Big Shark

Very very enjoyable with a big audience. Everyone was cheering and laughing. Tommy was in the crowd and loving it. Please watch this with friends or a giant crowd. The movie itself was unfinished, but that made it even better for the audience. The cgi for the shark was so funny, and at times wasn't even finished. Like one shot would have the big shark, and the next it wasn't there. Was definitely an interesting movie. Tommy really outdid himself with it, and I loved every second. 10/10 perfect movie watch with friends and get drunk. Tommy is also an awesome man who is so very strange but wonderful. I love him.

"Big Shark" splashes into the shark movie genre with a unique twist that's as unpredictable as its enigmatic creator, Tommy Wiseau. I had the privilege of catching its Canadian premiere amidst a sea of enthusiastic "The Room" aficionados, with Greg Sestero himself gracing the event. The energy in the theater was electric, resembling a blend of chaos and jubilation.

What sets "Big Shark" apart is its embrace of audience participation. While cult classics like "Rocky Horror" and "The Room" boast established interactive rituals, this film dared fans to improvise, test waters, and discover what tickled their funny bones. The result? A cacophony of laughter, occasional dialogue drowning in the uproar, and surprisingly, impromptu musical renditions echoing throughout the theater. Yes, singing took center stage alongside the film's antics.

Unlike its predecessor, "The Room," "Big Shark" feels purposefully engineered for audience engagement. Tommy Wiseau, the mastermind behind this madness, seemingly orchestrated this pandemonium intentionally (or did he?). His deliberate or perhaps serendipitous inclusion of participatory elements pays off handsomely, elevating the viewing experience to an interactive extravaganza.

For fans of "The Room" or anyone reveling in the delight of interactive cinema, "Big Shark" is a must-watch. Wiseau's creation, arguably the apex predator of shark movies in 2023, swims circles around the disappointing "Meg 2." I left the theater eagerly anticipating a second viewing, a sentiment echoed by the audience around me.

"Big Shark" isn't just a movie; it's an event. Dive into this cinematic whirlpool if it graces your city-you're guaranteed a rollercoaster of hilarity and, dare I say, a newfound appreciation for shark-themed mayhem.

I was invited to see this movie and after reading the reviews, I thought what the hell. Why not see a movie at 10PM in this disgusting theater in Dallas, and WHY a premiere??? I had to leave an hour in because I couldn't hear a damn word. The crowd attracted to this movie is utter trash. If you've seen Gremlins, that scene of all them in the theater, that's the crowd. Loud. Throwing spoons? Drunk. Making inappropriate comments about body parts and screaming random stuff trying to be funny. I work too hard to be surrounded by idiots and yeah, I said it. So now this movie... I gave it an honest 3. Wish I could've heard the damn thing! They did a lot of nonsense improving, talking over each other yet I could tell they spent a lot on the shark and CGI. The acting wasn't bad, I've seen worse. The scenes were cut weird and drawn out but that's what makes these movies so popular I guess. I'll never know what happens unless it's screened in the comfort of my own clean home. If Tommy decides to make more movies and he wants a premiere, premiere them in a normal theater to weed out the trash.

"SOPHIA SOPHIA I LOVE YOU SOPHIA!" Damn, Tommy has done it again, crafting another masterpiece of mediocre acting and even more mediocre writing that somehow still has so many unforgettable lines. Not only is this a thriller, it's also a fricking MUSICAL with spontaneous bursts of a cappella singing that will make Vincente Minnelli rise from his grave and clap with approval. "COWBOYS DON'T CRY/HEROES DON'T DIE/THEY JUST SPARKLE IN THE SKY/SO I WON'T CRY." I can't get it out of my head! Seriously, go see this movie the first chance you get. You'll laugh, you'll cry, you'll cringe, you'll wonder what the hell is going on; to quote another iconic musical, "Who could ask for anything more?"

In order to fully appreciate this film you need two things. Lots of drink before it starts and a decent amount of audience participation. That's because it's terrible. Now I know that the creator of "The Room" (2003) was unlikely to deliver us an award-winning epic, but I think even I was disappointed by just how poor this is. When New Orleans is threatened not only by rising flood waters, but by a menacing shark it falls to three highly decorated fire-fighters to find away to save their city. The acting and dialogue are like a very bad rehearsal for a "Bill & Ted" film, the visual effects stop being entertaining fairly quickly and that just leaves us with a mess of a movie that all-too-often just made me cringe. Tommy Wiseau is clearly a shrewd man, but this attempt to make a silk purse from a sow's ear is just risible on about every level and even with ensemble guffaws of embarrassment from the other suitably lubricated folks in the cinema it becomes pretty much unwatchable. A parody of many other films, it may be trying to be - but for me, well it's just not funny!