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Starring Stan Laurel and Oliver Hardy, Habeas Corpus is directed by James Parrott and photographed by Len Powers. Plot finds Stan and Ollie as a couple of drifters short of cash who agree to do a bit of grave robbing to earn themselves $500, courtesy of the mad professor Padilla (Richard Carle). But the cemetery at night is not a fun place to be...

Not so much Burke & Hare, more like Berk & Berk!

Not a prime short from the boys but lots to enjoy. The frenetic organ swirls as Stan & Ollie prat about down at the cemetery. After the tone is set via a fun escapade with wet paint, the spooky shenanigans begin - which constitutes the boys scaring each other even without outside influences!

There's the usual visual ticks, the various looks at the camera, which are supplemented by some animal participation (including the world's fastest cat and a fun tortoise). An extended sequence of them trying to get over the wall of the cemetery is overplayed, but after an Ollie wrecking ball moment and a quite brilliant and hilarious body bag sequence of events, this short is back on track and showing why they would become legends of cinema. 7/10

Before Bela Lugosi, Boris Karloff, in Robert Wise's BODY SNATCHER and also other features like John Gilling's FLESH AND THE FIENDS or Freddie Francis'BURKE AND HARE, I am surprised to see that topic of grave robbers in order to serve rogue medical experiments was used by Laurel and Hardy, in of course the most funniest way. What could I say more? The cemetery setting is also a very easy way to bring scary elements in a comedy scheme and show many gags to the audiences. I am not a Laurel and hardy specialist however but this short film seems pretty good for me, although I have not seen the other ones.

After all those decades and not only years, that is still amusing, entertaining at the most, even for youngest audiences.

But all Laurel and Hardy stuff is not so good.

Habeas Corpus (1928)

** 1/2 (out of 4)

Stan Laurel and Oliver Hardy knock on the door of a doctor hoping for a piece of bread but instead he offers them five hundred dollars if they'll steal a body for him from the local cemetery. The boys agree to take the offer but their nerves start to play against them.

HABEAS CORPUS isn't the greatest Laurel and Hardy film you'll ever watch but there are enough funny moments to make it worth viewing. I think the highlights of the film deals with Hardy trying to get Laurel over the wall but when he goes to help the dimwitted Laurel keeps forgetting to actually jump. There's another funny gag dealing with some wet paint that works quite nicely. The stuff inside the cemetery isn't quite as funny as you'd hope for but there's no doubt that fans will still want to watch this one.

This was one of the usual two-reel silent shorts that ran about twenty minutes back in the 1920s. It's reasonably effective, with one or two good laughs.

Laurel and Hardy are sent by a goofy professor to dig up a body at the graveyard, to be used in an experiment. The police, knowing of the plan, have an officer dressed in a white sheet waiting for them.

I think the best gag comes when the boys are trying to climb over the cemetery wall. Hardy cups his palms but Laurel only seems to bounce up and down on them. They try various other ways to get Laurel over the wall and they all fail. Finally, Hardy tells Laurel to bend over. Hardy will make a running jump and leap over the barrier. He doesn't make it. He smashes into the thick brick wall -- and all the way through it. Hardy wasn't too fond of jokes about his weight and that seems to make the gag a little funnier.

Otherwise, it's good but hardly incomparable.

A professor needs a body to experiment on and Laurel & Hardy are the persons to get that body from the graveyard. The police knows what they are about to do and tries to stop that.

This short is a little boring in the first half, although there are some nice moments with white paint. The second half is better and starts with some very funny scenes involving a wall Laurel & Hardy have to climb. That wall is the main object in another great scene a little later. Because of the second half this is a very good one.