Un'estate con Sofia

Naïma (Jiang Rong) is almost 16 years old and lives in Cannes at her mother's house. Her family receives the impromptu visit of her Parisian cousin Sofia (Zahia Dehar), a young woman with a silhouette as divine as artificial. Naïma will spend an unforgettable summer on a luxury yacht along the French Riviera, with Sofia as well as Philippe (Benoît Magimel) and Andres (Nuno Lopes), two forty-year-old men, wealthy and attractive. Thus, she will get to know herself better and leave her adolescence to finally take life in her own hands.

The French title, i.e. « une fille facile » meaning an 'easy' woman, is deliberately provocative and tantalizing quite as the choice of the deliberately inflammatory Zahia Dehar who was a hot news topic, one decade ago, because of a scandal with a part of the French soccer team using the services of this juvenile call girl. This is slightly misleading. In my humble opinion, the focus is also on Naïma and a pivotal period of her life thanks to Sofia and Philippe.

As a postscript, 1) The incident with the collector's sextant is far-fetched and particularly disappointing: a real weakness in the script. 2) I would personally have imagined the end scene punctuated by the song 'My way' popularized in 1969 by Frank Sinatra. Why? Well, she obviously found it, didn't she?

While at least one of the main actresses in this was about a decade older than the character she portrayed, you almost buy it. And she plays it loose and "innocent". Though most would not call her innocent at all. Not in any sexual way that is, because she really puts herself out there.

And while she is doing that, her friend is the introvert and able to express herself the same way. Now if you are judging one or the other, that is I reckon fair. But remember that we are all different and we do experience things different. This is about a summer that helps both those girls grow to become the person they end up to be.

Maybe not highly philosophical, maybe not the best movie, but it is quite the decent one. If you don't mind the occasional nudity and sexual situation depicted here that is of course. Sparsely used but still some may feel "offended"

Know how to make good movies. This wasn't a blockbuster but was very entertaining and the acting was great. For some reason even though I understand little, if any, French, I understood perfectly what was happening throughout the movie. Maybe some American directors and actors should take some time off from their superhero films and go to France and learn how to make real movies.

I really, really love the simple style of the movie. It's billed as a 'Coming of Age' movie by a lot of reviews and ratings. I'm not sure I am of the belief that at 16, is there really a time period in a person's life that coming of age is all figured out by one short summer. Dealing with the unknown world that exists around you as you live. Can an out of school lark around an beautiful, yet bustling resort town that you live all your life really give you the opportunity to 'figure out youself' and know what you are and what you want to be. This is an interesting story about 2 cousins, 1, Sofia is 22 yet is living her life carefree and gives the perona of a much older soul. Dealing with her mourning for her recently lost mother, living off the 'generosity' of older, wealthy men in exchange for a piece of herself. Is she as free and happy as she gives the impression most the time. Or is she the sad, lonely, confused young lady that she reveals in a few short scenes with Maia.

Very good acting by the 2 main ladies. Supporting cast in the men and her mother is well done. As you would expect in a film shot in a fabulous, gorgeous setting like Canne, the cinematography is absolutely amazing. I also took note afterward that I really enjoyed the Directors use of subtle background music and soft luster of water sounds, low voices and at most time, calmness. This IMO is definitely worth a watch. I was pleasantly surprised about the reality also about no abundant over zealous nudity or sex to get the writers points across.

Strong points:

• Having grown up in the area where this was recorded, I thought it successfully captured the pace of life and the type of people one would find in Cannes

• Pleasant watch, dialogue between the characters flows well and naturally for the most part

• Zahia's acting somehow works. It is quite monotone, although I imagine her casting might have more to do with her reputation than her acting ability. The calmness and seeming detachment of the character creates an air of mystery, an aura of sophistication.

Weaker points:

• The silent, complicit naiveté of Mina Farid works up to a certain degree. There is a point where she begins to express more of a personality (through her exchanges with Philippe) but it does not seem to build up to anything in particular, which I thought was a shame.

• The film is pleasant but uneventful. I wouldn't watch it again but I also wouldn't dissuade anyone from watching it.