VALUTAZIONE IMDb
5,1/10
6774
LA TUA VALUTAZIONE
Una giovane agente di polizia alle prime armi fa volentieri l'ultimo turno in una stazione di polizia appena dismessa nel tentativo di scoprire la misteriosa connessione tra la morte di suo ... Leggi tuttoUna giovane agente di polizia alle prime armi fa volentieri l'ultimo turno in una stazione di polizia appena dismessa nel tentativo di scoprire la misteriosa connessione tra la morte di suo padre e un feroce culto.Una giovane agente di polizia alle prime armi fa volentieri l'ultimo turno in una stazione di polizia appena dismessa nel tentativo di scoprire la misteriosa connessione tra la morte di suo padre e un feroce culto.
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Recensioni in evidenza
I really liked Last Shift. It did a lot with it's low budget and managed to be a genuinely unnerving and interesting horror movie that felt new and original.
I was really quite excited to see Malum. Some more critical folks out there said it was unnecessary, but I really liked the idea of seeing what Di Blasi would do with the original story given feedback from the original, a bigger budget, and time to think.
Well, for the most part, Malum follows Last Shift quite closely. The overall plot is almost entirely the same and a lot of plot points from Last Shift are recreated.
But Malum does add a fair amount of background and extra exposition, either by adding to existing moments from the original film, qnd by adding entirely new scenes.
The problem is, these additions actually take away far more than they add to the film. It was the vaguearies of the original that helped it shine; the viewer being trusted to make connections and fill in the blanks. Malum, by comparison, spells everything out.
There are other issues too. The deranged cultists are so stereotypical that it's hard to take the performances seriously. The special effects, though apparently more sophisticated and expensive, are actually a lot less convincing (I'm trying to avoid spoilers but The Reveal is probably a prime example). And the ending is not only predictable, irrespective of whether you've seen the original film or not, but also deeply unsatisfying and frustrating.
I want to be clear: I didn't hate Malum. I actually enjoued it, despite some serious flaws; it kept me interested and entertained.
But, having seen Last Shift, the "original draft" of the film, I'm left wondering why it was made, because it has literally already been done much more effectively. By the same director, no less!
I was really quite excited to see Malum. Some more critical folks out there said it was unnecessary, but I really liked the idea of seeing what Di Blasi would do with the original story given feedback from the original, a bigger budget, and time to think.
Well, for the most part, Malum follows Last Shift quite closely. The overall plot is almost entirely the same and a lot of plot points from Last Shift are recreated.
But Malum does add a fair amount of background and extra exposition, either by adding to existing moments from the original film, qnd by adding entirely new scenes.
The problem is, these additions actually take away far more than they add to the film. It was the vaguearies of the original that helped it shine; the viewer being trusted to make connections and fill in the blanks. Malum, by comparison, spells everything out.
There are other issues too. The deranged cultists are so stereotypical that it's hard to take the performances seriously. The special effects, though apparently more sophisticated and expensive, are actually a lot less convincing (I'm trying to avoid spoilers but The Reveal is probably a prime example). And the ending is not only predictable, irrespective of whether you've seen the original film or not, but also deeply unsatisfying and frustrating.
I want to be clear: I didn't hate Malum. I actually enjoued it, despite some serious flaws; it kept me interested and entertained.
But, having seen Last Shift, the "original draft" of the film, I'm left wondering why it was made, because it has literally already been done much more effectively. By the same director, no less!
I want to preface this review with the fact that I had a good time with this movie. It was fun, scary and successful as a stand alone. Being a fan of its predecessor, Last Shift, inevitable parallels and comparisons will be made. While both had their own pros and cons, I think at the end of the day I personally liked Last Shift better. Two of my main criticisms with Last Shift was the backstory/elaboration on plot and the budget.
Right out the gate Malum does a great job at giving a little bit more background on the characters and their story, making it feel like a more well-rounded throughline with a cohesive and concise point. However, as quickly as it took up for the slack in the story, it added another element specifically regarding the main girl and her involvement that almost negated its prior clarity and was left open ended and me scratching my head. Now, with all that said, at its foundation this is still an entertaining, intriguing story regardless and they did a good job at really sticking to its original core.
As far as the budget goes, the picture quality was great in this and vastly improved from Last Shift. I think that ended up being a positive and a negative aspect because while Malum was "aesthetically superior", something about the grittiness of last shift with the picture quality and special effects almost made it a little bit more real, down to earth and therefore creepier. Something about Malum just wasn't quite as spooky as I wanted it to be and it definitely relied on jump scares. There were for sure some cool moments involving the breaking of appendages and gnarly movie make up, but even then, star-faced Hellraiser guy looked pretty silly... so it's a tossup.
As far as everything else goes, I thought it was generally successful. The scenery, props, lighting, makeup and effects were all very cool. The acting was decent across the board, if not a little mediocre. The main girl did a fine job, but was particularly successful in scenes of high intensity emotion. There was one stand out performance from a woman playing a prostitute that is to be of note.
I was really excited about this reimagining, and while it didn't hit exactly what I wanted it to be, it was still successful in its own right. I hope it gets the attention it deserves along with the director and Last Shift. Would recommend.
Right out the gate Malum does a great job at giving a little bit more background on the characters and their story, making it feel like a more well-rounded throughline with a cohesive and concise point. However, as quickly as it took up for the slack in the story, it added another element specifically regarding the main girl and her involvement that almost negated its prior clarity and was left open ended and me scratching my head. Now, with all that said, at its foundation this is still an entertaining, intriguing story regardless and they did a good job at really sticking to its original core.
As far as the budget goes, the picture quality was great in this and vastly improved from Last Shift. I think that ended up being a positive and a negative aspect because while Malum was "aesthetically superior", something about the grittiness of last shift with the picture quality and special effects almost made it a little bit more real, down to earth and therefore creepier. Something about Malum just wasn't quite as spooky as I wanted it to be and it definitely relied on jump scares. There were for sure some cool moments involving the breaking of appendages and gnarly movie make up, but even then, star-faced Hellraiser guy looked pretty silly... so it's a tossup.
As far as everything else goes, I thought it was generally successful. The scenery, props, lighting, makeup and effects were all very cool. The acting was decent across the board, if not a little mediocre. The main girl did a fine job, but was particularly successful in scenes of high intensity emotion. There was one stand out performance from a woman playing a prostitute that is to be of note.
I was really excited about this reimagining, and while it didn't hit exactly what I wanted it to be, it was still successful in its own right. I hope it gets the attention it deserves along with the director and Last Shift. Would recommend.
Did there really need to be a reboot from an earlier horror that in itself was a decent effective horror with a good Carpentersque soundtrack, creepy setting and solid camerawork. Like Haneke's own Funny Games it's a reluctant remake.
It goes on and on with too much emphasis on ghosts disappearing then reappearing and visa versa, predictable levels of characters turning up then disappearing and a friendly pig wandering around the desolate police station.
It has a Silent Hill level of make up that works kinda well but ultimately I've seen this type of horror way too many times before.
No more.
It goes on and on with too much emphasis on ghosts disappearing then reappearing and visa versa, predictable levels of characters turning up then disappearing and a friendly pig wandering around the desolate police station.
It has a Silent Hill level of make up that works kinda well but ultimately I've seen this type of horror way too many times before.
No more.
As a casual viewer of horror movies, it's quite concerning to see directors resorting to rehashing their own movies, especially when they were mediocre to begin with. Malum, a remake of Last Shift, is just another example of egotistical directors trying to salvage their past failures with bigger budgets. Last Shift had some potential. It's disappointing to see a director not learn from their mistakes and try to make up for it by throwing more money at the problem. The only thing that seems to have improved in Malum is the soundtrack and production value, but that doesn't make up for the lackluster storyline and characters. To be honest, Malum is just another generic horror movie with no real substance or creativity. The constant terror and violence get old quickly, and it's hard to invest in characters that are one-dimensional and uninteresting. It's a shame that there are no fresh ideas or surprises in this movie, and it's certainly not worth the time or money to watch.
...then the director must have had an awful lot of really competent help creating Last Shift, because that is a well done, well acted and well written horror film, while Malum is a schlocky gore fest with inane acting and dopey dialog.
Just watch the first 15 minutes of Malum and then switch over to Last Shift and watch the first 15 minutes of that. It is a travesty how badly Malum compares to Last Shift in the same scenes - the acting is abysmal, in particular the alleged actress in Malum compared to the believable actress in First Shift, and the dialog has been severely dumbed down in Malum - and the dialog in First Shift was simplistic enough.
Really, nothing about Malum is horrific, unless you count what it's done to the reputation of the director.
Just watch the first 15 minutes of Malum and then switch over to Last Shift and watch the first 15 minutes of that. It is a travesty how badly Malum compares to Last Shift in the same scenes - the acting is abysmal, in particular the alleged actress in Malum compared to the believable actress in First Shift, and the dialog has been severely dumbed down in Malum - and the dialog in First Shift was simplistic enough.
Really, nothing about Malum is horrific, unless you count what it's done to the reputation of the director.
Lo sapevi?
- QuizThe film is a remake/reimagining of director Anthony DiBlasi's earlier 2014 film Last Shift (2014).
- BlooperAt the climax of the film Jessica is carrying a shotgun and uses it, then drops it to the floor. A few minutes later she reaches for it and grabs it, but when she pulls it closer to herself, she is suddenly holding a handgun instead of a shotgun.
- Curiosità sui creditiThe chant that the worshipers used to sing is heard at the end of the credits roll.
- ConnessioniFeatured in Horrible Reviews: The Horrors Of 2023: Malum | Video review (2023)
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- Астрал. Ритуал Малум
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Botteghino
- Lordo Stati Uniti e Canada
- 221.738 USD
- Fine settimana di apertura Stati Uniti e Canada
- 221.738 USD
- 2 apr 2023
- Lordo in tutto il mondo
- 704.776 USD
- Tempo di esecuzione1 ora 32 minuti
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- Proporzioni
- 2.00 : 1
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