VALUTAZIONE IMDb
7,6/10
4155
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young lady from Georgia goes to Hollywood in the hopes of becoming an actress.A young lady from Georgia goes to Hollywood in the hopes of becoming an actress.A young lady from Georgia goes to Hollywood in the hopes of becoming an actress.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Sidney Bracey
- Dramatic Director
- (as Sidney Bracy)
Renée Adorée
- Renée Adorée
- (non citato nei titoli originali)
George K. Arthur
- George K. Arthur
- (non citato nei titoli originali)
Gordon Avil
- Gordon Avil
- (non citato nei titoli originali)
Eleanor Boardman
- Roxalanne de Lavedan in 'Bardelys the Magnificent'
- (filmato d'archivio)
- (non citato nei titoli originali)
Symona Boniface
- Guest
- (non citato nei titoli originali)
Charles Chaplin
- Charles Chaplin
- (non citato nei titoli originali)
Ray Cooke
- Director's Assistant
- (non citato nei titoli originali)
Harry Crocker
- Harry Crocker
- (non citato nei titoli originali)
Recensioni in evidenza
This for me was a wonderful introduction to the talents and beauty of Marion Davies. She is not only gorgeous but hilarious in this film. (I believe that Lucille Ball may have modeled her later career on Davies' style, that could be termed "zany beauty".) Vidor's direction is light but sure-handed, the story is a chestnut of course but the acting is marvelously contemporary, and the star-watching element for fans of the silent era, with many cameos, adds to the overall fun. It combines the elements of slapstick with adult drama and good old timeless romance quite well. For all movie fans who have a knee-jerk reaction to watching silent films, sit through this one and it may change your attitude.
Perhaps the funniest 'backstage at Hollywood' movie ever, especially for a look at comedy short factories like Keystone.
Marion Davies should get a medal for bravery for taking a part where acting poorly in front of a camera is part of the role. Plenty of cameos for film buffs.
Marion Davies should get a medal for bravery for taking a part where acting poorly in front of a camera is part of the role. Plenty of cameos for film buffs.
"Show People" is an absolutely delightful silent directed by King Vidor and starring Marion Davies and Billy Haines. What gems both of them are in this charming comedy about a young girl, Peggy Pepper, whose acting is the talk of Savannah trying to make it on the big screen. Though she's a success in comedy, what she wants to do is make "art" so she moves up to High Arts Studio. Soon she becomes Patricia Pepoire and is too good for the likes of her friend Billy.
Many stars of the silent era have cameos in "Show People," including Davies herself without the curly hair and makeup. I'm sure when people saw the film in 1928, they recognized everyone who appeared in the elaborate lunch scene; sadly, nowadays, it's not the case, even for film buffs. In one part of the film, however, she does meet Charlie Chaplin; in another, author Elinor Glyn is pointed out to her, and Vidor himself has a cameo at the end of the film. Other stars who pop up in "Show People" are John Gilbert, Douglas Fairbanks, William S. Hart, Leatrice Joy, Bess Flowers, Renee Adoree, Rod LaRoque, Aileen Pringle, and many others.
Davies was adorable and a lively comedienne. It's a shame William Haines quit the movies - he was cute and energetic, deservedly an enormous star back in the day.
"Show People" is a simple story told in a witty way. It's also a look back at an exciting era in Hollywood's history and contains performances by two wonderful stars.
Many stars of the silent era have cameos in "Show People," including Davies herself without the curly hair and makeup. I'm sure when people saw the film in 1928, they recognized everyone who appeared in the elaborate lunch scene; sadly, nowadays, it's not the case, even for film buffs. In one part of the film, however, she does meet Charlie Chaplin; in another, author Elinor Glyn is pointed out to her, and Vidor himself has a cameo at the end of the film. Other stars who pop up in "Show People" are John Gilbert, Douglas Fairbanks, William S. Hart, Leatrice Joy, Bess Flowers, Renee Adoree, Rod LaRoque, Aileen Pringle, and many others.
Davies was adorable and a lively comedienne. It's a shame William Haines quit the movies - he was cute and energetic, deservedly an enormous star back in the day.
"Show People" is a simple story told in a witty way. It's also a look back at an exciting era in Hollywood's history and contains performances by two wonderful stars.
A young lady from Georgia (Marion Davies) goes to Hollywood in the hopes of becoming an actress.
"Show People" offers an entertaining inside look at 1920s Hollywood and reflects on the actual acting career of starlet Marion Davies. Though one of the great comic talents of her day, featured in many of the decade's successful comedies, such as "Tillie the Toiler" (1927), she too often appeared in extravagant, costly period romance films at the behest of her newspaper tycoon lover William Randolph Hearst, who supposedly enjoyed seeing his mistress in fancy costume.
This is a great semi-fictional look at 1920s Hollywood, with some great cameos. I especially love the encounter with Charlie Chaplin, because I can relate to the Davies character. It took me many years to be able to recognize him when not in his tramp disguise, and I suspect this is what prompted the scene -- how was one to know what he looked like (or sounded like) at the time without the mustache?
"Show People" offers an entertaining inside look at 1920s Hollywood and reflects on the actual acting career of starlet Marion Davies. Though one of the great comic talents of her day, featured in many of the decade's successful comedies, such as "Tillie the Toiler" (1927), she too often appeared in extravagant, costly period romance films at the behest of her newspaper tycoon lover William Randolph Hearst, who supposedly enjoyed seeing his mistress in fancy costume.
This is a great semi-fictional look at 1920s Hollywood, with some great cameos. I especially love the encounter with Charlie Chaplin, because I can relate to the Davies character. It took me many years to be able to recognize him when not in his tramp disguise, and I suspect this is what prompted the scene -- how was one to know what he looked like (or sounded like) at the time without the mustache?
Oh it's so cool to watch a Silent Classic once in while! Director Vidor is simply delightful and even makes a lengthy (at least for 1928) cameo as himself. The story is about having success in life and the way it changes you. Marion Davies plays a girl that leaves its friends in a little comedy studio to be part of a larger "drama" studio. She becomes a big star and the consequences are she really alienates from the real world. For a moment she even denies her (poor) past! The cameos are simply hilarious, certainly the scene where the main character (Marion Davies) sees...Marion Davies in the studios and concludes she doesn't seem that special... It's got to be one of the first movie-in-the-movies here and for real freaks it's awesome to see the cameras and material from way back then. A must-see if you ask me!!
Lo sapevi?
- QuizThe well known faces appearing in the banquet scene are, in the order they appear on screen: Dorothy Sebastian, Louella Parsons, Estelle Taylor, Claire Windsor, Aileen Pringle, Karl Dane, George K. Arthur, Leatrice Joy, Renée Adorée, Rod La Rocque, Mae Murray, John Gilbert, Norma Talmadge, Douglas Fairbanks, Marion Davies, and William S. Hart.
- Citazioni
Charles Chaplin: [Talking to Peggy] Will you please sign my album? I'm crazy about signatures.
[Leaves after getting Peggy's autograph]
Peggy Pepper: Who is that little guy?
Billy Boone: Charlie Chaplin.
[Shocked, Peggy faints]
- Versioni alternativeKevin Brownlow led a 1982 restoration of Show People which used a new score composed and conducted by Carl Davis. In addition, a short outtake of Billy Boone showing Peggy how to put on makeup was added.
- ConnessioniEdited into Hollywood: The Dream Factory (1972)
- Colonne sonoreCalifornia, Here I Come
(1924) (uncredited)
Music by Joseph Meyer
Played during the opening scene of Hollywood
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Celebre anche come
- Show People
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1.100.000 USD
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.20 : 1
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