Total Control

Deborah Mailman seizes our attention from the start and holds it unwaveringly in the first episode and the script writing and camera work back her all the way. The caricature of the 'Canberra bubble' carried by a cast of instantly recognisable and strong actors fitted comfortably into my prejudices while Rob Collins gave a moving performance as the Senator's brother. This series is exciting - almost enough to wipe the lingering aftertaste of "Pine Gap"!

Anyway Deborah Mailman shines as the central character of a Queensland senator handpicked by the PM to fill a vacancy. Having watched the first episode it has so much potential and already questions arise about the motives of the PM (Rachel Griffiths) and where this is going to head. Looking forward to the next episodes,

I wasn't quite sure how the story in season 2 would develop, but after just watching the first two episodes, I'd say it's better than season 1. This season feels a little more grounded in reality, with Mailman continuing to excel in the role.

Yes, as the nay-sayers mention, parts of the storyline are implausible as most 'deux ex machina' are - ie they are just devices to structure a story, a plot and the characters' actions.

It is fiction after all, story-telling, and the storyline is not meant to be realistic, any more than "CleverMan" or "Secret City" were. Doesnt mean it doesnt have something important to say about Australian reality, while also making entertaining television.

As for those thinking Rachel was a Gillard-style character - I saw her more as a Julie Bishop style character, as in the 'moderate conservative' :-) I would have preferred an Amanda Vanstone style character - just for the novelty of seeing a poorly dressed female PM - but a minor point :-)

Cast, direction, script, the camera-work - all excellent.

Also as a Canberran, and as ex-PS, many elements also made me both laugh and cry. (But enough with the "cold" jokes!)

Two episodes in and this is still hugely watchable and entertaining. A strong cast and some great characters make for compelling viewing. Deborah Mailman is brilliant, as usual. It is easy to feel for her character; she draws you in easily. The juxtaposition of bland maiden speech and her first interview works so well. Rachel Griffiths makes a great prime-minister. Believable and strong. The supporting case is equally proficient, and I look forward to more screen-time with them. Highly recommended.