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7,5/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."A cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."A cloistered, overprotected Austrian prince falls in love with a down-to-earth barmaid in this "Viennese fairy tale."
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Philippe De Lacy
- Young Karl - Heir Apparent
- (as Philipe de Lacy)
Bobbie Mack
- Kellermann
- (as Bobby Mack)
George K. Arthur
- Drunk Student
- (non citato nei titoli originali)
Lionel Belmore
- Stout Student
- (non citato nei titoli originali)
Robert Brower
- Minister to the King
- (non citato nei titoli originali)
Edythe Chapman
- Young Karl's Nanny
- (non citato nei titoli originali)
Oliver Eckhardt
- Minister
- (non citato nei titoli originali)
Margaret Gray
- Student
- (non citato nei titoli originali)
Ruby Lafayette
- Bit Part
- (non citato nei titoli originali)
André Mattoni
- Count Asterberg
- (non citato nei titoli originali)
Recensioni in evidenza
I watched this delightful film on TCM last night. What a revelation! Although the print quality has clearly suffered over the years, the high quality of the original production values shines through. The famous Lubitcsh Touch is all over this sweet, moving film.
The acting is also superb! Navarro and Shearer give believable performances as a star-crossed couple in turn-of-the-century Germany. Navarro, in particular, gives a pitch-perfect portrayal of a reluctant prince who longs only for a simple life surrounded by school-friends and his first love.
Also giving a beautiful performance as the prince's tutor and mentor was Jean Hersholt.
I have never particularly enjoyed silent films - many seem to me to be overly melodramatic. But this film changed my opinion. The actors and director were able to communicate so much with very few dialog cards. It made me realize what was lost when talking pictures took over and everything became more literal.
Even if you don't think you like silent films, give this one a try.
The acting is also superb! Navarro and Shearer give believable performances as a star-crossed couple in turn-of-the-century Germany. Navarro, in particular, gives a pitch-perfect portrayal of a reluctant prince who longs only for a simple life surrounded by school-friends and his first love.
Also giving a beautiful performance as the prince's tutor and mentor was Jean Hersholt.
I have never particularly enjoyed silent films - many seem to me to be overly melodramatic. But this film changed my opinion. The actors and director were able to communicate so much with very few dialog cards. It made me realize what was lost when talking pictures took over and everything became more literal.
Even if you don't think you like silent films, give this one a try.
Before Sigmund Romberg and Dorothy Donnelly wrote their immortal score for The Student Prince, it had originally been performed as a straight dramatic work by the great turn of the last century stage actor, Richard Mansfield. Entitled In Old Heidelberg it is what we are in fact seeing here as opposed to a silent version of the musical, an oxymoron if there ever was one.
I do so love the music of Romberg and Donnelly, especially what they wrote for The Student Prince. Yet I was able to appreciate the fine dramatic work of Ramon Novarro as the prince of Karlsbad and Norma Shearer as Kathi the barmaid. They certainly were as romantic a couple as ever graced the silent screen.
Without the music, this version of The Student Prince went for characterization instead. There is a long sequence of about a quarter of the running time of the film that goes into Prince Karl's childhood with young Philippe DeLacy playing the prince as a child. We see the relationship with the very stern King played by Gustave Von Seyfertitz and later on when he's introduced to his tutor and closest friend, Jean Hersholt. Hersholt has the best performance in the film.
Novarro plays a most charming prince and Shearer is a fetching barmaid with whom he falls in love with. After the childhood prologue, the rest of the film is pretty much the same as the 1954 version with Ann Blyth, Edmond Purdom and the voice of Mario Lanza.
For reasons I don't understand MGM which held the rights to the Student Prince did not make a sound version until 1954. Odd when you consider that during the Thirties they had Allan Jones under contract who would have been wonderful in the part. Having heard him sing Deep In My Heart I can attest to that. Failing that it sure could have been a property for Nelson Eddy and Jeanette MacDonald.
I believe the German locale of the story probably had something to do with it not being filmed. Also the subject of an errant prince refusing to face his responsibilities was a big international story with the once and future Edward VIII giving it all up for the woman he loved. I can believe that Irving Thalberg and Louis B. Mayer probably did not want to anger the British market at that time.
Though I missed the Romberg/Donnelly score, I still enjoyed the performances of Ramon Novarro and Norma Shearer and the rest of the cast being transported back to Old Heidelberg under the masterful direction of Ernest Lubitsch. Try to see this if it is ever broadcast again.
I do so love the music of Romberg and Donnelly, especially what they wrote for The Student Prince. Yet I was able to appreciate the fine dramatic work of Ramon Novarro as the prince of Karlsbad and Norma Shearer as Kathi the barmaid. They certainly were as romantic a couple as ever graced the silent screen.
Without the music, this version of The Student Prince went for characterization instead. There is a long sequence of about a quarter of the running time of the film that goes into Prince Karl's childhood with young Philippe DeLacy playing the prince as a child. We see the relationship with the very stern King played by Gustave Von Seyfertitz and later on when he's introduced to his tutor and closest friend, Jean Hersholt. Hersholt has the best performance in the film.
Novarro plays a most charming prince and Shearer is a fetching barmaid with whom he falls in love with. After the childhood prologue, the rest of the film is pretty much the same as the 1954 version with Ann Blyth, Edmond Purdom and the voice of Mario Lanza.
For reasons I don't understand MGM which held the rights to the Student Prince did not make a sound version until 1954. Odd when you consider that during the Thirties they had Allan Jones under contract who would have been wonderful in the part. Having heard him sing Deep In My Heart I can attest to that. Failing that it sure could have been a property for Nelson Eddy and Jeanette MacDonald.
I believe the German locale of the story probably had something to do with it not being filmed. Also the subject of an errant prince refusing to face his responsibilities was a big international story with the once and future Edward VIII giving it all up for the woman he loved. I can believe that Irving Thalberg and Louis B. Mayer probably did not want to anger the British market at that time.
Though I missed the Romberg/Donnelly score, I still enjoyed the performances of Ramon Novarro and Norma Shearer and the rest of the cast being transported back to Old Heidelberg under the masterful direction of Ernest Lubitsch. Try to see this if it is ever broadcast again.
Ernst Lubitsch's silent films are as graceful and enchanting as his sound pictures, but the director's silents are unfairly left in the corner and don't always get the distinction they truly deserve. Along with "Lady Windermere's Fan" and "The Marriage Circle", this heartbreaking silent classic is one of Lubitsch's most perfect and poignant American silent films.
"The Student Prince in Old Heidelberg"(surviving copies only say " Old Heidelberg") is a very moving and heartbreaking love story and pretty much in the best Lubitsch tradition of subtle, graceful, witty romantic comedy, tinged with an air of sadness and poignancy, much like what you see in the later Lubitsch sound masterworks like "The Shop Around the Corner", "Heaven Can Wait", and "Cluny Brown". Norma Shearer gives what could be her greatest and most satisfying silent performance as Kathi, a popular barmaid with fraternal students and townsfolk in the quasi-mythical university town of Heidelberg. Ramon Novaro is superb as her prince charming, the student prince who falls in love with her.
If you liked this one, I recommend Lubitsch's other great silent love story from this period, the rarely seen and appreciated "Eternal Love."
"The Student Prince in Old Heidelberg"(surviving copies only say " Old Heidelberg") is a very moving and heartbreaking love story and pretty much in the best Lubitsch tradition of subtle, graceful, witty romantic comedy, tinged with an air of sadness and poignancy, much like what you see in the later Lubitsch sound masterworks like "The Shop Around the Corner", "Heaven Can Wait", and "Cluny Brown". Norma Shearer gives what could be her greatest and most satisfying silent performance as Kathi, a popular barmaid with fraternal students and townsfolk in the quasi-mythical university town of Heidelberg. Ramon Novaro is superb as her prince charming, the student prince who falls in love with her.
If you liked this one, I recommend Lubitsch's other great silent love story from this period, the rarely seen and appreciated "Eternal Love."
Ramon Novarro (as Karl Heinrich) is the Crown Prince of Karlsburg. He is envied by his subjects, but lonely and isolated behind castle walls. Quite Princely in appearance, and capable of performing royal duties, he is, nonetheless, not enamored with dutiful royalties. With help from tutor Jean Hersholt (as Dr. Juttner), he becomes an honor student, and is goes to university at Old Heidelberg. There, he meets and falls in love with commoner Norma Shearer (as Kathi).
"The Student Prince in Old Heidelberg" is a first rate silent film production, expertly directed by Ernst Lubitsch. Mr. Novarro is appropriately exuberant as the young Prince - his performance is excellent throughout, but really starts to dazzle in the scenes beginning with his witnessing of Ms. Shearer's downing a German beer. Mr. Hersholt is great as Novarro's tutor; both men are superior with the necessary "silent screen" acting, and the more forward "underplaying". Ms. Shearer is just a step behind her co-stars in artful acting; but, it's a a gap she will very quickly fill. Shearer is terrific in the scene when she learns Novarro is leaving, and helps him pack. Philipe de Lacy is notable, playing the Prince as a boy; his characterization matches the older Novarro - director Lubitsch directs these early sequences effectively, creating the image of a young prince in his castle prison.
When a couple of important people in the Prince's life die, the story becomes necessarily more somber in tone. Of course, Novarro must eventually become King - these scenes are beautifully symbolic, and extraordinarily well photographed. The visit by an old friend prompts Novarro's return to Old Heidelberg, with unexpected results. Don't miss a later scene, when Novarro returns to his Old Heidelberg bedroom - especially, watch how Novarro briefly strokes his bed, obviously thinking of Shearer; it's a superb little bit of sexual suggestion. It would be nice to know whether the gesture originated with Novarro or Lubitsch - but, it's probably not possible to determine. "Is it Good to be King?" You'll know when you see Novarro's beautifully acted final scene, in his royal carriage - certainly, it's one of the most memorable performances in silent cinema.
********** The Student Prince in Old Heidelberg (9/21/27) Ernst Lubitsch ~ Ramon Novarro, Norma Shearer, Jean Hersholt, Philippe de Lacy
"The Student Prince in Old Heidelberg" is a first rate silent film production, expertly directed by Ernst Lubitsch. Mr. Novarro is appropriately exuberant as the young Prince - his performance is excellent throughout, but really starts to dazzle in the scenes beginning with his witnessing of Ms. Shearer's downing a German beer. Mr. Hersholt is great as Novarro's tutor; both men are superior with the necessary "silent screen" acting, and the more forward "underplaying". Ms. Shearer is just a step behind her co-stars in artful acting; but, it's a a gap she will very quickly fill. Shearer is terrific in the scene when she learns Novarro is leaving, and helps him pack. Philipe de Lacy is notable, playing the Prince as a boy; his characterization matches the older Novarro - director Lubitsch directs these early sequences effectively, creating the image of a young prince in his castle prison.
When a couple of important people in the Prince's life die, the story becomes necessarily more somber in tone. Of course, Novarro must eventually become King - these scenes are beautifully symbolic, and extraordinarily well photographed. The visit by an old friend prompts Novarro's return to Old Heidelberg, with unexpected results. Don't miss a later scene, when Novarro returns to his Old Heidelberg bedroom - especially, watch how Novarro briefly strokes his bed, obviously thinking of Shearer; it's a superb little bit of sexual suggestion. It would be nice to know whether the gesture originated with Novarro or Lubitsch - but, it's probably not possible to determine. "Is it Good to be King?" You'll know when you see Novarro's beautifully acted final scene, in his royal carriage - certainly, it's one of the most memorable performances in silent cinema.
********** The Student Prince in Old Heidelberg (9/21/27) Ernst Lubitsch ~ Ramon Novarro, Norma Shearer, Jean Hersholt, Philippe de Lacy
I have seen both sound and silent versions of this movie and I actually prefer the silent one--even though it was based on a musical! Maybe part of this is because I am not the biggest fan of musicals, but I think more of this has to do with how beautifully made this film is. The film was directed by the great Ernst Lubitsch--a man renowned for his deft artistic touch and romanticism in films. All this is so apparent in this film, as it is just a work of art--gorgeous and romantic through and through. The sets, camera-work and acting are all exquisite and help to make this a very memorable film. If you want to see a sound version, help yourself. But for me, this is THE definitive version of the film.
Lo sapevi?
- QuizErich von Stroheim was offered directorship of this film, but declined after having had a negative experience working under Irving Thalberg on La vedova allegra (1925). Stroheim went to Paramount to direct and star in Sinfonia nuziale (1928).
- BlooperThe young Karl's eyes are blue, but the adult Karl's eyes are brown.
- Citazioni
Kids in the street: [happily, looking at photo of Young Prince Karl in shop window] He's going to be a wonderful king!
- Versioni alternativeIn 1986, Thames Television in association with Metro-Goldwyn-Mayer created a video, using the alternate title "Old Heidelberg," with full orchestral score by Carl Davis, and with running time of 106 minutes.
- ConnessioniFeatured in Irving Thalberg: Prince of Hollywood (2005)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Student Prince in Old Heidelberg
- Luoghi delle riprese
- Heidelberg, Baden-Württemberg, Germania(establishing shots - not used in final film)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.205.000 USD (previsto)
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Il principe studente (1927) officially released in India in English?
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