Mosul

Mosul as a movie gives us a great insight on how ISIS were driven out of Iraq, though the whole movie is just a fictionalised account of a lot of happenings, One gets a general understanding of the bad stuff that went on back there. It is very refreshing to see an all Arab cast and an all Arab perspective of things in place of the regular stories of American soldiers and their deployment in Iraq since the Green Zone and the Hurt Locker.

Long time writer Matthew Michael Carnahan, impresses with his skills as a director for the first time. Cinematography is very good and keeps up with pace of the movie. Screenplay is very good and never lags in its entire runtime. Makeup, Production design and costumes were decent. Stunt sequences/ Action scenes were very impressive considering the movie's budget. At a little over 100 minutes editing is excellent. Acting by a all Arab team was generally good.

Overall, A great movie to watch for action movie fans that doesn't drag even one bit. The movie is a showcase for the determined Iraqi forces who drove out ISIS out of their soil. The highlight of the movie is presented at the very end, when it is presented for what and whom the fight is for. A must watch movie for all Action movie fans out there.

At one time, it seemed Isis was unstoppable in Iraq. The docudrama Mosul, produced by the Russo brothers, takes us in nail-biting detail with an elite Iraqi SWAT team dedicated to eradicating the last vestiges of the terrorist group with no little motive of revenge in their hearts.

While this drama, pulling together pieces of real events, is largely close-quarter fighting in the alleys and homes of the city, first-time director and writer Matthew Michael Carnahan expertly takes his hand-held and Steadicam with the soldiers to give the immediate sense of terror mixed with courage and mission.

The linchpin of the group is Major Jasem (Suhail Dubbach), rough and soft, tough and smart about Isis activities. More than once must he decide on the value of saving a life or letting it go, be it his soldier or Isis's. In that way this story is like The Outpost earlier this year in which hundreds of Taliban corner a small U.S. team placed in a canyon by irresponsibly clueless officers. Survival by wit is the common denominator, and thoughts of love buoy spirits but not for the audience that knows too well the ongoing tragedy.

Many learn history through realistic films like Mosul. The sights are not pretty, and the losses are not easy to accept. Those who know first-hand our losing efforts in Vietnam, Afghanistan, and Iraq can be assured that we have a good idea of the costs of democracy and misplaced ideals through competent and uncompromising docudramas like Mosul. On Netflix.

Mosul, Iraq. After a long struggle the tide is at last turning against ISIS. At the forefront of the war against ISIS is the elite Nineveh SWAT team, lead by Major Jasem. After recruiting a young police officer to their ranks they set off on a another hazardous mission.

A novel war drama, as it is told from an Iraqi perspective and set against the war against ISIS. Decent story, well told, with some realistic action scenes. Very gritty in the war the battles are portrayed: the good guys aren't immortal.

Not perfect though. Character engagement is limited, largely because there's no backstory to the characters or plot. Things just happen without a context, making you more an observer than a participant in the film.

The reason for the lack of background becomes apparent at the end but it would have been very helpful to have some way to have audiences engage more closely with characters. A longer film, even a mini-series, would have been more ideal.

A decent movie. Better than a decent movie. Everything is great. No particular side is bad. strict 7.5 is a must for this movie. And Arabic actors are doing very well. Nothing to say. A must watch decent movie.

Bearing in mind that this is fiction, featuring actors, written and directed by an American, Mosul still has an authentic and sincere feel to it. The events covered are recent, and the wounds still very much raw, but the treatment seems fair.

The core story is the basic coming-of-age of a young policeman inducted into a SWAT team acting, essentially, as executioners, and he soon adopts that philosophy. Daesh behave like medieval savages, but the callousness and cruelty that this engenders on those fighting them isn't glossed over either. There are no heroes here - all the characters presented have quirks or flaws.

The acting, filming and production values are all generally decent, with some compelling performances from the leads. The combat sequences in particular are well done, with some admirable examples of snafus and fumbles that give them a gritty authentic feel.

The tone of the film is generally grim and downbeat, but there's a surprisingly affecting twist at the end when the unit's real mission is revealed. Even within that though, there's some further nuance that brings home that there are no easy, final victories over an ideology as actively evil as Daesh.

This is a commendable, thought provoking and thoroughly well made film that far exceeded my expectations.