Il vento

What struck me most about this film is how it achieved by purely visual means to evoke the threatening nature of the environment in which the female lead (Letty Mason, played by Lillian Gish) finds herself. The way the wind drives the sand and pushes against windows and doors and the very walls of the cabin makes it look and feel truly frightening. Lillian Gish is fantastic as an initially weak young woman who arrives in this environment as a total stranger, is hated by a woman on whom she depends and deceived by a man who (seemingly) offers to marry her, but who nevertheless finds inner strength in the end. 'The Wind' is a truly haunting film with an optimistic ending. Highly recommended!

Lillian Gish's legendary career was nearly as lengthy as her life. Time and time again, she has shown audiences that she was truly one of the finest actresses who ever lived. A perfect example of her power and artistry is in "The Wind".

Miss Gish plays "Letty", a young girl from Virginia who moves to her cousin's house on the wild, open plains of Texas. The plot is very interesting and very fluid. Miss Gish is wonderful as usual (the sequence of events at the end of the movie is among the finest performances on film) but the real star of the movie is Swedish heartthrob Lars Hanson. A real delightful performance, with real charisma.

A must-see film that deserves more recognition.

Really awesome silent film about a young woman who finds herself at the mercy of people who use and abuse her. With no way to get home, stranded in the mojave desert, Lillian Gish has maybe her best role. The special affects are astounding. The ending is very poor, however. Lillian Gish herself talks about how they insisted a sad ending would ruin her career, even though her films all had sad endings in the past and she was a huge star! She herself, hated the ending they made. Just ignore it and think about how great the whole rest of the film is!

I've watched The Wind several times, and I am convinced that it is one of the greatest movies ever. It is certainly the best silent western, and Lillian Gish has never been so profound as she is here.

What lifts it to the rank of a masterpiece is the passion of the direction and camera-work, and it certainly shows the advantage in having a mature artist like director Victor Sjöström. The central character is, as promised, the wind, and the raw power of nature supersedes the melodrama. You become engulfed in the tempests and hurricanes, and it is only to easy to understand that they might drive the young lady mad.

Lillian Gish also does a magnificent job; her usual overacting is actually appropriate for this role, as the powerful cinematic images have established the likeliness that she is falling to pieces. This surely has to be her greatest performance. Dorothy Cumming is also equally powerful as the embittered "other woman", one of the most evil characters to be found in a western. The other actors are adequate and satisfying without rising to the level of genius. Their acting is natural and unforced, unlike most silents.

It definitely gains from being a silent movie, all that dialogue would become a distraction if we had to listen to it. It helps that Thames Silents Orchestra has composed a beautiful and moving soundtrack, one that would sound good on a CD recording.

If you have any appreciation for silent film, rush out and get this one today!

PS Everyone seems to hate the studio-imposed ending, including Gish herself. Well, they are wrong! The Wind was going to end with Gish escaping the bad guy's advances by fleeing into a sandstorm and perishing...typical Victorian tragic melodrama, the sort of thing spoofed by Chaplin and other comedians.

What we get instead is considerably more complex and interesting, and contains some of the best scenes in the movie. I won't give the credit to the studio execs who demanded the revised ending; obviously, Sjöström was a genius who knew how to work wonders with whatever material he was given.

An awesome, dark & atmospheric film. Gish is superb as the fragile Letty driven to the brink of madness by the incessant wind whipping up the sand. Her portrayal, with her wide staring eyes & tensing hands as the madness threatens to overwhelm her is stunning. The film takes its time to establish its characters, with a constant backdrop of the menace of the environment & also the danger of violence & the descent into madness, building to a thundering & almost unbearably tense experience with the actual sand storm itself. A true classic of the silent era capturing a performer at the peak of her powers-the image of Letty staring wide eyed through the window as the sand uncovers the body will stay with you.