Paura al cimitero

Before Bela Lugosi, Boris Karloff, in Robert Wise's BODY SNATCHER and also other features like John Gilling's FLESH AND THE FIENDS or Freddie Francis'BURKE AND HARE, I am surprised to see that topic of grave robbers in order to serve rogue medical experiments was used by Laurel and Hardy, in of course the most funniest way. What could I say more? The cemetery setting is also a very easy way to bring scary elements in a comedy scheme and show many gags to the audiences. I am not a Laurel and hardy specialist however but this short film seems pretty good for me, although I have not seen the other ones.

After all those decades and not only years, that is still amusing, entertaining at the most, even for youngest audiences.

But all Laurel and Hardy stuff is not so good.

When I first read about this Laurel & Hardy comedy in Randy Skretvedt's book "Laurel and Hardy: The Magic Behind the Movies", it revealed that it was the first to have music and sound effects on disc, courtesy of the Victor Talking Machine Company. Skretvedt also mentioned that that disc was lost though according to this site, it's now been found. Maybe that music and sound effects I heard on the Hulu print as linked from IMDb were indeed from that disc. If that was it, then it was a pretty good choice to use for this film especially when what would become the theme for "Alfred Hitchcock Presents" was used. Okay, Stan & Ollie happen to stop at a house in which the owner there (Richard Carle) offers $500 if they dig up a dead body for him. They accept though Stan gets scared when he seems to have to do all the work. I'll stop there and just say this was quite a funny scare comedy though the unfilmed or deleted scenes Skretvedt mentions in his book might have made it even more funny. Certainly the sound effects contribute mightily to the atmosphere though I did notice some spots when they weren't used that could've used them. Besides Carle-who has an amusing bit concerning his pocket and what he feeds into it-there's also Charley Rogers as a butler/detective that adds immensely to the fun. So on that note, Habeas Corpus is another worthy L & H comedy.

What would happen if Dr Frankenstein sent Laurel and Hardy to get a dead body instead of Igor? This is a very funny silent for the boys, and something of a departure. The scared stiff shtick wasn't usually their thing, but they pull it off nicely. They're still developing their chemistry here, but it works very well. The more familiar gags abound along with the Eek! a ghost! bits. Very worth a watch.

Habeas Corpus (1928)

** 1/2 (out of 4)

Stan Laurel and Oliver Hardy knock on the door of a doctor hoping for a piece of bread but instead he offers them five hundred dollars if they'll steal a body for him from the local cemetery. The boys agree to take the offer but their nerves start to play against them.

HABEAS CORPUS isn't the greatest Laurel and Hardy film you'll ever watch but there are enough funny moments to make it worth viewing. I think the highlights of the film deals with Hardy trying to get Laurel over the wall but when he goes to help the dimwitted Laurel keeps forgetting to actually jump. There's another funny gag dealing with some wet paint that works quite nicely. The stuff inside the cemetery isn't quite as funny as you'd hope for but there's no doubt that fans will still want to watch this one.

I don't understand the occasional low ratings I've read by viewers of this great '20s silent film.

It's early vintage Laurel & Hardy with a very good demonstration of most aspects of their particular brand of physical humor and emotional reactions to each other and their situations.

Done in 1928 in the Hal Roach studio, a silent film historian said it's the beginning, in a sense--a preview, or first chapter, of what was to become a great series of longer comedy escapades.

One can only downgrade this film by judging it against Laurel & Hardy's other, later, longer and more fully developed films.