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IMDbPro

Glorifying the American Girl

  • 1929
  • Passed
  • 1h 35min
VALUTAZIONE IMDb
5,7/10
853
LA TUA VALUTAZIONE
Mary Eaton in Glorifying the American Girl (1929)
CommediaDrammaMusicale

Aggiungi una trama nella tua linguaThe rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".The rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".The rise of a showgirl, Gloria Hughes, culminating in a Ziegfeld extravaganza "Glorifying the American Girl".

  • Regia
    • Millard Webb
  • Sceneggiatura
    • J.P. McEvoy
    • Millard Webb
  • Star
    • Mary Eaton
    • Eddie Cantor
    • Helen Morgan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,7/10
    853
    LA TUA VALUTAZIONE
    • Regia
      • Millard Webb
    • Sceneggiatura
      • J.P. McEvoy
      • Millard Webb
    • Star
      • Mary Eaton
      • Eddie Cantor
      • Helen Morgan
    • 29Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto262

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    + 255
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    Interpreti principali28

    Modifica
    Mary Eaton
    Mary Eaton
    • Gloria Hughes
    Eddie Cantor
    Eddie Cantor
    • Eddie Cantor - Appearance in Revue Scenes
    Helen Morgan
    Helen Morgan
    • Helen Morgan - Appearance in Revue Scenes
    Rudy Vallee
    Rudy Vallee
    • Rudy Vallee - Appearance in Revue Scenes
    Dan Healy
    • 'Miller'
    Kaye Renard
    • 'Mooney'
    Edward Crandall
    • Buddy
    Gloria Shea
    Gloria Shea
    • Barbara
    • (as Olive Shea)
    Sarah Edwards
    Sarah Edwards
    • Mrs. Hughes
    Singing and Dancing Chorus of Seventy-Five Glorified Beauties
    • Chorus Members
    Noah Beery
    Noah Beery
    • Noah Beery
    • (non citato nei titoli originali)
    Irving Berlin
    Irving Berlin
    • Irving Berlin
    • (non citato nei titoli originali)
    Norman Brokenshire
    • Norman Brookshire - Radio Announcer
    • (non citato nei titoli originali)
    Billie Burke
    Billie Burke
    • Billie Burke
    • (non citato nei titoli originali)
    Desha Delteil
    • Dancer in Bubble Dance Sequence
    • (non citato nei titoli originali)
    Charles B. Dillingham
    • Charles Dillingham
    • (non citato nei titoli originali)
    Texas Guinan
    Texas Guinan
    • Texas Guinan
    • (non citato nei titoli originali)
    Otto Kahn
    • Otto Kahn
    • (non citato nei titoli originali)
    • Regia
      • Millard Webb
    • Sceneggiatura
      • J.P. McEvoy
      • Millard Webb
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    5,7853
    1
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    5
    6
    7
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    9
    10

    Recensioni in evidenza

    7ptb-8

    Gramopohone exrav-org-ganza

    I would give this colossal and fascinating time capsule musical a 9 for entertainment value and a 2 for the DVD quality. I was so keen to see every frame of this film, having already goggled at THE SHOW OF SHOWS and Broadway MELODY OF 1929...but the DVD I found has the final reels hacked about and urrrggghhhh NOT in the 2 color Technicolor that I was drooling about expecting. I could faintly see the B&W rendition but I knew it was in color so I was really irritated with the DVD people for releasing this great and amazing film in such a chopped and pale way. Prior to the grand finale, the rest of the film is quite interesting as a story and compelling for the visuals and clunky sound of real people and normal city life in the 20s. Sub leads Olive Shea and Edward Crandell are actually more interesting than the lead, Marilyn Miller, and the gorgeous fashions, street scenes, department store settings etc kept me fascinated. I am so keen to see this film properly with the color scenes. as a production and a vintage musical it is extraordinary and beautiful..so please check out the quality and the completeness of the finale before you purchase. If anyone has a good copy to share, complete and with color scenes they can contact me via the message boards on this site. I am so keen to see it properly...and so should you be if you really love sumptuous 20s life on film. Early in the film there is a wonderful outdoor picnic with a stage show...like a delicious 1929 picnic version of '"This Is Our Once A Year Day" from PAJAMA GAME of 1958. Just charming!
    6psteier

    A superior example of an early Hollywood musical

    Though the sound is sometimes weak and distant and the story is hardly compelling, there is still much of interest.

    This is the only film with scenes from a Florenz Ziegfeld show. They are shot in two color (red/green) Technicolor. One shows a tableau and the other is a dance sequence. Both show elaborate Ziegfeld costumes.

    Eddie Cantor's tailor act is really funny and there are several other vaudeville sequences as well. Mary Eaton's singing is fine, as is much of the dancing, both show and ballet style.
    8WCFIELDS

    The film is a recorded history.

    This film may be a bit creaky, but still it is very satisfying to watch. I DID NOT need the fast forward button. To see a filmed performance of a probably pared down Ziegfield Show was an enjoyable experience overall. The music and the dance scenes were excellently executed and are a treat. Many of the principals had very limited film exposure afterwards, especially Mary Eaton and Dan Healy The specialties by Cantor and Vallee were also good, But, it was a pure thrill to see Helen Morgan singing, "What Wouldn't I Do for That Man"!!
    8mk4

    Restored by UCLA to 98% of its "Glory."

    If you want to catch a viewing of this film in nearly all of its "Glory" -- 2-Strip Technicolor and all--simply get on a plane to Los Angeles and taxi over to the UCLA Film Archives in Westwood. Oh...you'll have to make an appointment well in advance...for "Scholarly and/or Academic Pursuits Only"...for a private screening, as this film resides in the vault. It is rarely screened, except for Film Preservation Retrospectives... or is occasionally loaned out to "your town"...if you happen to live in NY State, or Australia, or Europe. All versions on VHS or DVD are poorly duped dupe-of-a-dupe copies of badly battered eminent domain prints, but unfortunately, that's all there is "out there" until UCLA decides to release their terrific library of 2-Strip Technicolor films onto the world some day! For a couple of swell Technicolor scenes of the film's finale, I suggest that you visit the sensational, stupendous, colossal "Vitaphone Varieties" website run by Jeff Cohen at vitaphone.blogspot.com/.
    7AlsExGal

    An interesting look at Ziegfeld's Follies and early talking pictures

    Just because I gave this movie seven stars doesn't mean it will be entertaining to everyone or even most people. Its main value today is to get a rare glimpse at one of the earliest talkie musicals, and also see and hear what a Ziegfeld show might have been like right before the famous showman went broke in the stock market crash of 1929. Florenz Ziegfeld himself actually produced this film, which features his Ziegfeld Follies girls. However, he was not at all happy with the final product, which flopped at the box office.

    The movie actually does have a plot of sorts, although its purpose in this film, as in many of the early talkie musicals, is mainly to set up the singing and dancing numbers. This film, though, is unusual in that the plot does actually teach a little unexpected lesson on the price of fame.

    The film opens with Gloria, Barbara, and Buddy selling sheet music in a New York City department store. Gloria and Buddy have been sweethearts since childhood, but Gloria wants a career before she settles down. To complicate matters, Barbara is secretly in love with Buddy. A vaudeville hoofer sees Gloria dancing at a store picnic and wants to take her on as a dance partner. They take their act on the road and are spotted by one of Ziegfeld's talent scouts. Back in New York at the audition, the Follies want Gloria but not her partner. Unfortunately for Gloria, though, she signed a five year contract splitting all her earnings with her partner. Gloria becomes the star of Ziegfeld's new show, and this sets up the lavish production numbers of the last third of the film.

    Particularly entertaining in the Ziegfeld production part of the film are performances by Helen Morgan, Rudy Valee, and Eddie Cantor. You have to remember that this film was made before there was any effective production code, so you'll likely be shocked at the revealing nature of some of the costumes in the production numbers and some of the language used. Unfortunately, although the last third of the film was shot in Technicolor, the DVD version is in black and white. Also, because of the limitations of technology and the age of this film, there are many long shots of the production numbers with the Ziegfeld Follies girls that make it impossible to see the details of the lavish costumes and sets. However, in spite of its flaws, I'd recommend it to anyone interested in this period of history and these very early talkie gems of which so few are remaining in any form.

    All of the versions floating around are in shaggy shape and most are incomplete. There is a fully restored version - I believe it is at UCLA - that has the Technicolor footage restored. Maybe someday we'll see the complete original version on DVD.

    Mary Eaton, who played Gloria, had a hard time dealing with the loss of her fame as talking pictures left her behind. She died at the age of only 48 due to her chronic alcoholism. In contrast, her sister Doris, who never had Mary's fame, is the last surviving Ziegfeld girl at age 105 as I am writing this. As of the spring of 2009 she was still making public appearances. How odd that the star of one of the first talking pictures made on the subject of the price of fame would have a life that teaches such a sad lesson on that same subject.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      This is the first talkie movie to utter the word "Damn" uncensored in the Pre-code era. Later movies would use the word "Damn" including "Romeo and Juliet" 1936, "Pygmalion" 1938 and the famous movie "Gone with the Wind" 1939 which received recognition for the using the word "Damn" uncensored.
    • Citazioni

      Mrs. Hughes: Damn it!

      [the first talking movie to use the word Damn uncensored]

    • Versioni alternative
      A black-and-white print currently shown on television (which was cut down to 87 minutes) was made in the 1950s and has a number of sequences cut due to their Pre-Code content (nudity, etc.). The film was restored to the length of 96 minutes, with the original Technicolor sequences, by the UCLA Film and Television Archive.
    • Connessioni
      Featured in Busby Berkeley: Going Through the Roof (1998)
    • Colonne sonore
      What Wouldn't I Do for That Man?
      (1929) (uncredited)

      Music by Jay Gorney

      Lyrics by E.Y. Harburg

      Sung by Helen Morgan

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    Dettagli

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    • Data di uscita
      • 7 dicembre 1929 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Dansösen från Ziegfeld Follies
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 35min(95 min)
    • Colore
      • Black and White

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