La vendetta del cineoperatore
Titolo originale: Mest kinematograficheskogo operatora
VALUTAZIONE IMDb
7,7/10
3421
LA TUA VALUTAZIONE
Mr Beetle cerca la compagnia di una statuaria ballerina di libellule, mentre lei è ignara che il suo ex fidanzato, un esile cameraman cavalletta, osserva ogni loro mossa. La signora Beetle l... Leggi tuttoMr Beetle cerca la compagnia di una statuaria ballerina di libellule, mentre lei è ignara che il suo ex fidanzato, un esile cameraman cavalletta, osserva ogni loro mossa. La signora Beetle lo perdonerà? Riuscirà a farla franca con l'adulterio?Mr Beetle cerca la compagnia di una statuaria ballerina di libellule, mentre lei è ignara che il suo ex fidanzato, un esile cameraman cavalletta, osserva ogni loro mossa. La signora Beetle lo perdonerà? Riuscirà a farla franca con l'adulterio?
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Recensioni in evidenza
In this 1912 film, the main characters are insects (except for a vaudeville frog). Using, I assume, stop-action animation, we are told the story of two beetles who have a turbulent marriage. Mr. Beetle goes off to a nightclub where he cavorts with a beautiful dragonfly. In the process, he anger a grasshopper who is a filmmaker. The guy gets upset and films Mr. Beetle's dalliance. Mrs. Beetle also has an affair with an artist bug who comes to her house and is discovered by the cheating husband. There is indeed revenge. Had the story been told with regular actors, it would not have been much. What was done with early century technology is striking.
This short is a puzzlement. Words fail me here, as this is almost indescribable, Technically exceptional after more than 90 years (the visuals are remarkable and even occasionally amazing), this is not something you watch if you like things that are mundane or "normal'-because it most certainly is not either. This be an odd one, gang. Well worth checking out, but if things like Ren and Stimpy make your head hurt, you may want to skip this. Recommended.
8tavm
The Cameraman's Revenge is an unusual short not because of the subject matter (adultery) or because it's animated (Winsor McCay had introduced Little Nemo on film by this time) but because it depicts bugs to tell the story! Ladislaw Starewicz had originally wanted to film actual bugs fighting but couldn't get them to do it on camera because of the hot lights they suffered through so he took dead ones and started using stop-motion techniques to manipulate movements to his satisfaction. This short does a good job of putting human characteristics on little creatures such as riding motorcycles, painting, filming, kissing, and dancing. Starewicz would also make Frogland (1922) and The Mascot (1933) but his first notable work would be this one. If you're interested in this and the other shorts mentioned, check your local library to borrow the DVD The Cameraman't Revenge and Other Fantastic Tales from Image Entertainment.
110 years on this remains an impressive piece of stop-motion animation, and it would still be impressive if it were made today. For fans of animation, especially stop-motion animation, this is an interesting watch. The time and effort that must have gone into producing a stop-motion film of this length using real insects, and with detailed and functioning set designs, really shows throughout. The story is slightly clichéd and contrived, but still manages to amuse nonetheless.
For animation buffs it's a must, but you don't have to be a specialist to enjoy The Cameraman's Revenge, a very early example of 'pixilation' by the hard-working pioneer Wladyslaw Starewicz. Starewicz and his helpers painstakingly manipulated a cast of flexible insect figures to tell this story, paving the way for the likes of Willis O'Brien, George Pal, Ray Harryhausen, and legions of modern digital effect creators.
The Cameraman's Revenge is only about 10 minutes long, but offers lots of amusing detail as the story follows the amorous adventures of two beetles from their home to a nightclub, a hotel, a cinema, and, eventually, a prison cell. There are two brief dance numbers at the nightclub performed by a frog and a dragonfly, a scuffle between a beetle and a grasshopper, and, for the finale, a large-scale donnybrook at the cinema, which ends with the projector bursting into flames. Pretty elaborate goings-on for 1912, when even John Bray and Winsor MacCay were just getting started, and Walt Disney was still in grade school!
This film, which is silent of course, also provides an interesting example of the impact title cards can have on the story being told. I've seen two versions of this film offered by two video companies, and watched them back-to-back, and although the image content itself is almost identical the title cards tell two very different stories. (And the plot outline someone provided on this film's IMDb page tells a third version of the tale, which suggests that there's another version out there somewhere.) The British Film Institute's print, which has rhyming title cards, tells the story of two sibling beetles, each secretly married, who hide this information from one another in order to inherit their late father's fortune. The Russian version tells a simpler story of a pair of beetles married to each other who are both guilty of infidelity. In the Russian version Mr. Beetle visits his girlfriend at the "Gay Dragonfly" nightclub, while in the English version brother Bill Beetle visits his wife at the music-hall. Personally, I prefer the straightforward-- and spicier --Russian story; the BFI version tries to cram too much plot into what should be a simple tale, and some of the rhymes are a bit awkward.
In any case The Cameraman's Revenge is a delightful and imagination film in whatever version you happen to find, and it would make an ideal lead-in to that other great animated work featuring beetles, Yellow Submarine.
The Cameraman's Revenge is only about 10 minutes long, but offers lots of amusing detail as the story follows the amorous adventures of two beetles from their home to a nightclub, a hotel, a cinema, and, eventually, a prison cell. There are two brief dance numbers at the nightclub performed by a frog and a dragonfly, a scuffle between a beetle and a grasshopper, and, for the finale, a large-scale donnybrook at the cinema, which ends with the projector bursting into flames. Pretty elaborate goings-on for 1912, when even John Bray and Winsor MacCay were just getting started, and Walt Disney was still in grade school!
This film, which is silent of course, also provides an interesting example of the impact title cards can have on the story being told. I've seen two versions of this film offered by two video companies, and watched them back-to-back, and although the image content itself is almost identical the title cards tell two very different stories. (And the plot outline someone provided on this film's IMDb page tells a third version of the tale, which suggests that there's another version out there somewhere.) The British Film Institute's print, which has rhyming title cards, tells the story of two sibling beetles, each secretly married, who hide this information from one another in order to inherit their late father's fortune. The Russian version tells a simpler story of a pair of beetles married to each other who are both guilty of infidelity. In the Russian version Mr. Beetle visits his girlfriend at the "Gay Dragonfly" nightclub, while in the English version brother Bill Beetle visits his wife at the music-hall. Personally, I prefer the straightforward-- and spicier --Russian story; the BFI version tries to cram too much plot into what should be a simple tale, and some of the rhymes are a bit awkward.
In any case The Cameraman's Revenge is a delightful and imagination film in whatever version you happen to find, and it would make an ideal lead-in to that other great animated work featuring beetles, Yellow Submarine.
Lo sapevi?
- QuizDead bugs were used as the puppets seen in this film.
- BlooperWhen the movie is shown in the theater, the camera angle is the one where we saw the scene from, but not the one where the grasshopper filmed the scene from.
- Versioni alternativeThe English version has different titles with a complete different story about a brother and a sister legacy for a glass of beer.
- ConnessioniEdited into Los comienzos de la animación (1995)
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- The Cameraman's Revenge
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- Tempo di esecuzione
- 12min
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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