She Will

First of all, this is not a horror movie. It uses horror elements, but I would categorize it as a psychological drama with supernatural elements, and it moves more slowly and deliberately than horror films tend to do. The plot here is simple, and intends to be. It's only a vehicle for the portrait. The complexities are lyrical and poetical. As others have noted, the film is gorgeously shot, and the imagery is wonderfully constructed. The image that frames the movie is "explained" in the end by a single line, delivered by the always otherworldly Alice Krige, who turns in a stellar performance. Indeed, in many ways this is her movie, as well as her meta-movie, and it to Colbert's credit that she, Colbert, lets her have her way with it. Colbert is an interesting director, and one to watch. This is a strong film and deserves a wider audience.

The difficulty in writing and directing such a metaphorical, artful story such as this is that it becomes very easy to veer into pretentious and inaccessible territory.

There are times in She Will when this does happen, and the logical rules of the story and the feelings of the characters are often unclear. But thankfully, the film never stays in this territory for too long.

What keeps this tale investing is the quiet, mysterious performances, the odd yet entrancing visual effects/cinematography, and the satisfying pace at which the curtain is pulled back and the audience gets answers to their questions.

At times the metaphors are too heavy-handed to the point that it's a disservice to the characters, but most of the time it was refreshing to see subtle nuances in a movie like this that has a clear feminist message.

Certainly this isn't a film for everyone, but for those who like thought-provoking art, there's quite a bit of good to be found here.

I knew pretty much nothing about Charlotte Colbert's "She Will" when I started watching it, making it more interesting. This story of a faded actress who seeks treatment in a facility located on the former site of burning women accused of witchcraft has some intense scenes. The intensity is mostly found in the actress's disturbing memories. In that sense, I guess that the movie's saying that the worst horrors are the real ones.

While not anything great, this movie is more interesting than movies where people walk into rooms to get butchered. On top of that, it gives us some great shots of the Scottish countryside. Worth seeing for that, if nothing else.

As usual, a lot of the reviews here will tell more about the reviewers than they will about the movie...'slow...boring...all about evil men...seen this (too) many times in the last few years'.

It is slow if you want freddy kruger or jason. But it's not that kind of horror movie...in fact, i recently mentioned in a letter to a friend that there should be a 'supernatural' category, rather than 'horror' because that would warn the zombie lovers that it's not that kind of movie and save them the frustration of watching and me the frustration of reading their usual type of review... it's mostly a visually stimulating movie...producing just the right mood for the story which seems only to be brought out in a few places...but, for me, it was very satisfying...a feast for the eyes.

Krige, as usual, does well in this film...as do all the other players whom, mostly, seem peripheral to the small story at the core.

Not horror as much as supernatural and not for the red bull guzzling kids.

Amazing atmosphere building; no cheap red herrings or jump scares here. Just a solidly crafted macab tale. I wouldnt even go as far as to fully call this horror despite the horror aesthetics. More of a fantasy and witchy revenge tale in a way.

If you like really atmosphere driven storytelling then you will adore it, but it definitely isnt for everyone as its VERY atmosphere driven. It's 70% visually told and it errs in the side of the unknown instead of fully explaining the phenomena in dialogue. I thought it was pretty straightforwardly told and satisfying though.