Uno sceriffo in pensione e sua moglie, addolorati per la morte del figlio, si sono messi alla ricerca del loro unico nipote.Uno sceriffo in pensione e sua moglie, addolorati per la morte del figlio, si sono messi alla ricerca del loro unico nipote.Uno sceriffo in pensione e sua moglie, addolorati per la morte del figlio, si sono messi alla ricerca del loro unico nipote.
- Premi
- 3 vittorie e 3 candidature totali
Will Brittain
- Donnie Weboy
- (as William Brittain)
Recensioni in evidenza
This story is dark in many ways, but at the heart of it are two grieving grandparents (badass grandparents though) who want to save their toddler grandson from terrible criminals. Complex and thoughtful, it's the perfect mix of drama and suspense. Kevin Costner and Diane Lane are amazing. This is a finely drawn drama with high stakes tension.
Let Him Go is a western-gothic crime thriller with a North Western setting and some resemblance to vintage oaters like The Searchers. The search has elemental film roots with mental and physical violence enhanced by Leslie Manville as a bad grandma and her wicked sons.
It's fun to see the bad guys get roughed up. It's also satisfying to see the searching-for-family motif of contemporary super-hero films played out in the Western plains even if it was filmed in Calgary. The craggy mountains and little towns complement the late fifties setting when love and crime occur in simple but stark ways.
Retired Montana Sheriff George (Kevin Costner) and his wife, Margaret (Diane Lane), search for their grandson, Jimmy (Bram Hornung and Otto Hornung) after the death of their son, James (Ryan Bruce). Former daughter in law Lorna (Kavli Carter) has left abruptly with new husband, Donny Weboy (Will Britain), and grandson, relocating under duress to North Dakota and his family- Weboy territory where matriarch Blanche (Manville) wields absolute power. Very bad move. The chase begins.
Lane and Costner are in top-aging form, tough and tenderhearted enough to fight the Weboy clan for the grandson. This is a different, more nuanced role for them when they were Superman's parents. Let Him Go adds an authenticity to the thriller formula by emphasizing the devotion of the loving couple to each other and their quest to keep the family whole, or at least provide a fitting family life for their grandson.
The usual Western tropes apply like the corrupt sheriff, bad grandma and sons, the kind stranger, the tough mother, and the epic ending battle. What goes beyond the formula is the sincere love propelling the plot and corralling our hearts. And, of course, the fully-seasoned Lane and Costner.
Let Him Go is much more than the genre it represents.
It's fun to see the bad guys get roughed up. It's also satisfying to see the searching-for-family motif of contemporary super-hero films played out in the Western plains even if it was filmed in Calgary. The craggy mountains and little towns complement the late fifties setting when love and crime occur in simple but stark ways.
Retired Montana Sheriff George (Kevin Costner) and his wife, Margaret (Diane Lane), search for their grandson, Jimmy (Bram Hornung and Otto Hornung) after the death of their son, James (Ryan Bruce). Former daughter in law Lorna (Kavli Carter) has left abruptly with new husband, Donny Weboy (Will Britain), and grandson, relocating under duress to North Dakota and his family- Weboy territory where matriarch Blanche (Manville) wields absolute power. Very bad move. The chase begins.
Lane and Costner are in top-aging form, tough and tenderhearted enough to fight the Weboy clan for the grandson. This is a different, more nuanced role for them when they were Superman's parents. Let Him Go adds an authenticity to the thriller formula by emphasizing the devotion of the loving couple to each other and their quest to keep the family whole, or at least provide a fitting family life for their grandson.
The usual Western tropes apply like the corrupt sheriff, bad grandma and sons, the kind stranger, the tough mother, and the epic ending battle. What goes beyond the formula is the sincere love propelling the plot and corralling our hearts. And, of course, the fully-seasoned Lane and Costner.
Let Him Go is much more than the genre it represents.
This was like watching Father Knows Best (salty version) meets MA Barker and her boys! It was a good story that moved along well with the beautiful backdrop of the mountains of the west. There was pathos and you connected with the characters. I like watching a movie geared towards 50+ year olds! Make more.
Both Costner and Lane are among our favorites, it is hard to find either of them in a bad or even lackluster role. Here they are a long time couple, he is a retired law enforcement professional. Set in the early 1960s, they live on a small horse ranch in Montana, they have a married adult son and a small grandson. In an unfortunate riding accident their son dies, the D. I. L. Remarries a couple of years later. Then the newlyweds leave town suddenly and without saying goodbye.
Turns out the new husband is abusive and is part of an evil bunch in North Dakota. The grandparents want to protect their grandson, they know he is not safe, they go to find him. The evil family does not cooperate. The first half is kinda slow as things build, the second half has more action than the grandparents planned for.
Interesting story, the movie is very well made. My wife and I watched it on DVD from our public library.
Turns out the new husband is abusive and is part of an evil bunch in North Dakota. The grandparents want to protect their grandson, they know he is not safe, they go to find him. The evil family does not cooperate. The first half is kinda slow as things build, the second half has more action than the grandparents planned for.
Interesting story, the movie is very well made. My wife and I watched it on DVD from our public library.
I didn't expect the story to be so dark and disturbing. It is probably too dark for me to enjoy, but it is still engaging.
Lo sapevi?
- QuizLarry Watson's novel is set in 1951, and the couple live in North Dakota and travel to Montana. The movie is set in 1963, and they live in Montana and travel to North Dakota.
- BlooperWhen Margaret is riding with Bill in his truck, she rolls down her window as he lights up a cigar. In the next shot her window is up, and in a subsequent shot it is back down.
- Citazioni
Margaret Blackledge: I know what I've lost.
George Blackledge: Sometimes that's all life is, Margaret. The list of what we've lost.
- ConnessioniReferenced in Chris Stuckmann Movie Reviews: The Best Movies of 2020 (2020)
- Colonne sonoreOh Boy!
Written by Norman Petty, Bill Tilghman, Sonny West
Performed by The Crickets
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Budget
- 21.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.358.025 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.000.470 USD
- 8 nov 2020
- Lordo in tutto il mondo
- 10.835.686 USD
- Tempo di esecuzione
- 1h 53min(113 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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