Peter Pan

This film has a very stagy feel & it should because it was taken from the show as it was running on the stage in 1924 & filmed for the most part. There is only a sequence on the ocean which is an early example of how pirate films made much later would be like. While the sets are much the same on the ocean, the fantasy is left intact with children conquering bitter pirates.

The real fantasy of this film is how George Ali, in his only film role, makes a costumed dog seem so realistic. The special effects with the fairy, etc. are very obviously borrowed from the stage play. To me, the story here & the moral are more defined than the later Walt Disney animated version of the same story.

If you want to make a great home movie night, watch this film, then watch "Finding Neverland" starring Johnny Depp made years later. This silent is so well done, it makes the later film seem even better. The silent film actually enhances the enjoyment of Neverland as this film prefaces it very well.

All the acting in this silent is well done. This is an epic silent film.

PETER PAN was directed by Herbert Brenon with a screenplay written by Willis Goldbeck, based on the story by J.M. Barrie. In fact nearly all of the intertitles (the words on the cards that we read to ourselves) are taken directly from J. M. Barrie's dialogue from the original play around 105 years ago! James Barrie was born in 1860, the ninth child of ten. He was a small child (he only grew to 5 feet 3 inches as an adult) and he drew attention to himself with storytelling. He is best remembered for creating Peter Pan, the boy who refused to grow up, whom he based on his friends, the Llewelyn Davies boys. He is also credited with popularizing the name Wendy, which was very uncommon before he gave it to the heroine of Peter Pan. When he died he left the rights to this story and all it's future profits to the Great Ormond Street Hospital for children. This filmed version of Peter Pan, the very first (of eleven so far) opened Christmas week, 1924. Then, like one of the Lost Boys, it vanished into a Never Land of its own. Paramount, like every other studio, looked on its films as disposable product. Films were as ephemeral as the daily newspaper. Why bother to keep a print? No studio, museum or archive could find it, nor any of the private collectors, who could sometimes materialize copies that more legitimate sources could not. It was one of the most important of missing American films. For the children who saw it, nothing else ever compared. William K. Everson, one of the great silent film historians, never tired of rhapsodizing Peter Pan or its glowing star, Betty Bronson. James Card, curator at George Eastman House and one of the great heroes of film preservation, longed to see this childhood favorite with a desperate nostalgia. It was he who, as a young man working for Kodak in Rochester, discovered a fume-filled vault of decomposing nitrate films. Nitrate films are highly flammable, can spontaneously combust and even burn under water because they supply their own oxygen. Card convinced Kodak to call Iris Barry, the visionary film preservationist at the Museum of Modern Art to help save this title. This beautiful tinted print was restored from that one of a kind, surviving nitrate print. It stars beautiful blonde Esther Ralston as the mother Mrs. Darling. One of the best-liked silent movie stars both on and off the screen, Mary Brian plays Wendy. Philippe De Lacy, arguably the silent era's cutest child actors plays Michael. The exotic oriental actress Anna May Wong has a small role as Tiger Lily. And giant Ernest Torrence is evil and menacing as Captain Hook. Tinker Bell is played by an actress named, of all things, Virginia Faire. And the family's pet dog Nana was such a good actor that in real life he was called George Ali. As for the lead role of Peter Pan, it was the author James Barrie who selected Betty Bronson, then an unknown to play the coveted role after he turned down silent superstars Mary Pickford, Gloria Swanson & Lillian Gish. Barrie selected Betty Bronson because she had trained for the Ballet Russe with famed choreographer Michel Fokine and her grace and innocence were unmatched. (And she could fly!) It is surprising when you see how lavish the sets, costumes and special effects are that the budget for this film was only $40,000 and I think this is much better than the 1991 version which cost $70 million dollars to make. I would like to read a quote from the New York Times, from MORDAUNT HALL, one of their toughest critics written Christmas week of 1924 – "That wonderful ecstatic laughter, tinkling and beautiful, just the laughter that Barrie loves to hear, greeted Herbert Brenon's picturized version of "Peter Pan" yesterday afternoon in the Rivoli. Again and again the silence of the audience was snapped by the ringing laugh of a single boy which was quickly followed by an outburst from dozens of others, some of whom shook in their seats in sheer Joy at what they saw upon the screen. It was laughter that reminded one of the days of long ago when one believed in a sort of Never Never Land, when the smiling sun on an early morning made one dance with joy over the dew-covered grass, when the fragrant Spring flowers sent a thrill through one's youthful soul, when one gazed at a real fish in a shallow rippling stream and expected to hook it with a bent pin, when one thought that after all it might be possible to fly. These jubilant outbursts from youthful throats even brought to mind some beautiful anthem one had heard the choir singing in a lofty cathedral. It was laughter that brought a tear of exuberant gladness to our eyes—laughter that makes grown-ups delighted to be alive." - Unquote. PETER PAN like the WIZARD OF OZ has helped remind adults of what innocence we all shared back when we were children. So when you are asked during the film to clap if you believe in fairies, you better clap or you may never feel young again!

The story of Peter Pan, the boy who never grew up, who comes to the Darling house searching for his shadow and meets the three children (Wendy, Michael, & John) and takes them back to Never Never Land and to the Lost Boys. Captain Hook, who wants revenge against Peter for the loss of his right hand to an alligator, leads his band of pirates on a raid of the woods, kidnapping everyone, save Peter who must travel to Hook's ship for the rescue. This film has such a childlike magic charm that gives it a different appeal to the Disney & Mary Martin versions of the story. Director Brenon uses a stationary approach to the camerawork, giving the film the appearance of a stage production. Betty Bronson made full use of her ballerina skills and puts so much energy in her role. Torrence hams up his role of Hook like any actor would. Probably the best performance I felt was George Ali as Nana, the dog, putting so much life into the character. Only problem I felt, was the film lost some of its magic after Peter and the children left the Darling house. A touching and perfect film still for all ages and probably the one silent film to start the youngsters off with. Rating, 9.

I really didn´t know about that there is a silent movie PETER PAN. The only version I´ve ever seen was the Disney version which I always loved. Here in Germany we have a culture-channel on TV. There was a theme evening about PETER PAN. A biography about James Mathew Barrie and after that they showed the silent movie from 1924. I was blown away ! There is magic in it and the tragical side of Peter is deep in it. My english isn´t good enough to describe all I want to, bit this is one of my absolutely favourites. I voted "10".

The competition for the part of cinema's first version of Peter Pan was fierce. Superstars Mary Pickford and Gloria Swanson, yearning for the treasured role, heavily lobbied for the part of the primary resident of Never, Never Land. Author J. M. Barrie, the author of the original Peter Pan as well as the playwright for the 1904 play based on his novel, was given the rights to select the performer for the lead role. After nine months of research and screen tests, he made a surprising choice: a little known New Jersey 18-year-old actress who recently relocated to California to play bit parts. Betty Bronson was suddenly rocketed from obscurity to the limelight when she became the lead in December 1924's "Peter Pan."

Barrie was contacted by several movie studios for the rights of his novel and play. He ultimately agreed with Paramount Pictures, under the direction of veteran Herbert Brenon. The silent movie director had a reputation of handling difficult, temperamental actors with success. His ability to handle Barrie during the pre-production was especially deft. The author wanted to incorporate additional scenes into the film, but Brenon, an admirer of the 1904 play, wanted to stick to the stage's plot where Wendy, the oldest child in the Darling household, is attracted to Peter Pan. But the flying boy who never wants to grow up instead thinks of her as his mother. "Peter Pan" is also the first work of Barrie's, which were his plays, to show Tinker Bell (Virginia Browne Faire) as a person.

The 1924 film has been praised especially for its cinematography. Under James Wong Howe, previously an assistant for the young director Cecil B. DeMill before going on his own, his photography, in particular in the Never Land scenes, are striking, especially when Peter tests his shadow. Howe earned two Academy Awards for Cinematography in 1955 for 'The Rose Tattoo' and in 1963 for 'Hud' with Paul Newman.

One highlight of "Peter Pan" was the work of George Ali, playing the dual role of Nana, the Darling's family dog, and the Crocodile, the culprit who had earlier bit Captain Hook's hand off. Ali's ability to slide into an animals' costumes and realistically act out their characteristics is striking in its believability. It's rare a person can make a living out of specializing as an animal impersonator, but Ali made a career of it.

"Peter Pan" was so successful at the box office that Brenon and Barrie decided to take on the adaptation of the author's 1916 stage play, "A Kiss for Cinderella." premiering in December 1925. Betty Bronson earned the lead as Cinderella in the film that saw 15-year-old actress Anita Page debut on the screen in an uncredited role. Unfortunately for Bronson, the picture proved to be a major flop. The young actress' career sputtered after that. Despite an appearance as Mary in 1925's 'Ben-Hur,' nothing in her acting resume approached the spotlight she received as cinema's first Peter Pan.

For Anita Page, however, it launched a relatively successful livelihood in film, especially in the 1920s and early 1930s, where she was labeled "the girl with the most beautiful face in Hollywood." She retired in the mid-1930s, only to appear in front of the camera in the late 1990s, with her last posthumous movie in 2010. Living until she was 98 in 2008, Page was one of the last adult silent movie stars still around in the 2000s.