Sir Gawain e il Cavaliere Verde

I don't know what kind of drugs David Lowery took but it seems like that stuff was doing its job. The Green Knight is well filmed, I'll give them that, but the story itself is slow, making no sense for the majority of the time. It's just a weird movie, and normally that doesn't mean it's bad but in this case it was. The acting wasn't bad either so it wasn't their fault this whole movie was a mess. Apart of the good cinematography and the decent acting it's just not good. I wouldn't waste your time with this one if I were you.

I've got to admit, I'm very confused by all of the negative reviews. Were people expecting A Knight's Tale? This is an A24 artsy movie, it's not a popcorn movie. That being said, I found it very engaging. It's slightly slow paced, only because each scene takes its time, but I did not find it boring. In fact, I found it fairly riveting and propulsive for a movie of its kind. There is a thick atmosphere by way I of very compelling visuals and music, which reminded me of an Alex Garland movie, like Annihilation or Men, but set in medieval times.

The movie is also extremely thought provoking. There are several interesting themes of the movie: 1) The nature of chivalry and honor, 2) The meaning or meaninglessness of life and death. There are also some interesting choices about race and color.

I will say, I did read the original legend before seeing the movie, and perhaps that increased my enjoyment of the movie. It's short, and will only take you a few hours. It was very interesting to see in what ways Lowery chose to stay true to the story, versus what says he chose to deviate. There was even an interesting meta line in the movie about making changes to an original work when it needs improvement.

Overall, if you're open to a thought provoking and artistically beautiful movie, I think you'll enjoy the movie.

Before I viewed this movie I was aware of the polarized reviews and ratings, some think it is great while others consider it a complete miss. So I was curious.

It is a lesser-known story on the fringes of King Arthur and the Knights of the Round Table. Sir Gawain (they pronounce it 'GAW-in') is the King's nephew, it is Christmas, and a mysterious Green Knight shows up, inviting a challenge. None of the Knights step up but Gawain does.

Then a year later, on Christmas, he must travel 'six days north' to meet up with the Green Knight again, to settle the score.

My wife and I viewed it at home on BluRay from our public library. At just over two hours it was a fantastical, mystical movie. It has very accomplished actors who play their roles well. The locations (shot in Ireland) and cinematography are excellent all the way through. The sound track is really great. That's all the good stuff.

The not-so-good is that the story is very obscure much of the time. Things happened (like, what was up with the blindfolded woman who never spoke?) that cannot easily be interpreted as part of the story. So what we end up with is a pretty good viewing experience that leaves you figuratively scratching your head and wondering, "What was that all about?"

I am glad I watched it, I doubt that I will ever want to watch it again. The "making of" extra on the disc contains lots of discussion for those wanting to dig deeper into it. I viewed some of it. The cast and filmmakers clearly had a good time making it.

The Green Knight came highly recommended. I went in wanting to love it, but left disappointed. The cinematography and visual execution in the film are outstanding (with the exception of the weakly CGI'd fox). The movie drops the viewer into a fully realized medieval fantasy, complete with talking creatures, witchcraft, a ghost, and even a traveling crew of giants in a segment that made little sense. It's fortunate that the scenes are so dazzling, because you'll be staring at them a while. The movie trudges along for over two hours.

For plot, the Green Knight tells the story of Sir Gawain, King Arthur's unaccomplished nephew who appears to spend much of his time drinking or fraternizing with a prostitute he fancies but is unwilling to progress the relationship any further beyond transactional. On Christmas, at the King's feast, the eponymous Green Knight appears, a creature with a human shape but made of trees and plants. He proposes a game: anyone who strikes him will receive his powerful ax, but in one year, that individual must go to the Green Knight's home, an earthen chapel, and receive the same strike in return. Gawain beheads the Green Knight, achieving instant fame throughout the kingdom. As the following year slips away, Gawain then faces his obligations and sets off on the journey to meet the Green Knight.

It's a film that asks Big Questions, about the meaning of being human and facing one's death, about honor, duty, and chivalry, and even about love. After raising these issues early on, once Gawain begins his travels, the film then instead forefronts the slog of the journey. Maybe the unpleasantness of duty is part of the point, but it's not enjoyable viewing either. Several of the stops along the way seem nothing more than pretty, pretentious asides - dreamlike aspects of the film's world that they just couldn't cut during editing - rather than necessary portions of plot. The movie was stuffed with these aspects and overlong as a result, resulting in a viewing experience that felt tedious by the time the credits rolled.

It's a good film, but modern filmmakers seem a little too obsessed with deconstructing characters and de-romanticising the hero's journey, and it's starting to become a cliche that is overplayed and almost insulting to the audience. The filmmakers seem to think that by making all the protagonists anti-heroes who are not as heroic as we think that it's intelligent storytelling, but it really isn't.

I find myself regularly asking, "Where have all the good guys gone?" and "why isn't there romance in films anymore?"

Is it a little too much to ask for a righteous protagonist and a little love in films?

The modern landscape of cynical filmmaking that creates nihilistic stories has become very tedious.