L'innaffiatore annaffiato

This short film was thought to be the first film comedy. The production was shot at Jardin des Lumière à Lyon Monplasir, and there are believed to be two versions of this film, one shot in 1895 and one in 1896.

The short narrative synopsis is of a boy stepping on a gardeners hose to stop the water flow, the gardener looks down the end of the hose to see if there is a blockage, at this point the boy steps off the hose, and the water flow is released, knocking the gardeners hat off. The gardener then spanks the boy.

This shot was filmed by Lumiere in 1895, at this point, movement of the camera had not been experimented with, so the actors in the film had to stay within the boundary of the cameras view. At one point in the film, the boy and the gardener go slightly off shot, and have to walk to the right to get back to the centre of vision. Now days, the actors never walk off shot accidentally, as movement of the camera is possible.

A gardener is watering the garden, a hose in his hands, and the famous practical joke that exists together with a water hose is caught on film by Louis Lumière. A boy steps on the hose, waits until the gardener starts looking into the hose and lets the water go again. The gardener ends up wet in the face. This quite funny Lumière piece should have ended there, I guess, but we also get to see how the gardener gets his revenge. Slapstick was already pretty entertaining in 1895.

A fictional little film from Lumière, the first practical joke on film. I enjoyed this piece, almost a minute long, very much. Like Lumière's 'La Sortie des Usines Lumière' and 'L'Arrivée d'un Train à la Ciotat' it has its own place in the history of the cinema. Definitely worth watching!

L'Arroseur Arrosé is a cry from the depths of the proletariat for social emancipation, whereby the disenfranchised masses represented in a life-justifying performance as the Boy can only find justice through subversion and revolution. Indeed, the conclusion of this epic drama can been seen as a confirmation of the inherent violence in a Hegelian dialectic of class conflict; the chilling figure of the Gardener (a possible reference to ecclesiastical authority?) viciously suppresses the rights of the Boy to self-expression. The perennial nature of this conflict is undermined when both parties rush out of the "garden"; no resolution is possible except mutual annihilation.

Or, it could be a piece of light-hearted fun, as Lumiere recognised that the novelty of seeing pictures of factory workers and trains moving was wearing thin, and needed to be backed up with plot. It'll raise a smile for a few seconds, as a memento of an age with less demanding audiences.

On December 28, 1895, thirty-three people were witnesses of history being written as the very first audience of the Lumières' Cinématographe, an innovative device that was able to project motion pictures on a screen. Motion pictures were not new for the people gathered on at Paris's Salon Indien Du Grand Café that day, as Edison's Kinetoscope (the "Peep Show") was a popular form of entertainment; however, nobody in the room was prepared to see the images projected on the screen to move as unlike the Kinetoscope, the Cinématographe allowed the movies to be seen by an audience. 10 short films shot by August and Louis Lumière were shown that historic day, most of them depicting everyday scenes like people walking out of the Lumière factory or playing cards, but one among those 10 short films was different: "L' Arroseur Arrosé", the first comedy film.

"L' Arroseur Arrosé", literally ("The Sprinkler Sprinkled"), is basically about a practical joke committed by a mischievous boy (Benoît Duval) to annoy a Gardener (François Clerc) who is working with his plants in Lyons. The movie begins with the Gardener watering his vegetables when the boy steps on the hose he is using to water the plants. The Gardener is surprised as the water stops flowing so he inspects the nozzle to find out what's happening. As he checks it, the boy releases the hose and the water continues flowing, spraying the gardener as it comes out of the hose with strength. Surprised by this, the Gardener quickly realizes that he's been tricked, but the boy responsible escapes running away in order to avoid being caught. The Gardener decides to chase the boy in order to punish him for his actions.

When compared to the other 9 movies shown on that first screening, "L' Arroseur Arrosé" always stand out as it was remarkably different from any of the other movies in the sense that it wasn't an "actuality film", but the very first staged fictional comedy shot on film. The Lumière brothers had a preference for documentaries (actuality films) as they weren't really interested in other uses for their invention besides the scientific documentation of real life events; so it is because of this reason that the creation of "L' Arroseur Arrosé" is truly a real oddity among Lumières' movies. Anyways, not only is this movie special for those reasons, it is also one of the best looking of the 10 (and one that has survived almost intact to this date), with the brothers showing a great early use of cinematography to frame the film.

In its barely 50 seconds of duration, "L' Arroseur Arrosé", opened the way to slapstick and pantomime in film, as the movie showed that it was possible to use the new invention to make pure entertainment, and that there was an extremely high unused potential in the Cinématographe. It wouldn't be too far of a stretch to claim that comedy films were born in this movie. While the reasons behind the inclusion of this film among 9 documentaries is odd, it was quite probably that this was the film that inspired a notable member of that first audience to make fictional movies aimed to entertain: Georges Méliès, who would later become a famous filmmaker on his own (and would direct a remake of this very film too). 9/10

The Sprinkler Sprinkled (1895)

*** (out of 4)

This early film from Louis Lumiere is considered by many to be the first actual comedy ever made. At just 40 seconds we see a gardner watering some plants when another man steps on the hose. For the laugh, the gardner looks straight into the hose to see what's wrong and..... Well, you know what happens. I must admit that this "comedy" actually does work and I'm going to guess it happened by accident by the timing of the two men is actually quite good and especially the gardner. His reaction to being sprayed with water was extremely funny and his chace is also quite funny. Again, there's certainly nothing ground-breaking here other than the fact that it was the first comedy and that it actually works.