who plays a shabby drifter in this film) and ignores him. Lloyd smacks the cop, who draws his nightstick and gives chase. With the cop in pursuit, Lloyd keeps running until he finds another cop ... then smacks him too, and now he's got two cops chasing him while he looks for a third. Lloyd keeps smacking the constables, until finally he's got a whole platoon of policemen chasing him. (This scene is clearly the prototype for the climax of Lloyd's sound film "Professor Beware".) When Lloyd has enough cops chasing him, he leads them back to Snub's hideout for a slam-bang finish. Will midnight strike before Lloyd can rescue Mildred and help her claim her inheritance?
This is not one of Lloyd's best films, but it's an interesting effort and it shows the gestation of his "glass character". The final scenes in the film are supposed to take place just before midnight, but the footage was clearly shot day-for-night and it isn't very convincing. I'll rate this film 4 out of 10.
(1919) From Hand To Mouth
SILENT COMEDY
From the running time of 22 minutes that has (Harold Lloyd) who is gazing through a window into a diner while customers are eating. A little girl (Peggy Courtwright) and her dog then joins him before the owner of the diner notices and shew' s them away. And after sitting on the curb of the sidewalk, he is then offered a cookie by a customer, and he needed to make a small rip underneath the bag to grab one. Llyod then chases the little girl to which her dog eventually finds a wad of cash and brings it them. Meanwhile, while this was happening (Mildred Davis) has just been informed she will inherit her father's estate if she can sign some papers by midnight. Except that her conniving brother and the lawyer are conspiring together so that will not happen. Leading them the charge is (Harry Pollard) to prevent her from signing the document by midnight. And while she is being driven home by her chauffeur, she then notices the owner of a bakery forcing Harold Lloyd to pay for the bread and other donuts after he discovered it is not actual money after all. She intervenes to pay for all the bread/ donuts ruined before she drives away again. The first of 15 movies Harold Lloyd starred with Mildred Davis.
From the running time of 22 minutes that has (Harold Lloyd) who is gazing through a window into a diner while customers are eating. A little girl (Peggy Courtwright) and her dog then joins him before the owner of the diner notices and shew' s them away. And after sitting on the curb of the sidewalk, he is then offered a cookie by a customer, and he needed to make a small rip underneath the bag to grab one. Llyod then chases the little girl to which her dog eventually finds a wad of cash and brings it them. Meanwhile, while this was happening (Mildred Davis) has just been informed she will inherit her father's estate if she can sign some papers by midnight. Except that her conniving brother and the lawyer are conspiring together so that will not happen. Leading them the charge is (Harry Pollard) to prevent her from signing the document by midnight. And while she is being driven home by her chauffeur, she then notices the owner of a bakery forcing Harold Lloyd to pay for the bread and other donuts after he discovered it is not actual money after all. She intervenes to pay for all the bread/ donuts ruined before she drives away again. The first of 15 movies Harold Lloyd starred with Mildred Davis.
10Petey-10
Two people and one dog share the same problem: they have nothing to eat.The penniless man is joined by a waif and her dog.There is a dishonest lawyer working with a gang of criminals trying to swindle an innocent young heiress out of her inheritance.Then this lovely lady rescues Harold and the waif from the hands of the authorities.Maybe Harold could help the girl with the problem she's having.This silent comedy short, From Hand to Mouth (1919), has two directors, Alfred J. Goulding and Hal Roach.Harold Lloyd is truly great as this poor man.Mildred Davis is really amazing as his love interest.Peggy Cartwright is a magnificent child actress.And you gotta love the dog! There's also the great 'Snub' Pollard playing The Kidnapper.What fine moments this movie offers!
Lo sapevi?
- QuizFirst pairing of Harold Lloyd and his future wife Mildred Davis.
- BlooperWhen The Girl pays for The Boy's damages, she rides off in her car sitting in the back seat. But in the next shot she is sitting in the front passenger seat.
- Citazioni
Mr. Will Shake: Will it will or will it won't?
- ConnessioniFeatured in American Masters: Harold Lloyd: The Third Genius (1989)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Hambriento pero honrado
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione22 minuti
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was From Hand to Mouth (1919) officially released in India in English?
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