Johanna Enlists

Minor Pickford film but still a treat as Mary plays Joahanna, a country girl who prays for a beau only to find an entire regiment of horse soldiers camping out in a field. They're en route to Europe but have to lay up because a young lieutenant is ill.

Well little freckle-faced Johanna attracts the attention of the lieutenant (Emory Johnson), the company adjutant (Douglas MacLean), and a sad-sack private (Monte Blue). The guys jockey for position while Johanna takes a crash course (via magazines) on beauty (taking a milk bath in a wooden tub) and grace (dancing around in sheets a la Ruth St. Denis.

Eventually the private strikes the lieutenant and there is a court martial just before the regiment pulls out. But the officers seem more interested in which guy Johanna will choose (especially after the charges are dropped).

Lots of nice little touches and bits of comedy. Pickford is of course wonderful and adds a few surprises like the silhouette of her stripping and a scene of her in the bath. The guys are all solid. Wallace Beery has a small part as an officer, and that Wesley Barry as the freckly little brother.

The film was directed by William Desmond Taylor (the famous murder victim) and based on a story called "The Mobilization of Johanna" by Rupert Hughes. Frances Marion did the screenplay.

The organ music is uncredited but sounded familiar. My DVD has an alternative ending!

VCI Entertainment in partnership with the Mary Pickford Foundation have released their second collaborative effort. The first was Pickford's Gothic masterpiece SPARROWS which dates from 1926. JOHANNA ENLISTS is from 8 years earlier and was made to capitalize on America's entry into World War I. Pickford was 25 at the time and was already identified with the series of "Little Mary" roles that came to define her career. The success of POOR LITTLE RICH GIRL and A LITTLE PRINCESS the year before had typecast her in the role of a young child or tween. Barely 5 feet tall and with her head of long curly hair, it was easy for Mary to play these parts but it later became a curse when that was all the public wanted to see her as. The 1912 D. W. Griffith directed Biograph short A BEAST AT BAY, which is included as a bonus, gives us the chance to see Pickford playing her real life age of 20.

By the time JOHANNA ENLISTS was made in 1918, Mary Pickford was the highest paid woman in America and the second highest paid movie star after Charlie Chaplin. She had her own movie studio and had complete creative control over her films which were released through Paramount. It was a year later, in an effort to eliminate the middleman and to maximize the earnings from her movies, that she and fellow artists Griifith, Chaplin, and her future husband Douglas Fairbanks banded together to form the appropriately named United Artists which gave them complete control over every aspect of their productions. UA's founding also helped to pave the way for several smaller independent companies as United Artists would release their movies which the major studios wouldn't touch.

JOHANNA ENLISTS is another coming-of-age story for Pickford. It takes place in rural America, a setting that Mary would later utilize in HEART O' THE HILLS (1919). As the movie opens, Mary's character is stuck in a dreary existence of endless chores on her family's farm. She daydreams of a better life which incurs the wrath of her mother as it causes Johanna to mess things up on more than one occasion. This all changes when an army division sets up camp in a nearby field to train soldiers to fight in World War I. Johanna quickly develops crushes on two of the soldiers (one of them an officer) who treat her as someone special while exposing her to knowledge of the world outside the farm. They both fall in love with Johanna and end up fighting over her. When the dust finally settles, she is made an honorary member of the battalion and then winds up with a third soldier.

While the movie is not one of Mary's best, this restoration definitely is considering that around 10 minutes of Reel 3 is missing. Production stills are used to fill in the gap and then the movie picks up where it left off. The rest of the footage is in excellent shape thanks to preservation from the Library of Congress and restoration by the Mary Pickford Foundation. VCI Entertainment continues their fine work in preserving mostly public domain films. Now if only VCI and the Mary Pickford Foundation could release a restored version of the original 1929 TAMING OF THE SHREW with Mary and Douglas Fairbanks (instead of the dreadful "improved" 1960s version), then that would be a real cause for celebration...For more reviews visit The Capsule Critic.

Constantly threatened with a "larruping" if she steps out of line, "Johanna" (Mary Pickford) lives with her ma (Anne Schaefer) and pa (Fred Huntley) on their farm in the middle of nowhere. She's bored and a bit hormonal and so imagine her delight when an whole army regiment turns up nearby to do some training. Instantly, she proves to be a bit of an hit and takes a bit of a shine to "Pte. Vibbard" (Monty Blue) but it's not that simple. "Lieut. Le Roy" (Emory Johnson) takes an interest in her and, well she's not so keen on him. What now ensues sees a bit of a struggle emerge between the two soldiers vying for position - seemingly regardless of her fairly obvious choice. Aside from Pickford owing the screen and Schaefer enthusiastically dishing out her beatings, this is all a rather unremarkable drama that disappointingly peters out. It even borders on the propagandist as it heads towards a distinctly "let's get the germ out of Germany" conclusion. On that score, there are two to pick from so stick around after the credits. As a story about a young person devoid of company and excitement it works fine, but there's not enough action and the comedy is just too predictable to make it stick in the mind.

Frustrated teenage hillbilly Mary Pickford prays for a man and gets 1000 of them when a troop of hunky soldiers makes camp opposite her family's homestead in this lightweight comedy. For once, Pickford is playing a girl who has reached the age of consent instead of the overly cute 12-year-olds for which she was so popular at this point in her career. And while her natural radiance prevents Pickford from achieving the plainness for which she is aiming in the film's opening scene, ill-fated director William Desmond Taylor convincingly transforms her from gawky ingenue to desirable woman.

Freckle-faced country girl Mary Pickford (as Johanna Ransallar) is going through that "coming of age" stage; trouble is, on her shabby farm, there are no men to get "boy crazy" over. The married handyman is sent off at the butt of father Fred Huntley (as Paw Ransallar)'s rifle; leaving Ms. Pickford no one to pine for. Desperate, Pickford asks the Lord, "…send me a beau!" Then, an entire regimen of young men arrive; they are Great War soldiers, who encamp by the Ransallar farm. The ailing "beautifulest", Emory Johnson (as Frank Le Roy), is sent to recuperate in Pickford's bed. When Pickford prays, the Lord doesn't mess around, obviously. With so many men, Pickford is naturally attracted to others, including Monte Blue and Douglas MacLean. Who will Pickford choose?

"Johanna Enlists" is a near-miss Pickford classic; the star is as delightful as ever, suffering through her "growing pains". William Desmond Taylor, Charles Rosher, and Wilfred Buckland create some wonderful images. Precocious freckle-faced little brother Wesley Barry (as Jake Ransallar) is excellent throughout. Wallace Beery (as Colonel Roberts) appears briefly. The adaptation never really engages, however, after the regimen arrives. The trial is not very captivating; and, there is no real romantic relationship shown between Pickford and any of the men. The "alternate ending" is better; unfortunately, the left intact "Colonel Mary Pickford…" scene punctuates the film absurdly.

******* Johanna Enlists (9/15/18) William Desmond Taylor ~ Mary Pickford, Wesley Barry, Emory Johnson