Lamb

The story that "Lamb" tells is so bizarre that I imagine just coming up with it would warrant an involuntary admission to an inpatient psychiatric hospital. I, for one, definitely felt like I needed to give myself over to the authorities after watching this movie - not because I committed any crime, but instead to allow the detectives to piece the plot together for me. "Lamb" is either a surrealistic folktale that its audience is meant to take very literally, or a sort of metaphorical, symbolic tale that we are supposed to decipher through careful observation of the film's characters. And truth be told, however you decide to view this film, it works.

Whether you want to watch this movie with the viewpoint that everything it is showing you is actually happening or with the perspective that there is something deeper beyond the surface level, "Lamb" does require a certain amount of effort from the viewer in order to be fully compelling - you'll know within the first 60 seconds of the movie starting whether or not it's your cup of tea. To give you an example of how polarizing this movie is, during my showing three teenage males walked out after about 20 minutes, and one girl was so bored and in a rush to exit the cinema that she actually fell down the stairs. That's right, "Lamb" is single handedly responsible for what I imagine could have only been the breaking of one of her bones, because upon her tumble she started sniffling and crying like a newborn baby - at the least, she's sure never to forget this movie experience! But by no means do you have to go on and break your own bones to find some entertainment value from this movie, as long as you have the patience to sit still and watch it.

If you don't like slow movies, you won't like this - it's that simple. "Lamb" features long, drawn out scenes of (gorgeous) Icelandic scenery, minimal dialogue, and characters doing random things such as tending to their fields, helping sheep give birth, and dancing (what A24 film doesn't have dancing at this point? It's becoming their staple). Not until Ada is introduced does the movie start to slightly pick up some steam. And who is Ada? Well, you know from the trailer: Ada is the baby lamb that our two main characters start to take care of as if it were their own child.

"Lamb" markets itself as a horror film, but it is anything but. It can be considered a drama, but to be honest it isn't very dramatic. Yes, there is some drama in it, as well as a few scenes of suspense, but as a whole, when you watch this movie, you're watching a movie about a couple take care of a baby lamb - that's the spoiler-free synopsis. Sure, there is more at play here than just that, but that's basically the gist. And if that sounds entertaining to you, then you'll probably like this movie. If that sounds boring to you, then you'll want to avoid this film like the plague. There are some slight twists and turns that may manage to catch your attention, but most of them will be too little too late, especially for viewers who aren't initially captivated by the hypnotic tone and snail-like pace.

Look, I don't have much to say here. With its bonkers plot, stunning scenery, and excellent acting, I found myself mildly entertained throughout the film. And if you're not excruciatingly bored while watching this movie, then I believe that you will also find something to enjoy. However, if slow burn films aren't your thing, then by no means should you watch this. Does "Lamb" fit into the October, Halloween theme? Not at all, but if you want to watch something extremely different, then give this a go.

"Lamb" is one of those movies that even after you watch you still try to take in and process it, call it what you want drama, or thriller it's one strange mixed film with love and realism. Set in rural Iceland on a farm a couple named Maria(Noomi Rapace) and Ingvar enjoy life only something is missing and that is they are childless something that is a place in their heart that is burning and dripping.

So aside from the hard work of farming and feeding the place is surrounded with animals they have a dog and cat, yet lamb come into play a flock of beautiful sheep. Then things get strange and crazy when a calf is delivered and born as it is then raised as the couple's own and feels like a human baby. The film shows the strain and attachment of worry, love, and uncertainty. Only in the end the picture twist like a strange folk fairy tale. Overall "Lamb" may not be liked by everyone still it's worth a watch for it's different and strange feel as it leaves a viewer to think and process it's meaning and story of life and love.

What did I just watch? These were the first words running through my mind at the conclusion of 'Lamb'. This was not the film I expected by any measure. To be fair I don't think many who go in blind are going to be expecting what they get. A bizarre experience to say the least.

The film is set in a beautiful location. It's a pleasure to look at. You're going to see the horror tag attached to this movie, and it is in a odd sort of way I suppose, but mostly this is a drama with a twist. If you go in expecting a horror you're likely going to come away disappointed.

Whether this story will connect with you or not is anyone's guess. There are people who are going to hate every second of it, and there are people who will love it. I fell somewhere in the middle personally. It's unapologetically different though and I respect that a lot. 6/10.

I've not watched much Icelandic cinema. So I can't tell you if this is typical. I can tell you it's good though. It's sparse and wintery as you might guess. It's also a bit dark and magical. Maria (Noomi Rapace) and Ingvar (Hilmir Snær Guõnason) live on a remote farm. It's quiet, idyllic. Lots of hard work and they're vastly outnumbered by animals. They seem lonely. Unhappy even. Something missing. Iceland looks incredible. Almost unreal and it's used to great effect. It's all beautifully shot, from the amazing mountain vistas to the barns housing the sheep they tend. They're lives are changed, seemingly for the better when a new lamb is born, a little different from the rest. It's clear that shes used to mask an earlier unseen loss and for this reason things are going to end badly. Now this newborn creature is quite literally fantastic. So much so, it could rip you right out of the otherwise believable narrative, but she's so adorable you just go with it. Things get a little more complicated when Ingvar's brother Pétur (Björn Hlyner Haraldsson) turns up, but that's really not the half of it. Calling this Lamb and having one with such an arresting role is misleading though, there's a lot more to unpack. Iceland is gorgeous. Lambs are very cute. Loneliness is deadly.

While I basically agree with the main statement the film makes, and perhaps the statement is even timely to some degree. However the film starts to feel very ho-hum nearing the midpoint. It's not all that interestingly told, nor does it come across as a meditation on it's main idea or ideas as well as it was likely intended to. To me it spent too much time in nowhere land. Perhaps if I understood Icelandic I would have gotten more out of it, I'm not entirely sure about that. Also, this is really not a horror film at all. It's somewhat dark, like an old folktale but mostly quite overt and not at all scary. I was enjoying the film for the first while, it sets up reasonably well, but it really never ends up giving you much of anything very interesting to chew on. There likely is some symbolism in the film that I didn't fully unravel; However what is here really seems too unimportant to care much for given the overall fairly aimless and stale feeling the film mostly has past the midway point. It's all very simple for the most part and in the end, a little silly really. This could've possibly made a great short film. There just isn't enough heart or guts or real substance in the film to be a feature in my view. It's not bad, but I would say skip it unless you're really into these kinds of old folktales. I love a good thinker and a good slow burn, but honestly there's not all that much here to think about. It tries to strike a fire in the viewers mind perhaps, but there's not enough fuel to light it and nothing much to burn. 5.5/10.