Il vagabondo

This must have seemed like a real change-of-pace from Chaplin when it first came out, since it has a much different tone than almost any of his previous short features. It has a few funny moments, but this time humor is not the emphasis - except for the familiar presence of Charlie's usual tramp-like character, it feels more like one of the short melodramas from the same era, rather than a comedy.

As "The Vagabond", Charlie performs a few antics, mostly towards the beginning, but then gets involved in the life of a young woman in distress (Chaplin regular Edna Purviance), and the story turns more serious. It is not one of his best films, but it is always watchable, and is quite interesting as a fore-runner of the way that Chaplin would combine slapstick and humanity to much greater effect in the masterpieces that he would go on to create some years later.

"The Vagabond" represents quite an evolution for Chaplin. He had already proved himself the funniest comedian on screen and was already in the process of distancing himself from the crude and frantic slapstick of Keystone. With this film, more than any afore, he recreated the tramp as a character worthy of pity. Here begins the pathetic hero whom audiences could invest their emotions in. At Mutual, adding this drama to his refinements in his comedy, he created in the tramp, cinema's most endearing and recognizable icon.

In the film, the vagabond violinist saves the girl (Edna Purviance, as usual) from a terrible gypsy chieftain who whips her. Although Charlie saves her by hitting the gypsies over the heads with a log, there isn't much that's funny about this sequence; it's as purely dramatic as Chaplin's films ever get. And, it perfectly sets Chaplin up as the hero for the sentimental denouement. Additionally, rather than an equally rough and comic clown or a heavy as the tramp's competition for the girl, here, it's a handsome gentleman artist--leaving the tramp feeling inadequate--and to us, more sympathetic than ever.

A pathetic fiddler tries to scrape a living together playing on the street and in bars. He chances upon a gypsy camp where he plays for a pretty young girl. However her father beats her savagely and the tramp helps her escape. When the pair happen upon a painter, events are set in motion to reveal the girl's true parentage.

One of Chaplin's Mutual short films this shows him still developing the kindly tramp personae on film. As a result the humour is not yet fully developed although we do get one funny scene of people being hit over the head etc. The plot is as basic as above and is typical of the day - audiences wanted to see the poor people suddenly being elevated to better things, no matter what the device. However from modern views I wanted Chaplin to be funnier and the message to be toned down or at least be more realistic.

Overall this will please fans of Chaplin and I think it is one of the first films he directed himself. The cast are good and it's always nice to see the little tramp act done well. However more routines and less aspiration would have been better.

Charlie Chaplin said the happiest he had ever been during his career was with his third film studio, Mutual Film Corporation. Film historians claim his best and most innovative movies Chaplin produced came out of his 18-month association with Mutual. The comedian was appreciative of the one-month period he was allowed to create each of his movies, a luxury he wasn't afforded with his previous employers.

Chaplin's combination of comedy and melodrama, a relatively new mixture for film comedy, took a huge leap in his July 1916 "The Vagabond." His Tramp is portrayed having deeper romanantic feelings than previously seen. The actor isn't playing the unemotional, violent hellion character seen so often during his Keystone and Essanay days--with notable exception to the movie "The Tramp." Sentimentalism for Chaplin gave the comedian a broader canvass to work his magic.

"The Vagabond" is also noteworthy for showing the first time Chaplin playing the violin. Although not being a concert quality musician, Chaplin had a passion in strumming the strings. Every moment he had away from his movie-making, Chaplin would pick up his violin. The childhood hobby was an indication of his love of music and the role it would play in his future.

The Vagabond is a funny short film that features Charlie Chaplin as The Tramp. Here he's a wandering violinist who bizarrely finds himself in a gypsy camp, where The Gypsy Drudge--the lovely Edna Purviance--is slaving over a wash tub. He falls in love right away. Several funny episodes here and an oddly happy ending, but there is plenty of Chaplin's stock in trade: masterful comedy, sight gags, and that Victorian sweetness that makes his films so special. Chaplin was a master of creating laughter and tears, and his best films do both. The Kid and City Lights are among the most emotional films you'll ever see. Edna Purviance made more than 20 films with Chaplin and should have been a star in her own right. Eric Campbell, Albert Austin, Charlotte Mineau, and Leo White (as a the gypsy hag) co-star.