20,000 Leagues Under the Sea

This may have been thrilling in 1916, but today it seems more of a curio. The Williamson brothers invented a camera to take pictures underwater, (the prologue tells us, complete with photos of them) so there's lots of shots of fish swimming, the bottom of the sea, men in diving suits and one battle with an octopus, which was a bit fuzzy. Still, the sense of watching movie history was strong, but don't expect too much in light of more modern techniques. What really bothered me was the hammy acting styles, with lots of arm motions and exaggerated facial features. It's the style that gave silent films a bad name. One who avoided this was Matt Moore, the hero of the film, and the only actor I recognized. Perhaps that is why he was still making movies in the 50's. The film uses plot elements of Verne's "The Mysterious Island" as well as "Twenty Thousand Leagues Under the Sea."

White-bearded mystery man Allan Holubar (as Captain Nemo) trolls the seas, looking for revenge against William Welch (as Charles Denver). We begin when Mr. Holubar's invention, an underwater ship called a submarine, is mistaken for a sea monster. Commanding the "Nautilus", Holubar wants to avenge the abduction of his wife and find his "child of nature" daughter Jane Gail (as Princess Daaker). He defeats, then compassionately rescues a crew of attackers, and goes near "Mysterious Island". Coincidently, enemy Welch and daughter Gail end up there, the latter falling in love with Matt Moore (as Lieutenant Bond)...

Reportedly, the first submarine photoplay ever filmed, "Twenty Thousand Leagues Under the Sea" begins with a tribute to the Williamson brothers, "who alone have solved the secret of under-the-ocean photography." The brothers Ernest and George Williamson appear in an on screen introduction, tipping their hats (and looking like they could have had careers as actors). The film is mainly notable for their work in pioneering underwater photography; otherwise, this adaptation of Jules Verne's popular novel (with additions from his "The Mysterious Island") is sluggish sailing. It also corrupts the source material.

***** Twenty Thousand Leagues Under the Sea (12/24/16) Stuart Paton ~ Allen Holubar, Jane Gail, Matt Moore, William Welch

20,000 Leagues Under the Sea (1916) was a movie of firsts. It was the first feature length adaptation of Jules Vernes classic and was also the very first movie to film underwater.

Alas the troubles of this silent movie became apparent quite early on, namely that it's not exactly loyal to the source material. If you're expecting something strongly resembling the book then this may be an adaptation worth skipping over.

Now as mentioned this is a silent film (Entirely even devoid of music) which I'll be honest I've never liked. It's not anything snobbish or any expectations that I impose on a film, it's more that sitting for 90 minutes odd in silence gives me a migraine.

For this reason I watched this in sections and when the credits rolled I still managed to acquire a migraine and wasn't overly impressed with what I saw.

Considering it's age the majority looks fantastic as does the underwater filming. Certain parts struggle and it's unclear everything that is taking place but thankfully unlike 1907's version they are few and far between.

20,000 Leagues Under the Sea is a passable attempt at a grandiose tale and the first of many many adaptations.

The Good:

Revolutionary for its time

The Bad:

Something about silent film gives me a headache

Not loyal to the original book

When I read during the opening credits of the 1916 adaptation of Jules Verne's "20,000 Leagues Under the Sea," immediately I assumed the frame of mind that I always do when watching early films, so as not to criticize it's lack of special effects or advanced film techniques. Immediately I was immensely impressed at the transfer from book to film, as the film followed the story closely and faithfully.

Unfortunately, this only lasted for about the first ten minutes of the film, which ultimately proved to take Verne's work and butcher it in every way imaginable. Probably the most jarring change to the story is that they decided to not only adapt 20,00 Leagues, but also another Verne novel, Mysterious Island, into this film. So the result is that you have two totally different stories taking place that don't at all seem to fit together, until finally they come together in the bizarre conclusion, which makes absolutely no sense in respect to the novel.

My current theory is that because so much of the original novel of 20,000 Leagues was decades beyond the reach of the filmmakers to be able to put on screen, so they probably had to look to an entirely separate novel just to have enough material to fill a full length film. Sadly, it reminds me of those terrible songs that radio stations sometimes come up with when they combine two popular songs together that have a similar beat, resulting in something that is not quite equal to but definitely less than the originals. One such bizarre hybrid comes to mind involving Closer, by Nine Inch Nails, and Garbage's #1 Crush.

The basic, basic, basic plot structure remains, but literally 95% of the story is gone. There is rumor of a massive sea monster and the crew of the Abraham Lincoln set off to capture it. Strangely enough, at one point it passes a mere few meters from their ship in broad daylight, and the crew can clearly see the steel plated sides and the rivets holding it together, even the bridge and periscope, and yet they still think it's a sea monster.

I'll attribute that to the inability to emulate the Nautilus's movements as described in the novel, but in this way we also have to sacrifice the entirety of the ship's glorious design and function, which is not even described in dialogue. For the most part, we see a single room, which looks like an old Victorian bedroom with one wall that looks like it belongs in a boiler room.

Probably the worst crime that the film commits is in the character of Captain Nemo. Granted, Nemo in the novel is not exactly the most charming and charismatic man, but it is as if they set out in this film to create a man as far from the original description as humanly possible. As a result, we get a bizarre spectacle that looks like a disgruntled Santa Clause in blackface. And not only that, throughout the film he gives several displays of compassion that the original Nemo would have scoffed at. Indeed, at one point, he torpedoes a ship, and then afterwards and then almost faints as he worries about the safety of the victims. What the hell?? And incidentally, Verne's Nautilus didn't have torpedoes, although he did use it as a ramming weapon.

In the film's defense, the underwater photography is truly impressive given the time that it was filmed, and surely knocked 1916 audiences, most of whom had probably never seen the underwater world, out of their seats. This would certainly explain the seemingly endless lingering on these scenes. Their is also an interesting allusion to another Verne novel, as at one point in their underwater tour they come across a decayed shipwreck, which Nemo describes as "the wreck of an old blockade runner."

And the worst thing about the bizarre personification of Nemo in this film is the backstory that was invented for the film which, amazingly, is introduced with this intertitle -

"Captain Nemo reveals the tragic secret of his life, which Jules Verne never told."

What follows is the most bizarre story imaginable, which claims that Nemo was previously some kind of empirical royalty who lived in an empire "beyond the sea." One man wrongs him, which doesn't explain his subsequent disdain, and even hatred, for all of mankind of all nations, nor does anything explain why he took to the sea. And incidentally, Nemo is a man of art, science, biology, history, astronomy, etc. The transition from his old life to the one we see is totally senseless.

It may very well be that this was one of the first major films to set the trend of adapting novels to film, and while modern adaptations still make ridiculous changes to story and characters where they don't belong, at least those inexplicable liberties seem to have diminished since 1916!

First retelling based on Jules Verne's fantasy-adventure novel with unknown cast and extraordinary scenarios . Silent take on for cinema , filmed in on location in Bahamas . When Jules Verne wrote this famed novel , the startling inventions impressed the world as being the limit of imagination and impossibility . The scenes were made possible by the Williamson Brothers inventions with submarine photoplay ever filmed . The film talks about the known story from Jules Verne novel , a real masterpiece ; 1868 ,the oceans are no longer safe , many ships have been lost, the sailors have returned to New England's fishing port with tales of vicious giant whale with long horn . The naturist and biologist expert named professor Pierre Aronnax and his daughter undertake a dangerous mission . Aronnax , his daughter , along with a professional whaler and famous harpoonist named Ned Land join forces in an expedition commanded by captain Farragut that attempt to unravel the mysterious sinking ships by an unknown creature . Aboard the ship called USS Abrahan Lincoln , they go out to investigate . At sea, Professor Aronnax was aboard the ship when Nautilus rammed it and threw the Professor, his helper and Ned Land into the water . They are captured and get thoroughly involved with power-hungry captain Nemo (Allen Hollubar, being in Disney version masterfully played by James Mason) and take an extraordinary adventure underseas in an advanced submarine called Nautilus . Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the riveting submarine of the future and the revenge that has driven him for all these years . Our heroes get stuck in the ship , undergoing numerous adventures and suffering innumerable perils .

Exciting and thrilling submarine movie dealing with the Nautilus captained by Nemo , rendition from ¨20,000 Leagues¨, but also another Verne novel, ¨Mysterious Island¨, so the result is that there are two diverse tales taking place which don't at all seem to fit together, until ultimately they come together in the strange conclusion, which makes little relation in respect to the original classic . It displays sensational adventures , drama , marvelous scenarios and is enjoyable but dated . This film became famous for its groundbreaking work in actual underwater photography by George M. Williamson and J. Ernest Williamson who alone had solved the secret under-water sea photography . The actual undersea footage was shot in the Bahamas due to the unusually clear water . When this film was remade by Walt Disney 38 years later, they came to this same spot for their undersea footage . Fascinating submarine movie blends action , disaster spectacle, hokey fun , suspense and emotional happenings . Surprise-filled entertainment and with plenty of action on grand scale with breathtaking special effects by that time and some ships and submarine by maquette or scale model and filmed in Leonia, New Jersey, Universal Studios , Universal City, California, and New Providence Island, Bahamas . The underwater scenes , sea animals , flamboyant FX to make large-size Octopus seem like horrible monster , all of them are spectacular and the film is an early Hollywood product . However , a confuse plot and overlong runtime became a little boring film . This vintage story was regularly directed by Stuart Paton , it results to be an old mute (1916) with archaeological interest . The motion picture will appeal to fantasy-adventure buffs and silent movie aficionados .

The best adaptation turns out to be the Walt Disney production (1954) , marvelously directed by Richard Fleischer , James Mason plays a serious revenger captain Nemo ; Paul Lukas plays perfectly Annorax as intelligent scientific ; and Ned Land played by Kirk Douglas as a stubborn sailor who spends most of their time devising intelligent ways for escape . Other versions from this unforgettable novel are the following : for TV (1997) directed by Rod Hardy with Michael Caine , Mia Sara and Patrick Dempsey ; and another Television film (1997) directed by Michael Anderson with Ben Cross and Richard Crenna ; furthermore a cartoon movie directed by Arthur Rankin.