VALUTAZIONE IMDb
5,8/10
1977
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIt is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Char... Leggi tuttoIt is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other's wife.It is windy at a bathing resort. After fighting with one of the two husbands, Charlie approaches Edna while the two husbands themselves fight over ice cream. Driven away by her husband, Charlie turns to the other's wife.
Billy Armstrong
- Man in Straw Hat
- (non citato nei titoli originali)
Ed Armstrong
- Tobacco and Candy Clerk
- (non citato nei titoli originali)
Bud Jamison
- Man in Top Hat
- (non citato nei titoli originali)
Paddy McGuire
- First Cop
- (non citato nei titoli originali)
'Snub' Pollard
- Ice Cream Clerk
- (non citato nei titoli originali)
Edna Purviance
- Wife of Man in Top Hat
- (non citato nei titoli originali)
Margie Reiger
- Wife of Man in Straw Hat
- (non citato nei titoli originali)
Ernest Van Pelt
- Second Cop
- (non citato nei titoli originali)
Recensioni in evidenza
By The Sea is a short film by Charlie Chaplin during his time at his 2nd film studio, Essanay. Apparently, it is the first film to have a man slip on a banana peel. So, surely that's enough reason to give this film a watch?
Unfortunately, it is nowhere near one of Chaplin's best, or even near an average Chaplin film. There are really only 2 comic moments. 1. When he slips on the banana peel. 2. The men's hats being flown around in the wind. There are a few other moments which may produce a giggle from audiences but nothing enough that will make you want to watch it again.
The story is very slim and not completely clear. Edna Purviance stars in a role that is not necessary. I can only see the point of her being there so that there's a bit more of a story to the non-existent plot. Any excuse to film at the beach! Chaplin is still in a stage where he did not worry about camera work, just as long as he could capture the whole scenario in one plain camera angle.
In Chaplin's early days he would sometimes make up the story as he went along, I feel it is likely that he did the same with this short. It is by no means awful, but it is one that you may think at the end 'hmm, that was decent', and then proceed to forget you ever watched it.
6/10!
Unfortunately, it is nowhere near one of Chaplin's best, or even near an average Chaplin film. There are really only 2 comic moments. 1. When he slips on the banana peel. 2. The men's hats being flown around in the wind. There are a few other moments which may produce a giggle from audiences but nothing enough that will make you want to watch it again.
The story is very slim and not completely clear. Edna Purviance stars in a role that is not necessary. I can only see the point of her being there so that there's a bit more of a story to the non-existent plot. Any excuse to film at the beach! Chaplin is still in a stage where he did not worry about camera work, just as long as he could capture the whole scenario in one plain camera angle.
In Chaplin's early days he would sometimes make up the story as he went along, I feel it is likely that he did the same with this short. It is by no means awful, but it is one that you may think at the end 'hmm, that was decent', and then proceed to forget you ever watched it.
6/10!
This is a quick-moving farce, with Charlie getting involved in an altercation at the shore right off the bat. After he and his opponent (Billy Armstrong) agree to end hostilities, they get some ice cream, then start fighting again over who is going to pay for it (that's Snub Pollard behind the counter). Another man (Bud Jamison) gets hit with ice cream in the crossfire and more fisticuffs ensue. Meanwhile, Charlie flirts with Jamison's wife (Edna Purviance). Later, he flirts with Armstrong's wife (Margie Reiger).
Fun to watch, this movie is (thankfully) shorter and more to the point than some of Chaplin's other efforts.
Fun to watch, this movie is (thankfully) shorter and more to the point than some of Chaplin's other efforts.
Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.
From his Essanay period after leaving Keystone, 'By the Sea' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'By the Sea'.
'By the Sea' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'By the Sea' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'By the Sea' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
From his Essanay period after leaving Keystone, 'By the Sea' is not one of his very best or even among the best of this particular period. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay period is something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'By the Sea'.
'By the Sea' is not one of his all-time funniest or most memorable, other efforts also have more pathos and a balance of that and the comedy. The story is still a little flimsy, there are times where it struggles to sustain the short length, and could have had more variety and less more of the same repeition.
On the other hand, 'By the Sea' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work (even when deadlines were still tight) and not churning out as many countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.
While not one of his funniest or original, 'By the Sea' is still very entertaining with some clever, entertaining and well-timed slapstick. It moves quickly and there is no dullness in sight.
Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality of the role. The supporting cast acquit themselves well.
Charlie is enjoying a day by the sea, with several people to annoy and kick butt with and some women to fall in love with.
The best scene is when Charlie's hat as well as the hat of a (then) innocent bystander fall of, and they somehow get entangled with each other. That really is some hilarious stuff...
As this, on the whole, is a funny tramp short in which Charlie does some nice tricks with his hat and other object that come in his way. The ending is great, when all characters are sitting in a bench, as it's flipping over...
If you're into the physical Chaplin humour you will sure like By The Sea. 7/10.
The best scene is when Charlie's hat as well as the hat of a (then) innocent bystander fall of, and they somehow get entangled with each other. That really is some hilarious stuff...
As this, on the whole, is a funny tramp short in which Charlie does some nice tricks with his hat and other object that come in his way. The ending is great, when all characters are sitting in a bench, as it's flipping over...
If you're into the physical Chaplin humour you will sure like By The Sea. 7/10.
"By The Sea" is one of Charlie Chaplin's many short films, consisting mostly of simple slapstick comedy. In it, Charlie's tramp character visits the sea-side and gets involved in a series of mishaps with other vacationers.
Most of the comic elements are fairly routine: banana peels, melting ice cream, unstable park benches, and so forth. Chaplin does this kind of humor as well as anyone, so there are a couple of good laughs, but in this movie there is not any of the depth that he would display in his more memorable films.
This is a pretty routine short for Chaplin, but that's still not too bad by most standards.
Most of the comic elements are fairly routine: banana peels, melting ice cream, unstable park benches, and so forth. Chaplin does this kind of humor as well as anyone, so there are a couple of good laughs, but in this movie there is not any of the depth that he would display in his more memorable films.
This is a pretty routine short for Chaplin, but that's still not too bad by most standards.
Lo sapevi?
- QuizRestoration work was carried out at Lobster Films laboratory in 2014. Scanned at L'Immagine Ritrovata laboratory.
Charlot alla spiaggia (1915) has been restored by Fondazione Cineteca di Bologna and Lobster Films in collaboration with Film Preservation Associates, from two first generation nitrate prints preserved at The Museum of Modern Art and a dupe negative in the Lobster Films Collection preserved at the Academy of Motion Picture Arts and Sciences.
Intertitles have been reconstructed according to the original titling.
- Citazioni
Man in Straw Hat: Let's be pals!
- ConnessioniEdited into Chase Me Charlie (1918)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- By the Sea
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 20min
- Mix di suoni
- Proporzioni
- 1.33 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti