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IMDbPro

Rosita

  • 1923
  • Passed
  • 1h 39min
VALUTAZIONE IMDb
6,4/10
509
LA TUA VALUTAZIONE
Mary Pickford in Rosita (1923)
ComedyRomance

Aggiungi una trama nella tua linguaRosita, a peasant singer in Seville, captures the attention of the King.Rosita, a peasant singer in Seville, captures the attention of the King.Rosita, a peasant singer in Seville, captures the attention of the King.

  • Regia
    • Ernst Lubitsch
    • Raoul Walsh
  • Sceneggiatura
    • Edward Knoblock
    • Norbert Falk
    • Philippe Dumanoir
  • Star
    • Mary Pickford
    • Holbrook Blinn
    • Irene Rich
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,4/10
    509
    LA TUA VALUTAZIONE
    • Regia
      • Ernst Lubitsch
      • Raoul Walsh
    • Sceneggiatura
      • Edward Knoblock
      • Norbert Falk
      • Philippe Dumanoir
    • Star
      • Mary Pickford
      • Holbrook Blinn
      • Irene Rich
    • 12Recensioni degli utenti
    • 6Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie totali

    Foto44

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    + 38
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    Interpreti principali22

    Modifica
    Mary Pickford
    Mary Pickford
    • Rosita
    Holbrook Blinn
    Holbrook Blinn
    • The King
    Irene Rich
    Irene Rich
    • The Queen
    George Walsh
    George Walsh
    • Don Diego
    Charles Belcher
    Charles Belcher
    • The Prime Minister
    Frank Leigh
    • Prison Commandant
    Mathilde Comont
    Mathilde Comont
    • Rosita's Mother
    • (as Mme. Mathilde Comont)
    George Periolat
    George Periolat
    • Rosita's Father
    Bert Sprotte
    Bert Sprotte
    • Big Jailer
    Snitz Edwards
    Snitz Edwards
    • Little Jailer
    Madame De Bodamere
    • Maid
    Philippe De Lacy
    Philippe De Lacy
    • Rosita's Brother
    Donald McAlpin
    • Rosita's Brother
    Doreen Turner
    Doreen Turner
    • Rosita's Sister
    George Bookasta
    • Child Role
    • (non citato nei titoli originali)
    Mario Carillo
    Mario Carillo
    • Majordomo
    • (non citato nei titoli originali)
    Marcella Daly
    • Undetermined Bit Role
    • (non citato nei titoli originali)
    Charles Farrell
    Charles Farrell
    • Undetermined Bit Role
    • (non citato nei titoli originali)
    • Regia
      • Ernst Lubitsch
      • Raoul Walsh
    • Sceneggiatura
      • Edward Knoblock
      • Norbert Falk
      • Philippe Dumanoir
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    6,4509
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    10

    Recensioni in evidenza

    6Philipp_Flersheim

    Neither Pickford's nor Lubitsch's best

    The King of Spain (Holbrook Blinn) visits the carnival in Seville where he listens incognito to Rosita (Mary Pickford) singing a cheeky song that criticises his rule. Rosita is arrested, though Don Diego (George Walsh) intervenes while she is being dragged off to jail, only to be jailed himself. Of course the lecherous king has become interested in the pretty street singer - but so has Don Diego, who is now being sentenced to death because he killed the officer who had arrested Rosita... and so on. What follows is a quite convoluted affair, and that is one of my points of criticism. The whole setup is so complicated that there would have been material enough for a couple of films. As it is the whole thing feels rushed, despite the one hour forty minutes it takes. A consequence of this is that the characters remain pretty one-dimensional (this is my second point of criticism). The king cannot control his sex drive, Don Diego is noble, Rosita not above accepting favours but nevertheless sweet, pretty and lovable. At the end of all this the queen appears more or less like a deus ex machina to resolve the complications. The settings of the film are sumptuous, as are the costumes that place the story roughly in the Napoleonic era (when Spain had other problems than the king's libido). In sum: Fundamentally this is a watchable picture, but there are a number of weaknesses that make it more difficult to enjoy than many other silent films.
    5Levana

    She shouldn't have tried it

    I'm sorry, but the audience who rejected this movie in 1923 were right: Mary Pickford just can't play it sexy. Neither is she convincing as a fiery ridiculer of authority. Her usual childlike impishness is sorely out of place here; when the king lusts after her, you have to suspect him of child molesting tendencies. However, the movie does have its funny moments, in a very Lubitsch way; the amusing efforts of the king to avoid the monogamous-minded queen make up for some deficiencies.
    8bristolsilents

    A humourous and inventive film with a fiesty Mary Pickford!

    Pickford is impressive as the poor peasant entertainer with whom the King becomes ridiculously obsessed. Having seen some of Pickford's earlier 'little girl', romanticism movies this was a refreshing change and demonstrates how she was able to extend her range given the opportunity, utterly convincing as she is playing the fiesty young rebel as a woman with attitude. She reminded me of our contempory performers such as Madonna. Always amusing and beautifully composed by Lubitsch, whilst not a classic a highly enjoyable film.
    8gbill-74877

    Pickford is charming

    "Set the table for three. Tonight we feast with death!"

    It's a simple story and it moves a little slowly at times, but to see Mary Pickford playing a street musician and dancing a little jig, flirting with a traveling nobleman, and fending off the advances of the horny king, all under the direction of Ernst Lubitsch, hey I'm in. It's actually kind of hard to tell it's from Lubitsch, though the sets are gorgeous and the crowd scenes suitably lively, with the exception of this intertitle, which I chuckled over: "Good news! His Majesty graciously consents to your being shot." This is Pickford's show though, and she's as charming as ever.
    7springfieldrental

    Pickford Wanted To Destroy Every Print of Rosita

    Mary Pickford was a stickler for preserving a large body of her films. She prized almost every movie she was in, and, unusual for an actress, she collected scores of prints of her work. One notable exception was September 1923's "Rosita." She demanded and was handed over almost every existing print distributed a few months after the movie was released. With the exception of one: a print 90 minutes long was found in 1960 in the Soviet Union, and given to New York's Museum of Modern Art, much to the consternation of an aging Pickford.

    No explanation for Pickford's obsession in destroying the film was given. It wasn't because of any negative reviews. In fact, it was just the opposite. "Nothing more delightfully charming than Mary Pickford's new picture Rosita has been seen on the screen for some time," wrote the film critic for the New York Times.

    "Rosita" was certainly a landmark motion picture, mainly because it was German director Ernst Lubitsch's first United States film after directing scores of German movies for nearly ten years. Pickford, just turning 30, had yearned to escape her popular child roles (played as an adult) and witnessed Lubitsch's sophistication on the screen as the panacea to that change. She contracted him to come to America and apply his craft with her as a lead. Once on shore, Lubitsch learned the actress wanted to make a film on the then popular genre of an elaborate costume drama. The director shot down one Pickford suggestion, while his desire to direct a version based on Faust was nixed by Pickford's mother because of a baby-killing scene. They settled on a 1872 opera about a libertine Spanish king who falls for Rosita (Pickford), a poor but very popular singer in Seville, Spain.

    Pickford gave no reason for her unusual confiscation of "Rosita." One theory is she realized after seeing the finished print that she wasn't the heroine of the story; the Spanish queen is. Another is she wanted to forget what she later claimed was Lubitsch total authoritarian behavior. "I detested that picture," said the elderly actress years later to biographer Kevin Brownlow. "I disliked the director as much as he disliked me." But contemporary sources at the time of "Rosita's" production claim, beside a language barrier between the actress and the director, the two got along charmingly on the set. She wrote after the completion of "Rosita" that Lubitsch was " the best director in the world." They had planned to make more films together, but tight funds at Pickford's United Artists precluded such a working relationship.

    "Rosita" turned out to be a tremendous hit, gaining the number six best box office position of 1923, and established Lubitsch's America's credentials. Warner Brothers signed him to a three-year, six picture lucrative deal, with total freedom to select his actors, crew and most importantly, final say in the finished product.

    Pickford did, however, preserve one reel of "Rosita," a sequence that has gone down in classic film lore where she uses a fruit bowl as a prop to ward off the aggressive king as he tries to seduce her in his suite.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Despite its success, Mary Pickford demanded all copies of the films to be ruined.
    • Citazioni

      Title Card: A woman can always be expected to do the unexpected -...

    • Connessioni
      Edited into American Experience: Mary Pickford (2005)

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    Dettagli

    Modifica
    • Data di uscita
      • 3 settembre 1923 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Street Singer
    • Luoghi delle riprese
      • Balboa Park - 1549 El Prado, San Diego, California, Stati Uniti(photographs)
    • Azienda produttrice
      • Mary Pickford Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 39 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Silent
    • Proporzioni
      • 1.33 : 1

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