Agatha e la verità sull'omicidio del treno
Aggiungi una trama nella tua linguaIn 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.In 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.In 1926, with her personal life in tatters and her writing in crisis, a young Agatha Christie decides to solve a real-life murder.
- Regia
- Sceneggiatura
- Star
- Rosalind
- (as Amelia Rose Dell)
- Franklin
- (as Joshua Silver)
Recensioni in evidenza
I confess I was a little unsure about the premise of putting a real person in an obviously fictional situation... but surprisingly it really works if you can suspend your disbelief somewhat. The story nicely combines known facts about her life at the time with an interesting fiction. The mystery she investigates has the feel of one of her stories, perhaps somewhat helped by the way the time period is captured. There are a good number of suspects, each with their own motives, as well as one or two red herrings. The cast are really good; most notably Ruth Bradley as Agatha Christie, Pippa Haywood, as the woman who brought the mystery to her and Tim McInnerny as one of the suspects. As stated before it is necessary to suspends one's disbelief at times; noticeably towards the end when a local policeman recognises our protagonist but does tell the authorities despite it being made clear that there is a nationwide manhunt for her. Overall though this was a fine murder mystery that could easily have come from the pen of the great women herself.
Simply put, the actors are great, sets and costumes are great, story is a little too... er... simple. Entertaining and worth watching, just don't expect a head-scratcher.
The plot moved slowly, so it probably wouldn't appeal to viewers who appreciate more action. It actually reminded both my mother and I of the 2015 mini-series, And Then There Were None, based on Christie's novel with the same name. Of course, it does not move towards the same ending, but the basic idea was there.
A note on the profanity: one of the characters dropped the f-bomb a few times, and while I am not well-read about the time period, I'm fairly sure it wouldn't have been used the way it is used, today. It wasn't offensive enough to warrant a true rant, but it's there.
Lo sapevi?
- QuizAgatha uses the under cover name of Mary Westmacott in the drama. The real Agatha Christie published 6 novels under this name between 1930 and 1956: The Rose and the Yew Tree, the Burden, Absent in the Spring, Giant's Bread, Unfinished Portrait and a Daughter's Daughter.
- BlooperThe neck-tie (dark with stripes) that Agatha wears as the legal assistant changes several times during a single scene. The knot may or may present a stripe.
- Citazioni
[Sir Arthur Conan Doyle has told Agatha Christie that he once suffered from writer's block and cured it by designing a golf course, and recommends that Agatha should do the same when she asks his advice because her readers are guessing the identity of the culprits in her books. She consults Sir Hugh Persimmion, an expert on golf course design]
Agatha Christie: I want to design a golf course.
Sir Hugh Persimmion: I see. Really?
Agatha Christie: Yes.
Sir Hugh Persimmion: Well, in that case, I'm afraid my answer's quite short. You can't.
Agatha Christie: Excuse me?
Sir Hugh Persimmion: [patronisingly] There isn't a golf club I know that would commission a design from a woman. I understand there has been a trend of late for ladies to golf. But really, the sheer complexity of a designer's task is beyond the capabilities of a woman. No matter how capable that woman is.
Agatha Christie: [smiling ingratiatingly] I see. I hadn't realised. But thinking about it, how could I have been so stupid? Imagine a woman being able to design the preamble to putting something small in a hole. A woman might just present the hole and have done. And where would be the fun in that? There'd be nothing to groom, for a start.
[she stands up]
Agatha Christie: [still smiling sweetly] Thank you for your time. It's been pointless.
[Sir Hugh looks nonplussed as he realises that Agatha's charming "climbdown" and farewell were actually intended to be highly insulting - and highly suggestive as well]
- Curiosità sui creditiDisclaimer in end credits: "This film has not been endorsed, licensed or authorised by the estate of Agatha Christie or by Agatha Christie Limited."
- ConnessioniFollowed by Agatha e la maledizione di Ishtar (2019)
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Dettagli
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- Celebre anche come
- Agatha and the Truth of Murder
- Luoghi delle riprese
- Grey Abbey, Newtownards, Regno Unito(Country House)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 77.542 USD