Un'estate con Sofia

Overall the movie fails in some ways to achieve the depth it wants to achieve, but the coming-of-age theme still struck a chord with me. These slice-of-life scenes - the partying, the low-key drama, the confusion of it all - could be very familiar to all Gen Y or Z viewers.

The movie is very unapologetic in its nudity, sympathetic to a new kind of female character that no movie I have ever seen has been sympathetic to. That extremely realistic, clumsy yet charming karaoke scene was a breath of fresh air.

I wouldn't go so far as to call it a GREAT film by objective standards, but it definitely has a soul, something that not many movies have anymore. Creatively shot and immersive in its simplicity, with a feminist message that is all-inclusive.

Know how to make good movies. This wasn't a blockbuster but was very entertaining and the acting was great. For some reason even though I understand little, if any, French, I understood perfectly what was happening throughout the movie. Maybe some American directors and actors should take some time off from their superhero films and go to France and learn how to make real movies.

Although it's set in the present day, there's a feeling that the events of this film are dredged from distant memories. It begins with the start of Naïma's last school holidays growing up in the strange double world of Cannes. Naïma herself (played by Mina Farid) comes from a normal world where her mother works as a chambermaid in one of the posh hotels frequented by the people from the other world of ridiculous idleness and unfeasibly opulent motor yachts moored on the front.

Out of the blue, Naïma's older cousin, Sofia appears and it's quickly apparent that she is the "fille facile" of the title, her over-tanned body easily flaunted for any passing lothario. Zahia Dehar has apparently some autobiographical experience to draw on in depicting Sofia and she makes the best of a fairly meagre characterisation.

Sofia quickly settles her attentions on Andres (Nuno Lopes) who owns one of the yachts while Naïma tags along and turns, in time, to Andres' sidekick, Philippe. Benoît Magimel plays Philippe, one of the more complex characters, well, but always feels too old to be of much interest to a sixteen-year-old.

Sofia and Andres' relationship is based on the exchange of meaningless sex for expensive presents. There's a retro style to some of the cinematography especially as it lingers sometimes a second of two too long on Sofia's curves and on the couple's antics. It all emphasises the dreamlike feel of the whole movie. Naïma observes the couple with a mixture of distaste and fascination - enough fascination, at least, for her to neglect her Compulsory Gay Friend, Dodo.

About half way through the film, I was reminded of a couple of days from my distant past when my sister and I, naively backpacking around the US, happened upon the lives of a couple superficially similar to Sofia and Andres. But in our short time as his guests, this real guy showed a conflict over his life choices and offered me an alcohol-fuelled, but apparently sincere, apology for the shallowness of his lifestyle.

Sadly, introspection like this was rather lacking from several characters in the movie and that's its major weakness. But for Naïma herself, the story is believable, and for that, it's worth watching. 7/10.

While at least one of the main actresses in this was about a decade older than the character she portrayed, you almost buy it. And she plays it loose and "innocent". Though most would not call her innocent at all. Not in any sexual way that is, because she really puts herself out there.

And while she is doing that, her friend is the introvert and able to express herself the same way. Now if you are judging one or the other, that is I reckon fair. But remember that we are all different and we do experience things different. This is about a summer that helps both those girls grow to become the person they end up to be.

Maybe not highly philosophical, maybe not the best movie, but it is quite the decent one. If you don't mind the occasional nudity and sexual situation depicted here that is of course. Sparsely used but still some may feel "offended"

Naïma (Jiang Rong) is almost 16 years old and lives in Cannes at her mother's house. Her family receives the impromptu visit of her Parisian cousin Sofia (Zahia Dehar), a young woman with a silhouette as divine as artificial. Naïma will spend an unforgettable summer on a luxury yacht along the French Riviera, with Sofia as well as Philippe (Benoît Magimel) and Andres (Nuno Lopes), two forty-year-old men, wealthy and attractive. Thus, she will get to know herself better and leave her adolescence to finally take life in her own hands.

The French title, i.e. « une fille facile » meaning an 'easy' woman, is deliberately provocative and tantalizing quite as the choice of the deliberately inflammatory Zahia Dehar who was a hot news topic, one decade ago, because of a scandal with a part of the French soccer team using the services of this juvenile call girl. This is slightly misleading. In my humble opinion, the focus is also on Naïma and a pivotal period of her life thanks to Sofia and Philippe.

As a postscript, 1) The incident with the collector's sextant is far-fetched and particularly disappointing: a real weakness in the script. 2) I would personally have imagined the end scene punctuated by the song 'My way' popularized in 1969 by Frank Sinatra. Why? Well, she obviously found it, didn't she?