VALUTAZIONE IMDb
5,6/10
1834
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn amorous couple. A crook. A policeman. A nursemaid and a stolen handbag. These are some of the things the Little Tramp encounters during a walk in the park.An amorous couple. A crook. A policeman. A nursemaid and a stolen handbag. These are some of the things the Little Tramp encounters during a walk in the park.An amorous couple. A crook. A policeman. A nursemaid and a stolen handbag. These are some of the things the Little Tramp encounters during a walk in the park.
Leona Anderson
- The Count's Fancy
- (non citato nei titoli originali)
Billy Armstrong
- Sausage Thief
- (non citato nei titoli originali)
Lloyd Bacon
- Pocketbook Thief
- (non citato nei titoli originali)
Bud Jamison
- Edna's Beau
- (non citato nei titoli originali)
Edna Purviance
- Nursemaid
- (non citato nei titoli originali)
Ernest Van Pelt
- Sausage Seller
- (non citato nei titoli originali)
Leo White
- The Count - Elegant Masher
- (non citato nei titoli originali)
Recensioni in evidenza
Chaplin's first one reel farce for Essanay is set in a park. A lady has her handbag stolen by a thief who then attempts to steal Chaplin's sausages. Chaplin ends up with the bag and it goes from person to person with each usually ending up with a brick to the face or foot to the bottom until one man tries to kill himself and another ends up in Police custody.
For such a short film In the Park has a surprisingly large cast. Chaplin regulars such as Edna Purviance, Leo White and Bud Jamison all appear along with three or four other bit players. Considering the film is only fourteen minutes long it feels like a lot happens and is more reminiscent of Chaplin's Keystone pictures rather than say The Champion which was released just a week earlier than this.
As usual for Chaplin's films of the time there are plenty of mistaken punches and kicks, doffing of hats and general thievery and nuisance but the highlight is when Chaplin steals a string of sausages which he places in his breast pocket and then swings his body from side to side in order to get them into his mouth. It's little things like this which show Chaplin's promise and set him apart from his contemporaries.
The film's pacing helps to make it seem perhaps better than it actually is. There is little originality in it and although it is better than Chaplin's first two Essanay films, it's still not quite as good as The Champion.
www.attheback.blogspot.com
For such a short film In the Park has a surprisingly large cast. Chaplin regulars such as Edna Purviance, Leo White and Bud Jamison all appear along with three or four other bit players. Considering the film is only fourteen minutes long it feels like a lot happens and is more reminiscent of Chaplin's Keystone pictures rather than say The Champion which was released just a week earlier than this.
As usual for Chaplin's films of the time there are plenty of mistaken punches and kicks, doffing of hats and general thievery and nuisance but the highlight is when Chaplin steals a string of sausages which he places in his breast pocket and then swings his body from side to side in order to get them into his mouth. It's little things like this which show Chaplin's promise and set him apart from his contemporaries.
The film's pacing helps to make it seem perhaps better than it actually is. There is little originality in it and although it is better than Chaplin's first two Essanay films, it's still not quite as good as The Champion.
www.attheback.blogspot.com
The latest one-reel Charlie Chaplin release. Many of its moments are made irresistibly comic by Chaplin's antics; at all times the fun is amusing. For one brief moment, Mr. Chaplin offends good taste. With his uncommon comic gift, a gift as distinct and as valuable as that possessed by the late John Sleeper Clark, he does not need to resort to coarseness of any description. - The Moving Picture World, April 3, 1915
This one-reeler from Charlie Chaplin's Essanay era harks back to his Keystone days in terms of setting and set-up, being a cheeky romantic farce taking place in a park, as so much of the Keystone output did. However in terms of pacing, gags and shooting style it shows off the development he has made since then.
In the Park opens with a handful of shots introducing the supporting players before the tramp himself even comes on the scene. This is Edna Purviance's most well-defined role so far. From her costume we can guess she is a maid (and therefore unmarried and from a working-class background), and the book she is reading quickly gives us a clue as to her personality. You didn't get that level of characterisation in a Keystone picture. Chaplin allows the comedy to build with various routines in long takes, before stepping up the pace of the editing as things become more chaotic in the last few minutes.
In the Park doesn't really have a plot as such, being simply a series of gags as Charlie wanders around playing off one character after another. Chaplin would make only one more single reel comedy (By the Sea), and would from now on concentrate on building up more sophisticated story lines for his tramp character. Still, this is an entertaining little effort, certainly good for a giggle.
And lastly, that all-important statistic – Number of kicks up the arse: 8 (3 for, 5 against)
In the Park opens with a handful of shots introducing the supporting players before the tramp himself even comes on the scene. This is Edna Purviance's most well-defined role so far. From her costume we can guess she is a maid (and therefore unmarried and from a working-class background), and the book she is reading quickly gives us a clue as to her personality. You didn't get that level of characterisation in a Keystone picture. Chaplin allows the comedy to build with various routines in long takes, before stepping up the pace of the editing as things become more chaotic in the last few minutes.
In the Park doesn't really have a plot as such, being simply a series of gags as Charlie wanders around playing off one character after another. Chaplin would make only one more single reel comedy (By the Sea), and would from now on concentrate on building up more sophisticated story lines for his tramp character. Still, this is an entertaining little effort, certainly good for a giggle.
And lastly, that all-important statistic – Number of kicks up the arse: 8 (3 for, 5 against)
Since we're most used to seeing Charlie Chaplin addressing class issues and mocking Hitler, his early work might seem low-key. "In the Park" depicts a series of antics in a city park. Funny stuff, but nothing spectacular.
IN THE PARK feature's Chaplin's tramp in a virtually plot-free romp that revolves around a couple of lovers and a pickpocket in a park filled with tramps, thieves, brawlers and vagabonds. A lot of the stuff here seems to have simply been thrown together, as if Chaplin was devising the sketches as they were filming. Sadly, it doesn't really gel, and we are left with a disjointed piece of work that distracts from the meagre laughs to be found in the tramp's exploits. Edna Purviance and Bud Jamison offer solid support as always, but there's very little of worth in this effort. In fact it's so unremarkable I'm having trouble coming up with the required ten lines of text
Lo sapevi?
- QuizRestoration work was carried out at Lobster Films laboratory in 2014. Scanned at L'Immagine Ritrovata laboratory.
Charlot nel parco (1915) has been restored by Fondazione Cineteca di Bologna and Lobster Films in collaboration with Film Preservation Associates, from a nitrate fine grain preserved at The Museum of Modern Art and two nitrate prints preserved at The Museum of Modern Art and the Cinemathèque Royale de Belgique.
Intertitles are reconstructed according to the original titling.
- ConnessioniEdited into Chase Me Charlie (1918)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- In the Park
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Charlot nel parco (1915) officially released in Canada in English?
Rispondi