Wet Season

Insights about Singapore, insights about human nature, about loneliness, togetherness, love, heartache, us being connected via joy and sadness. The film takes its time, but for the patient, it delivers. Just like Ilo Ilo.

A movie that forcus more on the main character.every detail is so exquisite that u can't find flaw in movie. Super performance by the actress that had to restraint her feeling which is so hard to perform but she manage to make it. And the dad act so natural that I think he's really a stroke patient. It could be better if jump between scene will be more smoother and more focus on the rain drop transform as this is the main root of the movie. Every performance is so natural that there's is no sign of acting in this movie.

A Malaysian-born woman is married to a Singaporean man, and living in Singapore. She is busy. She is trying to get pregnant, and when her husband is not in the mood during her fertile period, resorts to using her husband's frozen product. She is the evening caretaker of her stroke-ridden father-in-law, who spends much time watching martial arts movies on TV. She is also a high school teacher in Mandarin, whose ethnic Chinese students are not motivated to learn their heritage language. When she tries to run a remedial class, it rapidly dwindles down to one student - who happens to be a martial arts artistic competitor. As the time for her duties overlap, the student develops a case of Hots for Teacher.

Seeing this at the Toronto International Film Festival with Q+A, the director mentioned that the wet monsoon season (and the time period of the film) lasts 6-8 weeks. The rain serves as an indication of the teacher's mental state, as well as acting as the soundtrack of the film. The backbone of the story is that Singapore kids are far more interested in English, the language of commerce, than their heritage. (Interestingly, the lone student interested in Mandarin suggests he might want to do business with China.)

Overall, a good film.

In the grain of Taiwanese New Wave director Edward Yang and Hou-Hsiao Hsian, Anthony Chen's sophomore feature after Ilo Ilo establishes himself as a keen observer of unconventional relationships and Singapore realism. While the social commentary about Singapore's pragmatism and middle-class life was humorously played out with meticulous attention to the settings in the 90s during the Asian Financial Crisis in Ilo Ilo, the critique here is less layered, fleshed out more explicitly by how Chinese Language is sidelined and pursued only for economic interests, how the interaction between Ling the teacher and her principal centres on success and promotion, and how marital relations are reduced to discussions on surgical IVF treatments. Still, the themes of isolation and displacement are woven intricately through a monochromatic palette and sensitive characterization, anchored particularly by delicate performances from Yeo Yann Yann and Simon Yong, the Father-in-law who unwittingly assumes the role of a surrogate child who keeps the loveless couple together. For a local production, it is a bold take on a forbidden teacher-student relationship and Anthony's compassionate gaze carries the sombre, but predictable story with beautiful sensitivity. The wet season may mask our tears and the disillusionment from the Singapore dream, but it could also signal a fresh start to find the connections that make us human again.

Still wondering why I liked it! Perhaps it was the acting, direction or... NO, that was it. Not too special of a story, but a DRAMA that's just gonna feel GOOD. Even got a STANDING OVATION at that screening. GO FOR IT!!!