The Unchanging Sea

"The Unchanging Sea" was "suggested by Charles Kingsley's poem "The Three Fishers" where "three fishers went sailing to the West" while "the women stood watching them out of the town."

It seemed like a very Norman Rockwellian affair where the men loaded up on a boat and the women stood ashore bidding them farewell not knowing if their husbands would ever return. Hence we get the line of poetry: "For men must work and women must weep."

The Fisherman (Arthur V. Johnson) went to sea while his wife (Linda Arvidson) sorrowfully watched. He made it back, but with no memory, which made him a stranger in his own town.

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Beautiful to see how the first little bits of camera movement ever really increase the impression of this slow paced yet attractive fisherman's drama. Yes, it is an a-typical Griffith again, and beautiful in all it's being. Sure there's "Legends of the Fall" with Brad Pitt at the end of the 20th Century; but at its beginning there was DW Griffith's "The Unchanging Sea".

For a film so old, I thought this was one of the better-photographed efforts of its day. The composition was outstanding. Just examine those shots with the wife standing on the beach and her husband and small crew rowing off into the ocean. It's perfectly framed.

As for the story, it's based on a poem called "The Three Fishers," which is shown here during several interludes. It's a wonderful poem.

Because films were so short, you can really have time fly. Nowhere is that more evident than in this film. In a matter of a few minutes, we see years pass by a seaman leaves his family, a wreck ensues and the man survives but loses his memory. He doesn't know who is wife is and seems to be a totally lost soul. In the interim, the baby they apparently conceived before we went off to sea has now grown up. She's played by the famous Mary Pickford.

In the story, the daughter gets married and the poor wife, thinking she's now all alone in the world, gets a nice surprise when her husband returns from another voyage. His memory is back.....and all is well!

Many things happen to all of us in our lifetime, but that tide just keeps coming and going, unchanging. Nothing that profound, frankly, but that's the message. This story would have had a lot more impact had it been drawn out more, but trying to rush all of this into 14 minutes makes it way too hurried.

Starting with a convincing sea-side atmosphere that benefits from being shot outdoors, this short feature adds a worthwhile story and some good low-key performances to create an understated but thoughtful and sometimes memorable movie. There is quite a lot of material in less than 15 minutes of running time, and yet it never seems rushed. The image of "The Unchanging Sea" is used effectively to emphasize the timeless nature both of the sea itself and of the lifestyles of those who live by it. The sea's constancy is distinguished from the uneven course of the hopes and trials of individual lives, making for an interesting contrast, which gives the picture a distinctive feel.

The story, which moves across many years of life in a fishing community, is often moving, and the understated approach is effective. For the most part, the characters make only small gestures and changes of expression, and yet their reactions always seem sincere and heartfelt. It is effective both as cinema and as a portrayal of the sea-going community. Excessive drama or emotions would have overshadowed the substance of the story, rather than enhancing it. As a result, there is more worthwhile material in this short film than there is in many films that are several times as long.

Based on the poem by Charles Kingsley, this tells the tale of a young woman (Linda Arvidson) who waves goodbye to her fisherman husband (Arthur V. Johnson) as he sets off with his friends in an open boat to fish the Atlantic for their livelihood. Living in what looks like a row of beach-huts, she emerges every morning and longingly looks seaward, but when it only yields death one day she fears the worst. There's a young girl to bring up, though, so she much focus so she can grow up, turn into Mary Pickford and marry Charles West - himself a man in the same line of perilous work as her father. The audience knows something of the fate of that man, but will he ever be able to return to his love? Whilst it's certainly quite a bleak scenario, there is still a warming degree of hope here and the very simplicity of the single camera photography lends richness to what must have been for a life as routine as it was a subsistence existence for the families of these brave men. An enjoyable glimpse at a way of life now long gone.