La febbre dell'oro

Charles Chaplin's "The Gold Rush" is arguably his finest film. He stars as a wimpy prospector who decides to go to the Klondike in the hopes of striking it rich. What he does not realize is that he may find love (in the form of Georgia Hale) instead of money. In the end that may be all right with him. "The Gold Rush" shows everything that made Charles Chaplin the great performer, writer and director he was. Quite possibly the finest cinematic icon of the 20th Century, Chaplin showed humanity, love and an undying want to entertain all audiences throughout his stellar cinematic career. The movie is exceptional in every way. Although I am not as well-versed with movies from the 1920s as I am with the decades following it, I would still probably call "The Gold Rush" the finest film of that 10-year period. Oh how the cinema misses Charles Chaplin today. 5 stars out of 5.

Charlie Chaplin's silent film (also re-released with a narration in the early 1940s) focuses, as usual, on the Little Tramp, and in this case, his attraction to a chorus girl (Georgia Hale). This is the one where he eats a boot, along with its laces, and manages to make it appear a sumptuous meal; as well as creating a dance with bread rolls.

The role of the girl was originally intended for the second Mrs Chaplin, Lita Grey, but her pregnancy ruled her out. Georgia Hale is excellent in her disdain of the unwanted Tramp attentions. Mack Swain appears as Big Jim, who shares a cabin with the Tramp, at one point getting so hungry he imagines his pal as a chicken ready to eat! This film has the spirit of the pioneers and gold-runners, as well as the inimitable spirit of the little hero. As a silent it is one of the best comedies of the time, as a sound film, it is fairly good.

One of the great Chaplin movies is 'The Gold Rush' and although it is not his best it contains one of the best known Chaplin-sequences. The sequence with the dancing rolls is one of the best I have seen in any Chaplin, whether it is a feature film or a two-reeler. For me this alone makes 'The Gold Rush' worth watching.

There are other great moments in this story where Chaplin is the Lone Prospector who falls in love with a girl named Georgia (Georgia Hale). When Chaplin has to find some gold (the movie isn't name 'The Gold Rush' for nothing) together with Hank (Henry Bergman) they stay in a cottage in the mountains. The sequence with this cottage after a blizzard is another that belongs to the greatest sequences in a Chaplin movie.

Of course we know from the start how things will end with the girl and the gold but the way that leads to that point is a nice one. Personally I think it is not great all the time, some sequences make it great, and sometimes even a little too simple. Because of the sequences described above (and some others) and because of the artist that Chaplin is this still belongs to the better silent movies I have seen.

... in which Chaplin tried to modernize The Gold Rush by taking out the title cards, adding narration which he himself did, changing the music, and deleting some scenes. It isn't bad since Chaplin himself redid it, but I just prefer the original.

It isn't as funny as The Kid, not as heartbreaking as City Lights, and it doesn't have the social commentary of Modern Times. Instead it has a little bit of everything plus lots of atmosphere AND it takes Chaplin's Little Tramp out of some anonymous urban environment and lands him in a very specific place and time - the Klondike gold rush of the late 1890s. I could feel the biting cold, the hunger, the loneliness. And in spite of this being set in the 1890s and seeming quite authentic to its setting, this film has a very modern feel to it, almost timeless.

Chaplin's "little fellow" is introduced as a lone prospector. We never see him doing any prospecting, but it is later mentioned that he is not very successful at it and gives it up. The first part of the film has the little fellow waiting out a blizzard in a cabin with a wanted criminal in addition to a fellow prospector. The second part has Chaplin's character traveling to a Klondike boom town, watching a cabin for a more successful prospector, and falling in love with a dance hall girl who thinks his crush is just a big joke, at least at first.

I don't think it was Chaplin's best silent film, but it does manage to do all aspects of the production very well and I can see why some people would judge it as his best. And if that was Chaplin in that chicken suit, all I can say is that he had the motions of a chicken down pat. To know what I'm talking about, watch and find out.

I've seen both version of this film--the original silent version from 1925 and the re-release by Chaplin in the 1940s. The difference is that the re-release was designed to appeal to a new audience that expected sound from their movies. To do this, title cards were removed--having Chaplin narrate the film. In addition, Chaplin-created music (for the most part--some were classical pieces), sound effects and singing were added to make the movie more palatable to the average viewer. I personally like BOTH versions and the one you watch is up to you if you get a copy of the Warner Brothers release on DVD--it has both plus excellent DVD extras. Otherwise, there have been a lot of public domain versions on video out there--many with terrible quality prints or music or both. The Warner version is the most pristine and beautiful silent print you can find. The version usually shown on Turner Classic movies is the 1942 re-release.

I use this film for my American history class when we do our unit on the history of film, though I might, in the future, use it for my Psychology classes as well (I teach both) because Chaplin's genius came from his obsessive-compulsive nature. The movie reportedly had 27 times more film exposed than you actually see in the film and the shoe eating segment was shot after more than 60 takes!!

The plot involves Charlie going to Alaska for the Gold Rush at the turn of the century. Along the way, he has a series of misadventures that have been thoroughly discussed in the other reviews here on IMDb. Suffice to say, the supporting acting was excellent and the story kept an excellent pace and had enough slapstick to make it fun to watch (something not true of all full-length slapstick comedies--sometimes, their pacing was negatively affected by the transition from shorts to full-length).

This is a gorgeous, well-executed piece of American art and a must for any real cinemaniac. The musical score (arranged by Chaplin), direction, acting and cinematography all are simply perfect--making this, in my opinion, the best full-length silent comedy ever made. This is saying a lot considering how much I love Harold Lloyd and Buster Keaton's films!