Charlot al ballo

'Tango Tangle' basically lacks any deeper plot. Just three guys played by Charles Chaplin, Sterling Ford, and 'Fatty' Arbuckle, are fighting over the girl in a dance hall. And that's just pretty much it. This is one of those early Chaplin pictures where he is not sporting his beloved Tramp suit. Without his trademark mustache, he is just a tipsy dandy who tries to impress the woman. Of course, a bigger fellow, dance hall band member in the embodiment of Sterling Ford, arrives and drives the annoying fella off. But, there's always a bigger guy, in this case, it is Roscoe 'Fatty' Arbuckle.

All three guys manage to pull off some nice bits of physical comedy that is joyful to watch, but the story never rises above the basic idea.

Tango Tangles, one of Charlie Chaplin's earliest silents, was made before The Little Tramp became his film persona of choice. Here, without his moustache, the surprisingly young-looking comic does a variation on his popular music hall drunk act, playing a dandy who tries to woo a cute dancer, much to the chagrin of his rivals for her affections -- a band leader and a fat musician, the latter played by Fatty Arbuckle.

This is quite a rare film in that Chaplin is completely and utterly overshadowed by one of his co-stars. Ford Sterling, an actor little remembered today, plays the bandleader, and offers such balletic, graceful and funny slapstick in his comedic fights with both Chaplin and Arbuckle that one could think that Chaplin might have taken some inspiration from the older actor in his own later performances as The Tramp.

This was a movie that cries out for sound. The story takes place at a dance (apparently a real one, based on the fact that a number of bystanders can be seen smiling and waving at the camera!), yet the music usually heard on the stock soundtracks provided for these silents on DVD and video does not match the action on screen, which appears to be performed in time with whatever music was being played at the time.

This isn't a bad film by any means, and it's interesting for its rare glimpse of the silent era Chaplin without his Tramp disguise. It also offers some funny moments for Fatty Arbuckle. But this is very much Ford Sterling's show and he's a joy to watch.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

He did do better than 'Tango Tangle'. Can understand why the Keystone period suffered from not being as best remembered or highly remembered than his later efforts, but they are mainly decent and important in their own right. 'Tango Tangle' is a long way from a career high, but does have historical significance for obvious reasons.

'Tango Tangle' is not as hilarious, charming or touching as his later work and a good deal of other shorts in the same period. The story is flimsy and the production values not as audacious, the humour only amusing and lacking freshness at times and parts a touch scrappy.

For someone who was relatively new to the film industry and had literally just moved on from their stage background, 'Tango Tangle' is not bad at all.

While not audacious, the film hardly looks ugly, is more than competently directed and is appealingly played. Chaplin looks comfortable for so early on and shows his stage expertise while opening it up that it doesn't become stagy or repetitive shtick. Ford Sterling steals the show.

Although the humour, charm and emotion was done even better and became more refined later, 'Tango Tangle' is mildly humorous, sweet and easy to like, though the emotion is not quite there. It moves quickly and doesn't feel too long or short.

Overall, far from one of Chaplin's best but not bad at all. 6/10 Bethany Cox

In this short, another one of the early ones Charlie Chaplin made for Mack Sennett, he's clean shaven and is nothing like his Little Tramp character. Well, except here he's just as drunk as you'd expect him to be in these early efforts. His beginning scenes are quite amusing as he seems to be at a real dance hall happening as he tries to woo some ladies and keeps slipping and tripping himself. But all that happens afterwards results in some nonsense about fighting over a pretty girl that happen to be also pursued by musicians Ford Sterling and Roscoe "Fatty" Arbuckle. As a result, I didn't think the rest was all that funny and in fact was repetitious though it was nice to see Arbuckle do some falls himself. So on that note, Tango Tangles is worth a look and nothing else.

This is a film from Chaplin's first year in films. During this VERY hectic year, he churned out film after film after film for Keystone Studios and the quality of the films are, in general, quite poor. That's because the character of "the Little Tramp" was far from perfected and the films really had no script--just the barest of story ideas. While some Chaplin lovers might think this is sacrilege, all these movies I have seen are pretty lousy. Yes, there are some cute slapstick moments but barely any plot--absolutely NOTHING like the Chaplin we all came to love in his full-length films of the 20s and 30s.

As stated above, Charlie does not sport his usual mustache. The movie is about jealousy and consists of lots of people pushing and punching each other--that's pretty much it!