Il mago di Oz

Even in it's day, I think that this movie would have been looked on as rather average. It just isn't a patch on the classic 1939 version. The scarecrow, the tin man and the cowardly lion are not characters, but rather disguises that three of the characters "put on". And there is no witch at all. [Margaret Hamilton, we miss you.] Although the plot is good, the way it's done would confuse younger children, and it somehow just doesn't hold up. It is interesting to see, only for its historic aspect.

18-year-old Dorothy (Dorothy Dwan) lives on a Kansas farm, little knowing that she's actually the rightful Queen of the magical land of Oz, which is currently ruled by Prime Minister Kruel (Josef Swickard). After Kruel sends his minion Ambassador Wikked (Otto Lederer) to Kansas to try and steal the document that proves Dorothy is the queen, Dorothy and her friends are transported to Oz, where they meet the Wizard (Charles Murray) and the benevolent Prince Kynd (Bryant Washburn). Dorothy's friends are transformed into the Scarecrow (Larry Semon), the Tin Woodsman (Oliver Hardy), and the Cowardly Lion (Spencer Bell).

This was adapted, produced and directed by silent screen comedy star Larry Semon, a household name at the time, but almost entirely forgotten today. It's nearly half of the running time before Dorothy and her gang get to Oz, with much of the first half of the movie taken up by substandard comedy bits on the Kansas farm. It was strange seeing Hardy as the Tin Woodsman, and sad to see the Cowardly Lion, who spends most of the film as a stereotypical caricature named Snowball.

Semon was too extravagant with his budgets, and soon after declared bankruptcy. 2 years later he was playing supporting roles, like in von Sternberg's 1927 Underworld, before dying in 1928 at age 39 of lung disease.

I'm probably gonna get bashed by all you other Oz fans out there for writing this review, but who cares! I grew up watching the 1939 version and didn't know about this one until about 16 months ago. About 3 months ago, I got the DVD, I sat down, watched it, and laughed my fool head off. Okay! Okay! It doesn't follow the version we're all "used to watching". Anybody ever heard of a little variety? Well here it is.

There are a few downsides though. First off, there's no Toto, no "I don't think we're in Kansas anymore" line, no good witch/bad witch. Secondly, the DVD version has TERRIBLE music. But Jacqueline Lovell certainly adds something with her narration. If they were to at least add even a piano score, or organ score even, it would have sounded much better.

Otherwise, altogether, this version of the classic tale by L. Frank Baum is good. Drawn out very much at times, but NOT THAT BAD!!! See it at least once, but don't expect anything, because if you do, you're gonna ruin it for yourself. Also it's in heavy need of restoration, any takers?? Please! For the good of Oz?!

This is a strange, sometimes misogynistic, and sometimes racially stereotypical film, reflective of the time in which it was made. It fascinates on a historical level, and on a foundational comedic level. You can see the trademark Oliver Hardy gestures in development, and his interaction with Larry Semon foretells his film relationship with Stan Laurel. Some cute little animation effects (a bee enters one of Semon's ears only to exit from the other), reflective of Disney's contemporaneous mix of live action and animation.

The "digital" score and the use of a "narrator" (who horribly reads the subtitles...where did she learn to read???) is annoying.

All in all, cute, and worthy of 90 minutes.

While disappointing (to say the least), there are at least two interesting things about this version. One is to see someone who is not Buster Keaton or Charlie Chaplin (but is in fact Larry Semon, one of their contemporaries) trying to imitate them in what was clearly designed to be a star vehicle for him. It makes the work of the other two men seem that much more remarkable when you watch some of their competition.

The most interesting thing about this production, though, is perhaps the fact that the MGM version was made only 14 short years later. The world moves very fast sometimes.