VALUTAZIONE IMDb
7,5/10
2067
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.An irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.An irresponsible young millionaire changes his tune when he falls for the daughter of a downtown minister.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Jim Mason
- The Gangster
- (as James Mason)
Hal Craig
- Motorcycle Cop
- (non citato nei titoli originali)
Richard Daniels
- Bum
- (non citato nei titoli originali)
Robert Dudley
- Harold's Secretary
- (non citato nei titoli originali)
Ruth Feldman
- Onlooker at Mission Fire
- (non citato nei titoli originali)
Francis Gaspart
- Man
- (non citato nei titoli originali)
Jack Herrick
- Mug in Straw Hat
- (non citato nei titoli originali)
Jackie Levine
- Little Boy
- (non citato nei titoli originali)
Andy MacLennan
- Gangster in Mission at Collection
- (non citato nei titoli originali)
Earl Mohan
- Bum
- (non citato nei titoli originali)
Oscar Morgan
- Black Hotel Porter
- (non citato nei titoli originali)
Steve Murphy
- Tough Guy in Pool Hall
- (non citato nei titoli originali)
Blanche Payson
- Lady on the Street
- (non citato nei titoli originali)
Constantine Romanoff
- Mug
- (non citato nei titoli originali)
Recensioni in evidenza
This lesser-known Harold Lloyd silent gem takes a very slight story and uses it as the basis for some entertaining and resourceful comedy. Noah Young also has a good role that gives him a more interesting character than he usually gets to play, and he gets some good moments of his own. The plot is fluffier than usual for a Lloyd feature, but the script is quite creative in using it for some sequences of classic Lloyd-style slapstick.
The setup has Lloyd as the kind of lackadaisical millionaire that he portrayed so well. His character accidentally donates the money to set up an inner-city mission, and becomes involved with the mission and with Jobyna Ralston, whose father runs it. There are a few slow stretches that are needed to advance the plot, but the story doesn't really ever try to carry the movie, leaving that instead to the imaginative comedy sequences.
This has the kind of madcap finale that characterized so many of Lloyd's movies, an interesting and entertaining variant on the race-against-time idea. But the best part of the movie actually comes earlier, when Lloyd's character sets out to round up the neighborhood roughnecks, followed by the scene of them suddenly finding themselves in the mission, and then Young, as the biggest of the bullies, confronting Lloyd. Three very funny sequences in a row, and they are pieced together with barely a pause.
Even by Lloyd's standards, this feature has some very good material. It's almost as good as the likes of "Safety Last", "The Kid Brother", and the rest of his very best movies.
The setup has Lloyd as the kind of lackadaisical millionaire that he portrayed so well. His character accidentally donates the money to set up an inner-city mission, and becomes involved with the mission and with Jobyna Ralston, whose father runs it. There are a few slow stretches that are needed to advance the plot, but the story doesn't really ever try to carry the movie, leaving that instead to the imaginative comedy sequences.
This has the kind of madcap finale that characterized so many of Lloyd's movies, an interesting and entertaining variant on the race-against-time idea. But the best part of the movie actually comes earlier, when Lloyd's character sets out to round up the neighborhood roughnecks, followed by the scene of them suddenly finding themselves in the mission, and then Young, as the biggest of the bullies, confronting Lloyd. Three very funny sequences in a row, and they are pieced together with barely a pause.
Even by Lloyd's standards, this feature has some very good material. It's almost as good as the likes of "Safety Last", "The Kid Brother", and the rest of his very best movies.
10kidboots
Six months ago I had barely seen a Harold LLoyd feature (except "The Kid Brother" 35 years ago) - now I know that whenever I feel down I can put on a Harold Lloyd movie and laugh myself silly from start to finish!! It is such a comforting feeling. This is not a typical Harold Lloyd comedy and I was a bit concerned initially - instead of the poor boy who makes good or the eager, hopeful go-getter who by the film's end is everyone's hero, this movie has Lloyd as J. Harold Manners, an idle rich boy who accidentally becomes the patron of a mission for down and outs.
There are two fantastic chases in this movie - the first where Harold pledges to get the "Pool Hall Boys" to the Mission -he does (and a whole lot of other thugs as well) and by the time the police arrive they are all singing hymns and liking it!!! The other one is reminiscent of the hilarious chase in "Girl Shy" - in this chase he has been kidnapped by his well meaning rich friends, his "pool room" mates find him and then he has the job of getting himself and his inebriated friends to the church on time.
Jobyna Ralston, as Hope, can't be over-estimated. Even though her role is usually "the girl", either rich girl, poor girl or working girl, she compliments Harold Lloyd so much and brings so much to his movies on her own, it would be hard for me to imagine any other actress in the role. Noah Young also adds immensely to the laughs as the leader of the thugs. And three cheers for the wonderful Robert Israel and his Orchestra - if only he could score the music for all the silent movies that are available.
Highly, Highly Recommended.
There are two fantastic chases in this movie - the first where Harold pledges to get the "Pool Hall Boys" to the Mission -he does (and a whole lot of other thugs as well) and by the time the police arrive they are all singing hymns and liking it!!! The other one is reminiscent of the hilarious chase in "Girl Shy" - in this chase he has been kidnapped by his well meaning rich friends, his "pool room" mates find him and then he has the job of getting himself and his inebriated friends to the church on time.
Jobyna Ralston, as Hope, can't be over-estimated. Even though her role is usually "the girl", either rich girl, poor girl or working girl, she compliments Harold Lloyd so much and brings so much to his movies on her own, it would be hard for me to imagine any other actress in the role. Noah Young also adds immensely to the laughs as the leader of the thugs. And three cheers for the wonderful Robert Israel and his Orchestra - if only he could score the music for all the silent movies that are available.
Highly, Highly Recommended.
Uptown millionaire J. Harold Manners leads a life insulated by his immense wealth until he meets a very pretty young lady working with her father in a Downtown skid row mission.
Comic genius Harold Lloyd had another tremendous success with FOR HEAVEN'S SAKE, a silent film very simple of plot but wildly delirious in terms of hilarious detail & inspiration. Harold had the enviable knack of making an audience like him immediately and empathize with his tribulations. They entered into and became a part of his gags, watching them build and grow, until the final explosion of laughter and the immediate start of his next comedic onslaught.
Here, Harold has two of his finest sequences, two very different extended chases which illustrate his visual wizardry and perfect timing. In the first, Harold infuriates a growing crowd of enraged hoodlums, crooks and ne'er-do-wells into chasing him into the mission, so as to please the sweet young lady. In the second, which climaxes the movie, Harold races to his own delayed wedding, through crowded New York streets (actually filmed in Los Angeles), while shepherding five very friendly and extremely intoxicated bums, culminating in a wild ride atop a runaway double-decker bus. Through it all, Harold exhibits his magnificent athletic ability, putting himself in real danger, a self-imposed peril made even more remarkable by the fact that he was missing half of his right hand.
The production values in the film are absolutely first rate, even down to casting the faces,' wistful & careworn, seen in the mission scenes. The logistics involved in filming the action sequences on actual city streets, involving crowds of extras and split-second precision timing for the stunts, is beyond merely impressive. Lloyd, who fathered the idea, put the film through five previews until he was sure he had it perfect.
Jobyna Ralston once again amply fills the role of the girl of Harold's dreams. Diminutive Paul Weigel exudes saintly goodness as her father. Noah Young brings bullish bluster to his role of a tough gangster tamed by Mr. Lloyd.
Robert Israel has composed an excellent film score which perfectly complements Harold's antics on the screen.
Comic genius Harold Lloyd had another tremendous success with FOR HEAVEN'S SAKE, a silent film very simple of plot but wildly delirious in terms of hilarious detail & inspiration. Harold had the enviable knack of making an audience like him immediately and empathize with his tribulations. They entered into and became a part of his gags, watching them build and grow, until the final explosion of laughter and the immediate start of his next comedic onslaught.
Here, Harold has two of his finest sequences, two very different extended chases which illustrate his visual wizardry and perfect timing. In the first, Harold infuriates a growing crowd of enraged hoodlums, crooks and ne'er-do-wells into chasing him into the mission, so as to please the sweet young lady. In the second, which climaxes the movie, Harold races to his own delayed wedding, through crowded New York streets (actually filmed in Los Angeles), while shepherding five very friendly and extremely intoxicated bums, culminating in a wild ride atop a runaway double-decker bus. Through it all, Harold exhibits his magnificent athletic ability, putting himself in real danger, a self-imposed peril made even more remarkable by the fact that he was missing half of his right hand.
The production values in the film are absolutely first rate, even down to casting the faces,' wistful & careworn, seen in the mission scenes. The logistics involved in filming the action sequences on actual city streets, involving crowds of extras and split-second precision timing for the stunts, is beyond merely impressive. Lloyd, who fathered the idea, put the film through five previews until he was sure he had it perfect.
Jobyna Ralston once again amply fills the role of the girl of Harold's dreams. Diminutive Paul Weigel exudes saintly goodness as her father. Noah Young brings bullish bluster to his role of a tough gangster tamed by Mr. Lloyd.
Robert Israel has composed an excellent film score which perfectly complements Harold's antics on the screen.
Harold Lloyd in his prime as a multi-millionaire who thinks nothing of buying - and trashing - two cars in one day, and who funds a mission for the poor without realising it. He wants nothing to do with it until he spies the minister's comely daughter (Jobyna Ralston). Some decent jokes, an hilarious chase sequence, and a hair-raising race to the altar on a driverless bus help place this, perhaps lesser-known entry, amongst the comedian's better works.
(1926) For Heaven's Sake
COMEDY ACTION DRAMA
Harold Lloyd plays upper class and wealthy successful real estate investor, J Harold Manners accidentally burning down a missionary's coffee cart that was supposed to serve the poor. He then writes a check to Brother Paul (Paul Weigel) who in turn assumed he was supposed to use the money to open up an actual facility with his name left on the sign. Except that by the time he found out his name was used without his consent, he then goes straight down there to make the change, except that the young teenage lady who got angry after catching him tear the sign down had no idea he was indeed Harold manners. The one who donated enough money for Brother Paul to open up an actual facility, who introduce her to him as her daughter, Hope (Jobyna Ralston). And he goes head over heels over her who she tries to entice him to reform criminals who hang out at the pool hall, particularly Bull Brindle (Noah Young). Some of the innovative gags also include Lloyd managing to bring many criminals to participate into the missionary. As well as Lloyd making efforts to control five very wasted friends from hurting themselves and guide them safely back to the mission to get married to his love interest Hope. There is some death defying stunts that involves plenty of vehicles and an open top bus that would be hard to imitate if they are done now.
Harold Lloyd plays upper class and wealthy successful real estate investor, J Harold Manners accidentally burning down a missionary's coffee cart that was supposed to serve the poor. He then writes a check to Brother Paul (Paul Weigel) who in turn assumed he was supposed to use the money to open up an actual facility with his name left on the sign. Except that by the time he found out his name was used without his consent, he then goes straight down there to make the change, except that the young teenage lady who got angry after catching him tear the sign down had no idea he was indeed Harold manners. The one who donated enough money for Brother Paul to open up an actual facility, who introduce her to him as her daughter, Hope (Jobyna Ralston). And he goes head over heels over her who she tries to entice him to reform criminals who hang out at the pool hall, particularly Bull Brindle (Noah Young). Some of the innovative gags also include Lloyd managing to bring many criminals to participate into the missionary. As well as Lloyd making efforts to control five very wasted friends from hurting themselves and guide them safely back to the mission to get married to his love interest Hope. There is some death defying stunts that involves plenty of vehicles and an open top bus that would be hard to imitate if they are done now.
Lo sapevi?
- QuizThis was one of Harold Lloyd's most successful films at the box office and the 12th highest-grossing film of the Silent Era.
- BlooperWhen the car which was involved in the gun fight rolls to a stop, it stops on regular road. In the next shot it has been moved on to a train track.
- Citazioni
Title Card: During the days that passed, just what the man with a mansion told the miss with a mission - is nobody's business.
- ConnessioniFeatured in Funny Side of Life (1963)
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 5.668.000 USD
- Tempo di esecuzione58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Il re degli straccioni (1926) officially released in India in English?
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