VALUTAZIONE IMDb
5,4/10
27.990
LA TUA VALUTAZIONE
Le prove e i trionfi di Malti, un sopravvissuto all'attacco acido. Dall'indagine dell'attacco al procedimento giudiziario, dal trattamento medico alla guarigione emotiva, Chhapaak è la stori... Leggi tuttoLe prove e i trionfi di Malti, un sopravvissuto all'attacco acido. Dall'indagine dell'attacco al procedimento giudiziario, dal trattamento medico alla guarigione emotiva, Chhapaak è la storia dello spirito umano.Le prove e i trionfi di Malti, un sopravvissuto all'attacco acido. Dall'indagine dell'attacco al procedimento giudiziario, dal trattamento medico alla guarigione emotiva, Chhapaak è la storia dello spirito umano.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 18 candidature totali
Geeta Agrawal Sharma
- Malti's Mother
- (as Geeta Agarwal)
Recensioni in evidenza
This opening scene is small but uncomfortable. Some might say it presents a tragic truth, where victims are forced to measure their victim-ness against one another to earn the right of justice.
The movie reminds us of the heinous masculinity of a crime aimed solely at defacing a woman in an optical culture that equates societal worth with physical beauty. It's a calculated choice that the woman is played by a mainstream actress, from a film industry notorious for fetishizing her glamour over all else; this way, the transformation hits the average viewer harder.
We don't quite get to know Malti beyond the legacy of her life's events. The story doesn't pause to know her either. She exists - in a thinner texture of flesh and blood - mostly because Laxmi does.
A storyteller's rage is not a bad thing. The intent is right, but the execution feels awkward.
The timeline feels oddly cold-blooded. It leaps from one version of Malti to another. The screenplay overcompensates for the pace. The men in the background are either stereotypical idiots (male reporters ask insensitive questions) or unrealistic angels (the surgeon is annoyingly cheerful; the lawyer's husband serves tea and parathas to the "ladies of the house" so that she can save the world).
The little touches are nice: Malti laughs with pursed lips, thereby evoking a face that had to reconstruct its smile in a way that hurt the least. She speaks less, but places more gravity on her words (because maybe that's all she has) - a trait that allows the dialogue-ish nature of her lines sound organic.
Vikrant Massey and his idealism forces her to balance it out by being a tender, soft-spoken - and better - woman. She is the ice to his fire, even though she wears fire on her face.
The movie reminds us of the heinous masculinity of a crime aimed solely at defacing a woman in an optical culture that equates societal worth with physical beauty. It's a calculated choice that the woman is played by a mainstream actress, from a film industry notorious for fetishizing her glamour over all else; this way, the transformation hits the average viewer harder.
We don't quite get to know Malti beyond the legacy of her life's events. The story doesn't pause to know her either. She exists - in a thinner texture of flesh and blood - mostly because Laxmi does.
A storyteller's rage is not a bad thing. The intent is right, but the execution feels awkward.
The timeline feels oddly cold-blooded. It leaps from one version of Malti to another. The screenplay overcompensates for the pace. The men in the background are either stereotypical idiots (male reporters ask insensitive questions) or unrealistic angels (the surgeon is annoyingly cheerful; the lawyer's husband serves tea and parathas to the "ladies of the house" so that she can save the world).
The little touches are nice: Malti laughs with pursed lips, thereby evoking a face that had to reconstruct its smile in a way that hurt the least. She speaks less, but places more gravity on her words (because maybe that's all she has) - a trait that allows the dialogue-ish nature of her lines sound organic.
Vikrant Massey and his idealism forces her to balance it out by being a tender, soft-spoken - and better - woman. She is the ice to his fire, even though she wears fire on her face.
Average acting got buried down by slow passing issue. Even through movie runtime is more then enough other characters where stay hidden or won't have much story to cover them and they did not got chance to show their range. And at the end I think casting of lead could have been better Kangna or Rani would have done far better job then this lead.
When the trailer came, i knew this movie is gonna be LEGEND wait-for-it DARY. Legendary movirle it is. Though i am not a DP's fan nor have i watched any megha gulzar movie but this movie attracted me thus i ended up watching it. ACTING - everyone has done has great job and vikrant and deepika steals the show and the real acid warriors (not victim or survivor tbh they are warriors) are worth watching. Their smile nd everything is so damn good.
Overall this movie is must watch and i CAN SURELY SAY ONE THING THAT WHOEVER HAS GIVEN THIS MOVIE SUCH A LOW RATING ARE 80% THOSE FOOLS WHO ARE FOLLOWING #BOYCOTT trend and rest 20% could be genuine reviews :)) Though those 80% people are so dumb that they can't see beyond boycott trend nd all the work behind this movie :)) Worth watching...
Overall this movie is must watch and i CAN SURELY SAY ONE THING THAT WHOEVER HAS GIVEN THIS MOVIE SUCH A LOW RATING ARE 80% THOSE FOOLS WHO ARE FOLLOWING #BOYCOTT trend and rest 20% could be genuine reviews :)) Though those 80% people are so dumb that they can't see beyond boycott trend nd all the work behind this movie :)) Worth watching...
Story is light, so is the acting.
The characters are supposed to reflect real stories, but there is no effort put to show the real background of the culprit and the culture and thinking he grew up with. Real life character was much worse. If this is based on true events then it should be true to the characters.
The film Chhapaak is the milestone in the career of Deepika Padukone, which is trying to color the political atmosphere of the country.
Apart from Deepika, Vikrant Massey has made an impression in this film. In the movie Sanju, just like Vicky Kaushal had gathered all the applause, Vikrant has done something similar here. Nobody expected much from them in front of an artist like Deepika, but she is a surprise package of this film.
The rest of the actors in the film are newcomers; some real acid attack victims have also done fantastic work in it.
Meghna Gulzar's quality as a director is that she has kept the story realistic. The first half of the film is a little dull, but after the intermission, the events catch their pace.
Apart from Deepika, Vikrant Massey has made an impression in this film. In the movie Sanju, just like Vicky Kaushal had gathered all the applause, Vikrant has done something similar here. Nobody expected much from them in front of an artist like Deepika, but she is a surprise package of this film.
The rest of the actors in the film are newcomers; some real acid attack victims have also done fantastic work in it.
Meghna Gulzar's quality as a director is that she has kept the story realistic. The first half of the film is a little dull, but after the intermission, the events catch their pace.
Lo sapevi?
- QuizFilm is based on the life of acid attack survivor Laxmi Agarwal, who was attacked in 2005 at age 15, by a 32-year-old man named Nadeem Khan (Guddu).
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 604.334 USD
- Fine settimana di apertura Stati Uniti e Canada
- 316.781 USD
- 12 gen 2020
- Lordo in tutto il mondo
- 6.532.100 USD
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 2.39 : 1
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