Jai Mummy Di

A title like Jai Mummy Di makes you curious and interested in the movie instantly. Some stories are only interesting to read but not cut out for cinematic adaptations. That's the problem with this film. The subject material comes across as a hollow attempt. The screenplay tries to pack too much stuff, but how everything is spread out on the table makes you squirm in your seat. Seriously, one wonders after a point, what was the writer/director trying to say? The writing is not merely humdrum and dreary, but also amateurish at the same time. Things are presented in such an amateurish manner that it fails to cut ice. Even the culmination is so filmy. It's a screenplay of convenience!

When it comes to escapist cinema, a gifted writer can make his imagination run wild. Think of a crazy story, come up with outrageous and zany situations, rope in actors who'd look believable in those parts... hey presto, a crazy potboiler is ready to be served. But Navjot Gulati's writing is plain mediocre. Besides, the second hour is lengthy, it gets tedious. After a point, the writing doesn't spring any surprises. You know exactly what's in store next and that's what bogs the film down. It also tends to get a little melodramatic and overemphasized intermittently. But the dialogues are smart and in sync with the mood of the film.

Sure, Jai Mummy Di remains faithful to the ongoing trend of providing laughs at the oddest of things, but it's more of a masala fare that's reminiscent of the 1980s cinema. Packaged in a modern avatar, of course. More specifically, the writing relies on the age-old stuff to reach the finale. Too many cinematic liberties have been undertaken and it doesn't work at times. Agreed, you don't look for logic and reason in hardcore potboilers, but the least the writer/director (Navjot Gulati) could do is provide loads of entertainment. Sadly, he makes mincemeat of a plot that had the potential to woo viewers. On face-value, what do you expect from Jai Mummy Di? Laughter unlimited. But what's served on the platter is so insipid and lame. The comic scenes (that make you laugh) are few and far between.

Directorially, Navjot Gulati goes horribly wrong. Saddled with a poor screenplay, there's not much that the director can do to salvage the show. The songs are plain ordinary. Sanket Shah's cinematography lacks the picture-perfect look. Hitesh Sonik's background score is loud to a greater extent than necessary.

Sunny Singh is getting stereotyped. He looks ill at ease at places. Sonnalli Seygall is sincere, enacting her part with utmost conviction. The drama gets a little amusing thanks to Supriya Pathak, Poonam Dhillon and Danish Husain. It is difficult to imagine another pair of actors pulling it off as well. Supriya Pathak plays to the gallery. Poonam Dhillon is superb. Danish Husain is fantastic.

On the whole, Jai Mummy Di just doesn't work. Flop!

Weak Screenplay, Poor Direction with no punch lines in Humor is what I concluded after watching this movie. Luv Ranjan being producer of the movie surely misses this time to connect with its audience. Supriya Pathak and Ponam Dhillon both seasoned actresses were wasted with respect to their character development and repetitive monotonous dialogues which also can be said for sunny Singh as he is now doing such roles from quite a few time to which I would say that he needs to diversify his roles as actor posses a lot of potential

I don't understand the ratings and reviews. Some films are just meant to be timepass and this film is like that. Very light film with no over emotional lines and mood. I liked the film throughout and actually laughed at some points and overall a film.is a good watch.

Comedy is a serious business. Indeed, everyone is not just a matter of comedy. If you did not mold the characters in the story in a comic manner, then you failed to make me laugh. The same has happened in director Navjot Gulati's 'Jai Mummy Di.' The film may be of comedy corner, but in the movie, you have fewer moments of laughter and more glimpses of superficial and force humor.

The problem of director Navjot's direction is that he has chosen a skinny line story, which he could not elaborate. That is why nothing happens until the Interval. The story moves at a plodding pace. There are some funny one-liners in the film, but they do not hold much.

The story moves a bit after Interval, but the irrational and childish scenes do not take the movie to any conclusion.

When the reason for Pinkie and Lali's enmity opens in the Climax, there is a feeling of being cheated as a viewer. The glut of songs in the film creates hindrance rather than complementing the story.

Sunny Singh, as Puneet Khanna, has tried his best to create an impact on his character. Sonali is glamorous as Saanjha but has not been able to catch the right tone of her role. Sunny and Sonali were earlier seen in 'Pyaar Ka Panchnama 2', but the chemistry between the two is missing here. Poonam Dhillon and Supriya Pathak have been given the titles of Mogambo and Gabbar in the film, but nothing like that appears in their characters. These two actors surely deserved more. Dhillon and Pathak, are sadly let down by the script. The experience of these two actresses is reflected in their performance, but due to loud and melodrama, they do not remain effective.

Movie is funny and nice although the directing could have been better..