Aggiungi una trama nella tua linguaStanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly esco... Leggi tuttoStanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly escorting a haughty Prussian nobleman into an empty elevator shaft.Stanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly escorting a haughty Prussian nobleman into an empty elevator shaft.
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Recensioni in evidenza
The story of this movie is definitely not the strongest and is quite simple as well as formulaic, especially in the beginning. Luckily the movie later turns into a more slapstick like filled silent comedy shorts, with as a result some memorable funny sequences.
There are certainly some good comical sequences in this movie, which help to distinct this movie from other early Laurel & Hardy silent comedy shorts. Also the characters are fun and deliciously over-the-top. I especially liked the prince and his prime minister, for who at first our two boys were mistaken. The moments with them were the one's that made me laugh the most, despite the fact that it mostly was just nothing more than a constantly returning continuity joke.
The famous Jean Harlow also plays a part in this movie. Her presence works uplifting for the movie and also probably help to make this movie more of a memorable one than it in fact truly is on its own.
Not the best or most interesting Laurel & Hardy silent comedy shorts but enough things present to make this movie a better than average one.
7/10
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Stan's penchant for slowly and meticulously working out gags, slowing down the pacing in order to milk all of the situations of their maximum laugh potential. Working closely with the Boss Man, Hal Roach and Writer/Director and later Supervising Director, Leo McCarey and his principle of "Reciprocal Destruction", the Laurel & Hardy style was established and known. Now, polished both on the surface and on the inside, the Team was ready to conquer other worlds. But first, they had to complete the last of their Silent Shorts.
OUR STORY ..DOUBLE WHOOPEE begins with a double case of mistaken identity. With the Hotel's receiving word of the anticipated arrival of the 'Prince' and his Prime Minister, Stan & Ollie are falsely believed to be them. Every courtesy is extended to them; up to the point of being overly obsequious.
The Hotel Manager (William Gillespie) was right on hand to supervise the Front Desk Clerk (Rolf Sedan) in his registering the visiting "Royalty." The first extended gag of the picture occurs here as Ollie insists on the proper etiquette of having his hat removed while signing the register. The team s-t-r-e-t-c-h-e-s out the whole bit with Hardy's unsuccessful attempts to get Laurel to do the same.
Eventually the Royal Party does arrive, with the Prince (Hans Joby), an Eric Von Stroheim look-alike and Prime Minister (Charley Rogers). At that time the boys present a letter from their employment agency concerning the pair's limited abilities and competence as the Hotel's new Doorman (Babe) and Coachman (Stan).
The bulk of the film was occupied with the boys having troubles with the Prince and the Elevator, their interplay with a couple of Cabbies (Charlie Hall, Ham Kinsey) and their confrontation with the Cop pounding' the Beat (Stanley J. 'Tiny' Sandford). As Doorman, Ollie has a brief encounter with a lovely Blonde Bombshell (Jean Harlowe). Arriving by way of another Taxicab, the lovely Miss Harlowe (Woo, woo, woo, woo!) is greeted by 'Babe'with the line: "Might I presume that you would condescend to accept my escortage?" Then, offering his arm to her, he walks her to the revolving door, while catching the train of her dress in the Cab's door! DOUBLE WHOOPEE was one film that was even a little slower than most other L&H's, but by the same token, it was an excellent example of the Roach/McCarey/Laurel brand of slow moving, carefully designed and meticulously fashioned laugh schtick! And it appears to have been filmed at nighttime, after dark in and about areal, fancy old Hotel.
Along with BIG BUSINESS (Hal Roach/MGM, also 1929) gave the Laurel & Hardy silents a great send-off, with top notch, out door and beautiful looking shorts. They had successfully developed their style, routines and could practically "hear" the characters. Now that sound had arrived and other actors struggled with their real vocal gyrations; the danger being that the voice wasn't fit for the sound screen. Of course that was no problem for "the Boys" as their voices fit their screen persona perfectly.
After a few slow starts in sound, Stanley & Oliver regained their stride and never looked back. They would shortly conquer the new medium. They were then and now tops in the field! POODLE SCHNITZ!!
Aside from Jean, it's pretty much an average to below average Laurel and Hardy film. I think most of this is because while funny, the chemistry isn't quite right here, though it's hard to exactly put my finger on it. It just didn't seem quite like a Laurel and Hardy film--and by 1929 the style and format of their shorts was pretty much established.
The boys play employees that are sent by an agency to work at a nice New York hotel. At the same time, a rich European prince arrives and the folks at the hotel mistake Stan and Ollie for the prince and his Prime Minister. After finally discovering the mistake, they put the boys to work.
There are two main "big gags" in this film. The first involves a contrived bit involving an incredibly unsafe elevator. Through no fault of Stan and Ollie, the Prince keeps falling down the elevator shaft. This bit was a bit over-used and also had me wondering if they really made elevators like this. If so, then I am surprised that most Americans weren't killed! The second is a series of bit like you'd see in other Laurel and Hardy films such as TIT FOR TAT and TWO TARS. A small argument escalates and Ollie and a tough guy (Charles Hall--in a very typical role for him) start destroying each other's clothes--and Stan joining in for good measure. This bit is reprised later inside the hotel with the other hotel employees and soon everyone is fighting and destroying each other's outfits. Both gags are reasonably funny to watch but also seem amazingly contrived if not impossible--making the humor just a bit forced. Still, it's not a bad film at all, though one that is best remembered for a small part played by a young and relatively inexperienced Jean Harlow.
Lo sapevi?
- QuizHans Joby (aka Captain John Peters), who successfully lampooned Erich von Stroheim in this film, had been von Stroheim's double, and repeated all his nuances and characteristics.
- BlooperDuring his row with the cab driver, Ollie's hat keeps changing positions on his head between shots.
- Citazioni
Title Card: Broadway - Street of a Thousand Thrills...
- ConnessioniEdited into Cavalcata della risata (1957)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Doppia baldoria
- Luoghi delle riprese
- Hal Roach Studios - 8822 Washington Blvd., Culver City, California, Stati Uniti(It was demolished in 1963. Today is The Platform Shopping Center)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 20min
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1