ONI: La leggenda del dio del tuono
Titolo originale: Oni: Kamigami Yama no Onari
VALUTAZIONE IMDb
8,1/10
1413
LA TUA VALUTAZIONE
In un mondo mistico fatto di divinità e spiriti giapponesi, una ragazzina coraggiosa decide di scoprire i suoi veri poteri seguendo le orme dell'enigmatico padre.In un mondo mistico fatto di divinità e spiriti giapponesi, una ragazzina coraggiosa decide di scoprire i suoi veri poteri seguendo le orme dell'enigmatico padre.In un mondo mistico fatto di divinità e spiriti giapponesi, una ragazzina coraggiosa decide di scoprire i suoi veri poteri seguendo le orme dell'enigmatico padre.
- Premi
- 5 vittorie e 8 candidature totali
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Recensioni in evidenza
Part stop motion, part animation, the style of this short 4 episode mini-series was fantastic and the story was adorable to boot. A bit predictable, but it is of course mainly for kids. Following Onari, a young girl being raised by her magical father in the land of the Kami who must prepare for the coming blood moon when the evil Oni will attack. The frame rate of the stop motion suffers in certain scenes and feels a bit stiff, but generally the animation is fantastic and each of the characters is cute in its own way. I had a lot of fun and I could certainly see how kids would like it. I did, was good.
The story is beautifully written, with great meaning for everyone (child or grown up).
So great to see quite a few references to other wonderful anime films! A must-see for any anime/studio Ghibli fan!
It's beautifully directed and acted. I don't want to give away any spoilers but the ending was quite emotional for me. There is a beautiful lesson, as you would find in any Japanese tale.
Highly recommended viewing. You must watch all four episodes at once, you will not be able to leave the mini series without getting to the end.
Enjoy this beautiful story with stunning animation. I can't wait to see more productions from this studio!
So great to see quite a few references to other wonderful anime films! A must-see for any anime/studio Ghibli fan!
It's beautifully directed and acted. I don't want to give away any spoilers but the ending was quite emotional for me. There is a beautiful lesson, as you would find in any Japanese tale.
Highly recommended viewing. You must watch all four episodes at once, you will not be able to leave the mini series without getting to the end.
Enjoy this beautiful story with stunning animation. I can't wait to see more productions from this studio!
I started the series for the adorable visual style, it's cute but not simplistic, there's great sophistication of details and texture. The slow frame rate makes it a little choppy (I assume budget limitations? Maybe if it gets enough viewers they'll go back and fill in frames?), but the overall aesthetics make up for it.
I stayed with the series for the story, which seems simplistic at first but then takes quite a deep turn at the end, and is quite moving. I won't give any spoilers, but it's a lesson that much of the world needs now, in our polarized fractured age.
All in all, amazing film! (I guess long film or short series.)
I stayed with the series for the story, which seems simplistic at first but then takes quite a deep turn at the end, and is quite moving. I won't give any spoilers, but it's a lesson that much of the world needs now, in our polarized fractured age.
All in all, amazing film! (I guess long film or short series.)
I've been taking Schoolism lessons for a long time so I will say that I have a mild bias towards Tonko House, but based on how little publicity this series has received I assumed that it must've been a dud.
However, it turns out that Oni: Thunder God's Tale is a sweet and pleasant movie mini-series that has gorgeous visuals and a fun story that works for the most part, but we'll get to that later.
First things first: This is clearly a film made by Dice just from looking at the color palette's alone. He's pretty well known for his use of diffused lighting and very specific color palette choices, so it's nice to see that all in here. The film is supposedly a blend of stop-motion and CGI, but as far as I'm aware the movie was all CGI (based off of interviews with the producers and director) so I find it a little odd how many reviewers claim this is a stop-motion film. Regardless, the effect is beautiful, saved some money, and works for the most part. There are just a few scenes where it can be visually confusing as to what is happening, but those are far and few between.
In terms of story, I think it works for the most part and has the structure of a really good movie, but it just has some pacing issues. Since it is a mini-series and not a movie, it is not meant to be watched in one sitting and I would strongly argue against doing that as there is A LOT of repetitive dialogue. This is probably one of my biggest gripes about the movie is that there are a ton of instances of characters repeating dialogue they have already spoken or reinforming the audience of what their character motivation is.
I know this is probably because the movie is intended to be watched by a fairly young audience (which is fine) but I think it beats the audience over the head just a few too many times and there are several emotionally engaging scenes ruined by characters interrupting the scene with redundant dialogue. Possibly, the reason for this is due to the fact that the intended audience (English speaking Children) probably doesn't know what Oni, Kappa, or Kami are, so they're trying their best to overexplain the plot? Who knows.
The voice acting itself is also a little hit or miss. All of the child characters sound great and Takei sounds good, but everyone else seems to be just a little bit off. It's not bad or anything but it becomes more apparent when they are also speaking redundant dialogue.
The other minor gripe (and I'm glad the movie doesn't double down on it) is that it ALMOST tries to pull a Ferngully narrative and I about turned it off when I thought the movie was just going to do a "machines bad, nature good" but fortunately the movie is a bit more clever than that.
All in all, Oni is a pretty good film/series that definitely deserves more attention for the amount of love and quality put into it. I must applaud the series for having some really great moments and ideas, even though it is held down by some strange pacing choices.
Give it a watch.
However, it turns out that Oni: Thunder God's Tale is a sweet and pleasant movie mini-series that has gorgeous visuals and a fun story that works for the most part, but we'll get to that later.
First things first: This is clearly a film made by Dice just from looking at the color palette's alone. He's pretty well known for his use of diffused lighting and very specific color palette choices, so it's nice to see that all in here. The film is supposedly a blend of stop-motion and CGI, but as far as I'm aware the movie was all CGI (based off of interviews with the producers and director) so I find it a little odd how many reviewers claim this is a stop-motion film. Regardless, the effect is beautiful, saved some money, and works for the most part. There are just a few scenes where it can be visually confusing as to what is happening, but those are far and few between.
In terms of story, I think it works for the most part and has the structure of a really good movie, but it just has some pacing issues. Since it is a mini-series and not a movie, it is not meant to be watched in one sitting and I would strongly argue against doing that as there is A LOT of repetitive dialogue. This is probably one of my biggest gripes about the movie is that there are a ton of instances of characters repeating dialogue they have already spoken or reinforming the audience of what their character motivation is.
I know this is probably because the movie is intended to be watched by a fairly young audience (which is fine) but I think it beats the audience over the head just a few too many times and there are several emotionally engaging scenes ruined by characters interrupting the scene with redundant dialogue. Possibly, the reason for this is due to the fact that the intended audience (English speaking Children) probably doesn't know what Oni, Kappa, or Kami are, so they're trying their best to overexplain the plot? Who knows.
The voice acting itself is also a little hit or miss. All of the child characters sound great and Takei sounds good, but everyone else seems to be just a little bit off. It's not bad or anything but it becomes more apparent when they are also speaking redundant dialogue.
The other minor gripe (and I'm glad the movie doesn't double down on it) is that it ALMOST tries to pull a Ferngully narrative and I about turned it off when I thought the movie was just going to do a "machines bad, nature good" but fortunately the movie is a bit more clever than that.
All in all, Oni is a pretty good film/series that definitely deserves more attention for the amount of love and quality put into it. I must applaud the series for having some really great moments and ideas, even though it is held down by some strange pacing choices.
Give it a watch.
This is a primal story. Though children will get it and enjoy it - it is also a tale for all. The story gives truth and is told well.
The access points of the story are Japanese mythic characters, nature, and the task of childhood learning about one's role in the world. The need for children to come into their own gifts seems to be better addressed in this setting. It is taken seriously and yet is situated amidst the delight of Japanese aesthetics - weaving play, wonder, movement, surprise, natural delight and suspense.
The revelational parts of the story are many and led me to really examine my species. Is humanity really worth it? I think the answers offered in the story- though simple, within its dynamics really do take.
I appreciated the tender work the story made on my own wrestling match with "us-them" dynamics. The story though Japanese in its main form, is itself a testimony to diversity - including its international support team.
This is a potent story for me. Thank you for telling it. I thank and honor the tellers of this story- all of them.
The access points of the story are Japanese mythic characters, nature, and the task of childhood learning about one's role in the world. The need for children to come into their own gifts seems to be better addressed in this setting. It is taken seriously and yet is situated amidst the delight of Japanese aesthetics - weaving play, wonder, movement, surprise, natural delight and suspense.
The revelational parts of the story are many and led me to really examine my species. Is humanity really worth it? I think the answers offered in the story- though simple, within its dynamics really do take.
I appreciated the tender work the story made on my own wrestling match with "us-them" dynamics. The story though Japanese in its main form, is itself a testimony to diversity - including its international support team.
This is a potent story for me. Thank you for telling it. I thank and honor the tellers of this story- all of them.
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Dettagli
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- Sito ufficiale
- Lingue
- Celebre anche come
- Oni: La leyenda del dios del trueno
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione44 minuti
- Colore
- Mix di suoni
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