La vendetta del cineoperatore

The Cameraman's Revenge is an unusual short not because of the subject matter (adultery) or because it's animated (Winsor McCay had introduced Little Nemo on film by this time) but because it depicts bugs to tell the story! Ladislaw Starewicz had originally wanted to film actual bugs fighting but couldn't get them to do it on camera because of the hot lights they suffered through so he took dead ones and started using stop-motion techniques to manipulate movements to his satisfaction. This short does a good job of putting human characteristics on little creatures such as riding motorcycles, painting, filming, kissing, and dancing. Starewicz would also make Frogland (1922) and The Mascot (1933) but his first notable work would be this one. If you're interested in this and the other shorts mentioned, check your local library to borrow the DVD The Cameraman't Revenge and Other Fantastic Tales from Image Entertainment.

Ladislas Starewicz's curiosity with insects and cinema melds into a short film about a love triangle between Mr. Beetle, an artistic grasshopper, and Mrs. Beetle. The rather simple story of an adulterous beetle couple that both seek stimulation outside their marriage is similar to a Biograph or Vitagraph short of the time. Starewicz's twist on the story is to use embalmed beetles with wires straightening the legs in frame-by-frame animation. The story builds as Mr. Beetle is unknowingly caught on camera with a dragonfly from the local nightclub by a jealous grasshopper. When Mr. Beetle comes home to find his wife in the arms of her artistic friend, he chases her around angrily, but eventually forgives her and takes her out to see a movie. However, Mrs. Beetle soon learns of her husband's infidelities as the movie they watch is the jealous grasshopper's footage of Mr. Beetle and the dragonfly together. Mrs. Beetle thrashes Mr. Beetle with her umbrella, Mr. Beetle jumps through the screen, and they both end up in jail after the projector they wreck catches on fire. The insects are placed in humanized settings such as a house or a nightclub, and are given human characteristics of jealousy, anger, lust, and revenge. The insect characters carry briefcases, drive motorcars, and even wear shoes yet they also twitch their antennae and open and close their mandibles as real insects would. The novelty of the story doesn't wear itself out, even after multiple viewings, but as fluid as the movements are, the film moves slowly. Action happens with intricate detail, but rapidity and a quicker pace of filming is lost in the process. Despite its pace, the film is an excellent example of Starewicz's early puppetry and is highly recommended.

The impressive animation alone would make this more than worthwhile, and the amusing story alone would make entertaining viewing for any fan of silent comedies. The two together make "The Cameraman's Revenge" a delightful classic that looks much better than practically anything made by the computerized studios of the present time.

The story itself is similar to many other short features of its era - 'Fatty' Arbuckle and other comics of the era made numerous entertaining movies with similar ideas. But having Mr. and Mrs. Beetle, instead of live actors, getting involved in the slapstick escapades with their various insect paramours and rivals makes it funnier and zanier. It works wonderfully well, because the animation is so detailed and painstaking. You can watch it several times and still appreciate the little details. Not only that, the puppet insects are made to act in very 'human' ways, while retaining the accurate form of real insects. It's an amazing and enjoyable combination.

Given how increasingly popular that animation has become, it seems surprising that this and Starewicz's other gems are not much better known and appreciated. This is one of his very best, and is well worth taking the time to see.

'The Cameraman's Revenge (1912)' is a delight. It's over a hundred years old, but it still holds up as a genuinely entertaining and impressive piece. It's a stop-motion short film that uses dead bugs as puppets. As morbid as that is, it's also really inventive. It helps that the animation is really good, packed with plenty of small details that make its characters feel alive. That's even more special when you consider that this was one of the first stop-motion films ever released. The picture is entertaining right the way through, even if it is a tad slow in places, and it has a wicked sense of dry humour that made me laugh on more than one occasion. Most of its humour comes from the dichotomy between its story and its aesthetics; it's a film about infidelity and its cast is entirely composed of posthumously animated insects. There's nothing fantastical about its narrative at all, which is why it's so intriguing and, in an almost odd way, funny. The bugs drive cars, they live in houses, they have jobs, they paint pictures, they go to clubs, they watch movies, they use cameras, they have spouses (which they cheat on), they enact vengeance, they brawl and they make out (and, yes, seeing this is as exactly as strange as you'd think it would be). It's so bizarre that these bugs live ordinary lives and make the same mistakes as us humans; this is where its comedy comes from. It's keenly aware of its uncanny nature and takes full advantage of it. It's incredibly charming overall. It's enjoyable, funny and impressive. It's a real treat. 8/10.

110 years on this remains an impressive piece of stop-motion animation, and it would still be impressive if it were made today. For fans of animation, especially stop-motion animation, this is an interesting watch. The time and effort that must have gone into producing a stop-motion film of this length using real insects, and with detailed and functioning set designs, really shows throughout. The story is slightly clichéd and contrived, but still manages to amuse nonetheless.