Dream of a Rarebit Fiend

With a slight but bizarre story, and all kinds of special visual effects, this is one of the weirder but more interesting features of its era. It's not really a great film, since some parts of it don't quite work as well, but it's very interesting, and it would still be interesting even if it had been made some years later.

The story comes from some of Winsor McCay's comic strips about the "Rarebit Fiend", and the offbeat material indeed seems ready-made for cinema. There is just enough to the scenario to allow for a wide range of camera effects. Several sequences effectively and creatively combine panning shots and stationary views superimposed on each other to create an effect. The "whirling" effect, towards the beginning of the movie, might be the best one.

There are a number of other features from the first decade of the 1900s that might be even better in terms of the visuals, and/or that are more enjoyable as narratives, but this is still one of the movies that those who enjoy watching these very old films should make a point of seeing. It's unusual, experimental, and interesting.

Let me start off by saying that I haven't seen the Melies movies from this period to compare it to. Given that caveat I must say I found this piece of film-making to be incredibly entertaining. On Image Entertainment's box-set of Unseen Cinema this short is included with its original soundtrack played by the Edison Military Band. This music must be the most crackpot, shamelessly joyful and subversive piece ever composed. I do not think the film would be the same without it.

I must say I found it very exhilarating to watch a man in a white suit and top hat spooning rarebit into his maw and down his face, slurping his porter or ale in the same mouthful. It's a glorious act of hedonism and reminds me of similar outrageous acts when I was a child (far too sensible now, sigh). For other commenters to think that this would not make him paralytic and hallucinatory is astonishing naivety. The way that he tries to hold onto a lamppost after leaving the restaurant whilst the whole world gyrates about him is an excellent portrayal of drunkenness unmatched in the judgmental and sober modern era.

Just when he thinks he's made it home safe and sound to bed (ah the respite of the divan!) the whole room starts dancing, poor chap, all of us drunks have fallen for this mirage of comfort. The voyage over the city in his bed is a bit odd for me, but doesn't dampen this excellent entertainment.

A man is having a bit too much of a good time out on the town – drinking and eating far too much. He stumbles home and goes to bed but it is clear to the audience that the effects of his drinking habits are far from being out of his system.

A simple film this one but one that is interesting for its place in cinema history. The title is the plot and the first few scenes of the film are really just there to get our character into bed and falling into a drunken deep sleep. The main thing the film wants to do is how many visual effects it can then produce. In this case it achieves this really well and sets up a memorable dream sequence that is imaginative and technically impressive. As with all films from this period, it is worth keeping it in the context of the period and what other things were being done with other films. With this in the mind the film is worth seeing because it is imaginative but more than that it is technically impressive at a time when cinema was just starting to develop.

Famous fantasy short with a moral: a man spends a night stuffing himself with food and drink in a restaurant; stumbling his way home, he sees the buildings 'dancing' around him and, on arriving, things only get worse. The bed starts to shake violently as if possessed and even throws itself, with the man still tucked in, through the window (the film's single funniest bit)! Flying around town a' la Scrooge, he's sure to have learnt his lesson by the next morning.

As far as I know, the only other Porter film I've watched is THE GREAT TRAIN ROBBERY (1903), celebrated for being the first Western; this one, then, contains a number of crude camera tricks in the contemporary style of Frenchman Georges Melies. Incidentally (and Michael Elliott is sure to raise an eyebrow or two at this!), in spite of their undeniable historical value, I can't bring myself to appreciate such primitive stuff other than as mere curiosities…

A man way overindulges in food and drink and then pays the price in bad dreams and hallucinations. All the man wants to do is go to bed and sleep it off but no sweet dreams for him. Instead there's a jumping and swirling bed, devil imps on the man's head, the drunk and the lamp post bit, and other well done special effects. Is this film historically important? Well, sure. It's directed by Edwin Porter and is inspired by a Windsor McCay comic strip and is a marvel of trick photography. And all of that is important. But what I found amazing (and perhaps shouldn't have) was how very entertaining and fun a 1906 six plus minute film could be. This little film is both fascinating and a lot of fun.