Il labirinto delle passioni

The Pleasure Garden is notable for being the first complete film of Alfred Hitchcock, one of the greatest and most influential directors in film, so it is one of great historical interest. It's not one of his best, there is somewhat of a primitive look, some of the pacing does get pedestrian in the middle and the scripting at times suffers from being overly talky. Hitchcock has definitely done worse though, and The Pleasure Garden is a decent film. Even for such an early effort, Hitchcock's direction does shine through with great use of camera angles and directorial flourishes. No signs of phoning in. The story is intelligently explored, the script serves the actors and Hitchcock competently(though of course there have been much better scripts since) and while the pacing is uneven the beginning and ending are solid enough. The acting give their all, maybe with some over-playing here and there, but there is signs of effort. All in all, a quite decent first complete film, though Hitchcock definitely went on to much better since. 7/10 Bethany Cox

This film is alright. It's definitely not one of Hitchcock's best, but it's not bad. The score isn't as annoying as other silent movie scores that drone the same chords over and over. It's pretty entertaining, the humour works well some of the same.

At the age of 25, Alfred Hitchcock, who had been an assistant director to Michael Balcon, was given the chance to direct his first film, which was of course silent. It is very good and showed at once that he had talent. Assistant director on the film was a girl named Alma Reville, who was to become Hitchcock's wife and lifelong partner in all of his film projects. The film is based on a popular novel by 'Oliver Sandys', which was the pen name of a woman whose real name was Marguerite Jarvis, and who in this same year appeared as an actress under the name of Marguerite Evans in the comedy film STAGESTRUCK, with Gloria Swanson. The title of this film is the name of a music hall in London, where two girls are in the chorus together, and share a room in Brixton. The melodrama concerns the adventures of their lives and respective fates. The film was shot at Babelsburg Studios in Germany and had an international cast. The American actress Virginia Valli plays Patsy, the good girl of the two. And Jill, the girl who goes to the bad, is played by another American actress, Carmelita Geraghty. The German actor Karl Falkenberg plays the unpleasant and sinister Prince Ivan, who leads Jill astray. Falkenberg acted in 100 films between 1916 and 1936, after which he disappears from history. Probably he was Jewish, was banned from the screen by the Nazis, and then sent to a death camp. Possibly the best performance in the film is by British actor Miles Mander, who outdid Falkenberg by appearing in 107 films, between 1920 and 1947, including WUTHERING HEIGHTS (1939). In this film he plays a cad who married Patsy and then betrays her with a mistress and goes to pieces with drink and decadence. He delivers a very finely judged performance, and does not overact. Carmelita Geraghty is very convincing in her downward spiral into immorality, selfishness, and selling herself for fame and fortune. The film is not particularly creaky with age, and is well worth seeing.

This is a moral tale of a couple of women, one good and the other lost in her own self- importance. It's also about two men who find themselves on the opposite side of fence as well. One is a kind, caring guy and the other a selfish womanizing cad. The first part of the show is about how two women in a chorus line evolve. One knows she has it and immediately demands the attention of everyone. She has been embraced by her friend who has been in the chorus for a while, but one she gains popularity, she has no time for the other woman. A marriage of convenience takes place and things really unravel. Also, the young starlet begins to realize that all her attention can't seem to make her happy. Things get kind of weird when the cad ends up in some island paradise with a native cookie whom he uses in every way possible. There are some really ridiculous confrontations and overacting by the principles. Everything gets wrapped up kind of neatly. Hitchcock was obviously learning the camera. I disagree with a previous comment about a monkey hanging around a film set being able to come up with this film. There are already hints of a style coming to the fore. It's too bad a couple of other first efforts have been lost to the inevitable decomposition of film (or simply lost).

Hitchcock's first film shows him to be merely a competent director. There's nothing Hitchcockian about this film, although a clever early shot shows a producer puffing away on a cigar next to a "No Smoking" sign, a visual contrast to show character.

The film does move along nicely and the acting is competent. Essentially a story about two show girls, one a gold digger, and the other a nice girl. The former marries into royalty and the latter makes an initial marriage mistake that makes up the bulk of the narrative.

The commercially released DVD, which I viewed, runs 59:35, but the timings here on IMDb range from 75 to 92 minutes. I was aware of a few abrupt transitions that may be due to trimmed footage, most notably the departure of Jill's husband from their honeymoon to his plantation job. Also we last see Patsy as she is selecting her trousseau for her upcoming marriage. I imagine the original film has a good deal more about how she ended up, contrasting with Jill's fortunes. It does seem unbalanced to leave her story up in the air.

All in all, an enjoyable and competently made film.