VALUTAZIONE IMDb
6,9/10
6827
LA TUA VALUTAZIONE
Ken Sato, stella del baseball, diventa il nuovo Ultraman ma deve allevare il neonato mostro del suo più grande nemico.Ken Sato, stella del baseball, diventa il nuovo Ultraman ma deve allevare il neonato mostro del suo più grande nemico.Ken Sato, stella del baseball, diventa il nuovo Ultraman ma deve allevare il neonato mostro del suo più grande nemico.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 9 candidature totali
Christopher Sean
- Ken Sato
- (voce)
- …
Tamlyn Tomita
- Mina
- (voce)
- …
Hiro Nakamura
- Kenji
- (voce)
Gedde Watanabe
- Professor Sato
- (voce)
- …
Keone Young
- Dr. Onda
- (voce)
Frank Buckley
- Announcer
- (voce)
François Chau
- Itow-san
- (voce)
Julia Harriman
- Ami Wakita
- (voce)
Robert Yasumura
- Kubo-san
- (voce)
Artt Butler
- Coach Shimura
- (voce)
Karen Maruyama
- Oba-chan
- (voce)
Mila O'Malley
- Chiho
- (voce)
Vic Chao
- KDF Pilot #3
- (voce)
Julia Kato
- Umpire #3
- (voce)
Recensioni in evidenza
Giving this an 8/10 rating
This brilliant film is in the cinemas now, I watched it in one, this really caught me off guard, in a good way. Adapting these big Japanese characters is a very difficult task, and almost all fall, but thankfully, they decided to do this animated, and spend time on story and character. The animation, by ILM (Industrial Light and Magic) is best there is this year.
Three good animated films, this week, they are 'Inside Out 2, Deep Sea' and this. What a week for cinema! The directors Shannon Tindle and John Aoshima have done a clever looking film, some very good cinema photography and clean direction, makes things very pleasant. Shannon Tindle and Marc Haimes write a family story with three points of view, and you can debate on who is the real evil is, in this, so you can agree on motives or not.
To be clear, you don't have to know anything about 'Ultraman' to enjoy this, the design is sharp and colourful, dialogue is not wishy washy, and a great cast is held together by a soundtrack that punches along. A great watch in the cinema.
This brilliant film is in the cinemas now, I watched it in one, this really caught me off guard, in a good way. Adapting these big Japanese characters is a very difficult task, and almost all fall, but thankfully, they decided to do this animated, and spend time on story and character. The animation, by ILM (Industrial Light and Magic) is best there is this year.
Three good animated films, this week, they are 'Inside Out 2, Deep Sea' and this. What a week for cinema! The directors Shannon Tindle and John Aoshima have done a clever looking film, some very good cinema photography and clean direction, makes things very pleasant. Shannon Tindle and Marc Haimes write a family story with three points of view, and you can debate on who is the real evil is, in this, so you can agree on motives or not.
To be clear, you don't have to know anything about 'Ultraman' to enjoy this, the design is sharp and colourful, dialogue is not wishy washy, and a great cast is held together by a soundtrack that punches along. A great watch in the cinema.
I originally was not enjoying this film. I thought it was going to be just a typical story about a hero getting humbled to beat a better hero. Then the baby kaiju was introduced and this film revealed what it really was, a story about parenthood and just how lovely it is. With the main character, Sato, starting off the most unlikable character I've ever seen, but throughout the film becoming infinitely more likable. The animation is drop dead gorgeous, every frame looks like a painting. The fight choreography is stellar in most fights. The score sounds pretty average mostly until some fights where they pull out the guitar and just start shredding. Overall I enjoyed the film and am looking forward to other projects to come out of this studio.
I saw this movie with one of my best friends and we were commenting, pausing and rewinding the movie all the time, so many details to see, so many memorable scenes to repeat.
From the beginning the protagonist seemed charismatic to me, despite being egocentric. Although of course, later we see the reason for his attitude, and it is easy to empathize with him.
In fact, it is easy to empathize with ALL the characters.
AND THE BABY, OH MY GOD, THE BABY. SHE IS REALLY ADORABLE. Every time she appeared on the screen my heart melted.
We had a very good time watching the movie, so much so that we are now watching it a second time, to capture as many details as possible.
It has become one of my favorites. An excellent movie.
From the beginning the protagonist seemed charismatic to me, despite being egocentric. Although of course, later we see the reason for his attitude, and it is easy to empathize with him.
In fact, it is easy to empathize with ALL the characters.
AND THE BABY, OH MY GOD, THE BABY. SHE IS REALLY ADORABLE. Every time she appeared on the screen my heart melted.
We had a very good time watching the movie, so much so that we are now watching it a second time, to capture as many details as possible.
It has become one of my favorites. An excellent movie.
I am not really familiar with the Ultraman lore. I know he's a guy who can grow to the size of a monster and often fights against kaijus. There is some sort of Kaiju Defense Force that also fights kaijus. Somehow, this film becomes the story of Ultraman defending a kaiju baby from the KDF, which is ironic, but kind of fun.
However, the true strength (and weakness) of the movie is not in the monster battles, but in the story of a young man trying to juggle career, family, child raising and personal life at the same time. Did I want this in a Kaiju movie? Maybe not, but at the same time it was what gave the characters depth and the story emotional power.
Also, this is a kiddie film, designed to appeal to small children and their parents who, probably, try to juggle a lot of things too, so technically it was good product.
However, the true strength (and weakness) of the movie is not in the monster battles, but in the story of a young man trying to juggle career, family, child raising and personal life at the same time. Did I want this in a Kaiju movie? Maybe not, but at the same time it was what gave the characters depth and the story emotional power.
Also, this is a kiddie film, designed to appeal to small children and their parents who, probably, try to juggle a lot of things too, so technically it was good product.
So it's a Netflix movie, keep that in mind.
But overall, this hits all the right boxes and even a few surprises. The emotional aspect is really well done and they make you care about the characters along the way.
Make sure you have seen the first one it'll be a little confusing. I appreciated the they didn't force any romance and they didn't make everything perfect for the character.
As a parent I thought they did a good job of displaying some of the difficulties that come with raising kids, especially if they sometimes act like monsters.
If you have Netflix, give this movie a shot. I think you'll like it.
But overall, this hits all the right boxes and even a few surprises. The emotional aspect is really well done and they make you care about the characters along the way.
Make sure you have seen the first one it'll be a little confusing. I appreciated the they didn't force any romance and they didn't make everything perfect for the character.
As a parent I thought they did a good job of displaying some of the difficulties that come with raising kids, especially if they sometimes act like monsters.
If you have Netflix, give this movie a shot. I think you'll like it.
Lo sapevi?
- QuizThis is the first animated feature that used Dreamworks's open-source rendering software Moonray, without the involvement of that said company. ILM: Industrial Light & Magic is the first studio to use it.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: Golden Global Destruction (2021)
- Colonne sonoreUrutoramanno Uta (Ultraman Theme)
Written by Hajime Tsuburaya (as Kyoichi Azuma) and Kunio Miyauchi
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ultraman: El ascenso
- Luoghi delle riprese
- Tokyo, Giappone(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 57 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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