Judas and the Black Messiah

The two main acting performances really carry this film. Kaluuya and Stanfield both do tremendous work and make this film a compelling watch. It's a tough. depressing movie to watch, but it feels appropriately timed with its release. It's inevitable to compare this to another recent film containing some of the same characters, The Trial of the Chicago 7. While Chicago 7 is a more enjoyable watch and really zips along with energy, Judas is more unflinching in its reality and less "Hollywood." This isn't to say there aren't the typical story beats you expect in a film like this, but it overall feels more impactful.

I had no idea any of this actually happened, so it's great that a film was made about this. This is a powerful film that I would highly recommend.

I haven't written a review in awhile, but felt compelled to do so because numerous reviews complaining about the movie as some sort of failed Fred Hampton biopic... The movie is titled JUDAS and the Black Messiah, in which we should all be able to discern who's whom, and understand why the movie isn't just about Fred Hampton, so all of you with your fake woke-ness can stop talking about how shallow this movie is or how they didn't do enough, and then counterintuitively discredit this accomplishment of a film about an important part of the U.S. history!

When I saw "The Trial of the Chicago 7" less than a year ago, I commented that there was likely a more interesting movie to be made about Fred Hampton. Well, here it is! This film avoids all the traps of traditional biopics. Its tight timeline and electric performances distinguished it from similar stories that wind up feeling like nothing more than historical dramatization. I knew how this movie would end. I knew the basic story of the main character. And yet I hung on every moment. Kaluuya is that good, and Stanfield is that good. More importantly, the filmmakers are smart enough to figure out that this could be a story of betrayal, advocacy, loyalty, and fear...something that transcended one person's story. What results is something both universal and uniquely relevant to the present day. This movie deserves whatever awards it wins.

Both are based on the true story which happened in Chicago in 1968 and 1969, so two movies give the whole picture of what it was like in Chicago in late 60s. Social oppression, protest in reaction, police's excessive force of use, discrimination against the weaker are the words to describe atmosphere around that time. It's interesting to compare and contrast how Fred Hampton is realized in two movies. Other than that, there are many things to compare and contrast both contents and the forms.

'Judas and the Black Messiah' is disappointing that the director could have done so much more with such an important historical figure (similar with 'The Trial of the Chicago 7'). The screenwriting is stretched and elongated. The momentum and the tension have to be built up for December 4th Monroe Massacre where all the powerful emotions burst. However, the director fails not only to build up but also to have a great ending.

P.S. History speaks that William O'Neal is still a weak coward then and now.