Levon si è lasciato alle spalle la sua professione per lavorare nell'edilizia ed essere un buon padre per sua figlia. Ma quando una ragazza scompare, gli viene chiesto di aiutare con l'abili... Leggi tuttoLevon si è lasciato alle spalle la sua professione per lavorare nell'edilizia ed essere un buon padre per sua figlia. Ma quando una ragazza scompare, gli viene chiesto di aiutare con l'abilità che lo ha reso una figura dell'antiterrorismo.Levon si è lasciato alle spalle la sua professione per lavorare nell'edilizia ed essere un buon padre per sua figlia. Ma quando una ragazza scompare, gli viene chiesto di aiutare con l'abilità che lo ha reso una figura dell'antiterrorismo.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
Sure the plot is basic: Levon must rescue his employer's daughter from a gang of russian traffickers, the universe of which is deeper than expected. But the action is good, the filming is well executed, the music is nice and complements the story well, and Jason Statham is, well Jason Statham.
I definitely recommend the watch for his fans or for people that just want to enjoy a simple action movie, perfect for a sunday evening. Enjoy!
The first act bolts out of the gate at a rapid pace, so fast in fact, I thought I was watching the trailer.
A lot of the dialogue was inaudible, maybe because of the British people doing bad American or Russian accents. Which would explain why most of the film was trying to pass off England as Chicago.
I was never sure if it was being played for laughs, with sudden dramatic head turns and theatrical musical stings. Making it all feel a bit camp - especially when the villains are dressed as vampires or like they've fallen into a lost property box.
Thanks to co-screenwriter Sylvester Stallone, you're pummelled with cliche after cliche, desperately trying to emulate the classic action movies of the 80's but missing the target by a mile. The unintentionally funny scenes do deliver some laugh out loud moments which make the experience more bearable. I wasn't expecting much, but I was expecting to be more entertained than I was.
So, If you enjoy Statham being Statham and aren't in the mood for something new, then by all means, knock yourself out and give this a go.
- Nick
Surprisingly, there's a pretty eccentric cast of villains here however, it always remains Jason Statham's movie and him doing his usual extremely serious shtick carries this one as usual. Once again, he's playing squarely to his strengths and it's seriously impressive how him playing this type of character for the umpteenth time doesn't feel anywhere near as stale as when his fellow contemporaries stay in their respective lanes.
David Ayer's direction isn't as strong as his efforts in last year's The Beekeeper whilst keeping the film consistently visually slick despite a couple of weird creative flourishes. The action is unexpectedly choppy when also compared to Ayer and Statham's last collaboration, saved by the stuff that's still easy to see and a wild action packed finale. The overdone score by Jared Michael Fry really helps to nail the throwback feel this is going for.
The movie might draw the usual criticisms. Statham essentially plays the same character that he's played in many of his other films. There are several plot holes (e.g. How can he walk away from a massacre so easily?). The story is predictable and trite. There are impossible tropes, such as a main character who somehow avoids getting shot when the bad guys fire a machine gun right at him
But even with all those "problems" -- the movie is good for just one reason: Jason Statham is so good in the role. He looks and acts the part, and the way he can impart elements of comedy without diminshing the vibe is mesmerizing. For example - even when he's interrogating someone or getting ready to break someone's nose, he can make you smile and laugh with a one-liner or even a mere glance. I just don't know how anyone could watch a Statham movie and not find him likable. When you watch this movie, you just can't help but get behind his character and pull for him to come through unharmed. I love the scenes involving him and his character's daughter too
The movie has some good fighting scenes, as most Statham movies do. The villains are alright,. I do feel that the missing girl brings down the film a few times. Without spoiling anything, I'll just say that we see her kick some butt and do other things to appear brave or charming. Instead, she came off as annoying. Nobody buys that this little girl could fight, and seeing her act brave and fearless in front of the villains took some magic off Statham's actions: Statham seems less brave when he confronts the bad Russian mafia because we see a little girl stand up to them. The girl should've played the scared and helpless damsel in distress
7.5/10.
Lo sapevi?
- QuizShooting on this film commenced straight after shooting for The Beekeeper (2024) wrapped, with many of the film crew staying on in England to shoot scenes for this film.
- BlooperWhen the bar tender leaves skips bar and gets into his Porsche, we see and hear a tracking device planted on the vehicle, making a beeping type noise and a red flashing light. Covert tracking devices do not have red flashing lights and beeping noises, this negates the whole idea of covert.
- Citazioni
Merry Cade: Where's Grandpa? He's never late.
Levon Cade: He's not answering me.
Merry Cade: I sent him, like, 20 messages.
Levon Cade: I'm sure he's fine.
Merry Cade: You didn't kill him, did you?
Merry Cade: Dad, I'm kidding
Levon Cade: Do you trust me?
Merry Cade: Yeah.
Levon Cade: So, if I tell you something, you know you can believe me, right?
Merry Cade: Okay, the build-up is just making it worse.
Levon Cade: I made a big mistake.
Merry Cade: Oh, my God. You did kill Grandpa.
- Curiosità sui creditiThe opening credits montage tells the backstory of Levon Cade and his combat journey with friend Gunny Lefferty.
- ConnessioniFeatured in Jeremy Jahns: A Working Man - Movie Review (2025)
- Colonne sonoreRun Game
Performed by Lupe Fiasco
Written by Lupe Fiasco (as Wasalu Jaco), Simon Jamal Johnson and Charles Patton
Courtesy of 1st & 15th Productions
Published by Chillys Music, Man Behind Bars Music, admin by Me Gusta Music
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Mật Vụ Thợ Hồ
- Luoghi delle riprese
- Chicago, Illinois, Stati Uniti(Outdoor Scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.000.711 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.510.312 USD
- 30 mar 2025
- Lordo in tutto il mondo
- 88.100.711 USD
- Tempo di esecuzione1 ora 56 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1