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6,6/10
40.897
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Uno sguardo intimo alla straordinaria ascesa, caduta e redenzione di Tammy Faye Bakker, evangelista americana, personaggio televisivo, cantante, autrice e conduttrice di spettacoli religiosi... Leggi tuttoUno sguardo intimo alla straordinaria ascesa, caduta e redenzione di Tammy Faye Bakker, evangelista americana, personaggio televisivo, cantante, autrice e conduttrice di spettacoli religiosi al vivo.Uno sguardo intimo alla straordinaria ascesa, caduta e redenzione di Tammy Faye Bakker, evangelista americana, personaggio televisivo, cantante, autrice e conduttrice di spettacoli religiosi al vivo.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 22 vittorie e 45 candidature totali
Jay Huguley
- Jimmy Swaggart
- (as James Huguley)
Recensioni in evidenza
"Faith isn't political." Tammy Faye (Jessica Chastain)
But Faith is in The Eyes of Tammy Faye-not just a biopic full of secular missteps but also smart, sympathetic, light-hearted, poignant, and the best female performance of the year. This is from someone who thought Jennifer Hudson in Respect could not be bested.
As Tammy Faye Bakker, Chastain (also a producer) stakes out the dramatic territory of resembling the star-crossed televangelist and giving a nuanced performance, including commendable singing, that could make you want to see both Tammy and Jessica again in another completely different drama. You could also want to see a less innocent Tammy if you remember her blind eye for her husband's manifold indiscretions and corruptions.
Forget the makeup, which is remarkable by the way, and just enjoy the masterful depiction of an American classic woman-a star rising to the top at a time when television itself was rising in prominence (beaming shows with a satellite was practically a new weapon). She became a star asserting her talent when men tried to refuse her talent, a woman who rebelled against being left alone while her husband, Jim Bakker (Andrew Garfield-playing a smarmy wimp) took the glory and money. Also, a woman who had blind faith in God and mammon at the same time.
Director Michael Showalter, clearly sympathetic to Tammy, deftly takes the complicated soul from wide-eyed innocent to a wayward but still naive adult whose increasingly-gaudy makeup paralleled her fall from grace. Tammy and Jim's descent, ending in his going to prison for fraud and her losing her beloved television presence and Heritage USA theme park, is an accurate depiction of pride's and wealth's inevitable toll.
Besides Chastain's memorable performance of a talented woman determined to be more than just a trophy, Eyes is a docudrama chock-full of issues like gay love, male impotence, social repression, and most of all, the morphing of religion into entertainment.
Allied to these sinful markers is the couple's acknowledgement that wealth is ok to be pursued, even if you preach Christian charity. That Tammy and Jim built in the '70's and '80's the largest TV ministry, the PTL Network, would have been a remarkable feat except for the sinful ways they flourished.
As Chastain plays her, Tammy barely knew the shenanigans Jim and his buds, like Jerry Falwell, devised to milk their worshipers for wealth and real-estate empires. The Eyes of Tammy Faye is not just an historical docudrama; it is a fitting chronicle of the misalignment of church and state and the corruptions of success.
Eyes is a messy Greek tragedy of sin and redemption that won't let you take your eyes off it. Especially if you see it on the big screen.
But Faith is in The Eyes of Tammy Faye-not just a biopic full of secular missteps but also smart, sympathetic, light-hearted, poignant, and the best female performance of the year. This is from someone who thought Jennifer Hudson in Respect could not be bested.
As Tammy Faye Bakker, Chastain (also a producer) stakes out the dramatic territory of resembling the star-crossed televangelist and giving a nuanced performance, including commendable singing, that could make you want to see both Tammy and Jessica again in another completely different drama. You could also want to see a less innocent Tammy if you remember her blind eye for her husband's manifold indiscretions and corruptions.
Forget the makeup, which is remarkable by the way, and just enjoy the masterful depiction of an American classic woman-a star rising to the top at a time when television itself was rising in prominence (beaming shows with a satellite was practically a new weapon). She became a star asserting her talent when men tried to refuse her talent, a woman who rebelled against being left alone while her husband, Jim Bakker (Andrew Garfield-playing a smarmy wimp) took the glory and money. Also, a woman who had blind faith in God and mammon at the same time.
Director Michael Showalter, clearly sympathetic to Tammy, deftly takes the complicated soul from wide-eyed innocent to a wayward but still naive adult whose increasingly-gaudy makeup paralleled her fall from grace. Tammy and Jim's descent, ending in his going to prison for fraud and her losing her beloved television presence and Heritage USA theme park, is an accurate depiction of pride's and wealth's inevitable toll.
Besides Chastain's memorable performance of a talented woman determined to be more than just a trophy, Eyes is a docudrama chock-full of issues like gay love, male impotence, social repression, and most of all, the morphing of religion into entertainment.
Allied to these sinful markers is the couple's acknowledgement that wealth is ok to be pursued, even if you preach Christian charity. That Tammy and Jim built in the '70's and '80's the largest TV ministry, the PTL Network, would have been a remarkable feat except for the sinful ways they flourished.
As Chastain plays her, Tammy barely knew the shenanigans Jim and his buds, like Jerry Falwell, devised to milk their worshipers for wealth and real-estate empires. The Eyes of Tammy Faye is not just an historical docudrama; it is a fitting chronicle of the misalignment of church and state and the corruptions of success.
Eyes is a messy Greek tragedy of sin and redemption that won't let you take your eyes off it. Especially if you see it on the big screen.
Make your punters feel the urge to part with cash, chuck some lippy on, to each eye, apply a large and long eyelash, tell them what they want to hear, push the boundaries as far as you dare, then wait for almighty retribution, while you're counting up your stash.
Great performances but ever so slightly shallow.
Great performances but ever so slightly shallow.
The film was decent. Its a bit annoying at first but you get used to the flow. And it is a must see for one big reason: Jessica Chastain! What a tremendous performance by her. She really soaked herself into that role f Tammy Faye and went through many great character developments. You really forget its Chastain from the very first second she is on screen. So far he best female leading performance I have seen this year and I am glad she is receiving all that awards attention. She is so much more than the film itself, which was not too bad, but also kind of your ordinary biopic.
Andrew Garfield was on the edge of overacting at times but generally okay. I really loved Cherry Jones who nailed the role of he mother quite perfectly.
I am not really familiar to the true story behind this movie so I cannot judge how accurate it is. I can just say that Chastain did her character justice, in the way that she defended her and allied with her but was objective enough to also portray and show the failures of Tammy Faye. It was more sides to show and I think Chastain perfectly embodied this.
From other perspectives it was quite well drafted, I loved the make up work and if you are into gospel I think you will have a blast with the soundtrack, too.
Andrew Garfield was on the edge of overacting at times but generally okay. I really loved Cherry Jones who nailed the role of he mother quite perfectly.
I am not really familiar to the true story behind this movie so I cannot judge how accurate it is. I can just say that Chastain did her character justice, in the way that she defended her and allied with her but was objective enough to also portray and show the failures of Tammy Faye. It was more sides to show and I think Chastain perfectly embodied this.
From other perspectives it was quite well drafted, I loved the make up work and if you are into gospel I think you will have a blast with the soundtrack, too.
In this bio pic, Tammy Faye and her husband, Jim, create a religious network to reach millions of people and bring them closer to God, but Jim's shady business dealings and lustful urges bring them to their knees.
Both Chastian and Garfield are wonderful as Tammy and Jim and Chastain even does her own singing, acquitting herself nicely. Cherry Jones is also wonderful as Tammy's disapproving mother.
Both Chastian and Garfield are wonderful as Tammy and Jim and Chastain even does her own singing, acquitting herself nicely. Cherry Jones is also wonderful as Tammy's disapproving mother.
Jessica Chastain is absolutely "fearless" in her performance as Tammy Faye in a very complex leading role. I went to see this film to watch her. Jessica Chastain blew my mind . There is no question in my mind that Chastain will be nominated for a best actress Oscar. She was tremendous and worth the price of admission.
The film is very entertaining and surprisingly funny given the subject matter. The production presented detailed dedication to period accuracy in every visual detail from set design , wardrobe , hair and make-up, direction & screenplay. A first class period piece in its own right.
In the 1970s and '80s Tammy Faye and her husband Jim Bakker rose from humble beginnings to create the world's largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing and her eagerness to embrace people of all walks of life.
I knew very little about the subject matter beyond what was in the news when I was a teen. This was covered in the film , but also expanded on the story telling with superb character development . Jessica Chastain raises up in this formula biopic about televangelist Tammy Faye Bakker by giving viewers an absorbing, amusing and provocative performance . It's a 'big' role with a physical transformation, (the race for best makeup begins here) ;To recreate her famous look, from the wigs, to the shoulder pads, and, of course, the spidery lashes, Chastain underwent a full transformation to portray Bakker over four decades, requiring four to seven hours in the makeup chair as makeup, wigs, and extensive prosthetic's were applied. It is a radiant , soulful performance and one that was very entertaining . Worth seeking out . 8/10.
The film is very entertaining and surprisingly funny given the subject matter. The production presented detailed dedication to period accuracy in every visual detail from set design , wardrobe , hair and make-up, direction & screenplay. A first class period piece in its own right.
In the 1970s and '80s Tammy Faye and her husband Jim Bakker rose from humble beginnings to create the world's largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing and her eagerness to embrace people of all walks of life.
I knew very little about the subject matter beyond what was in the news when I was a teen. This was covered in the film , but also expanded on the story telling with superb character development . Jessica Chastain raises up in this formula biopic about televangelist Tammy Faye Bakker by giving viewers an absorbing, amusing and provocative performance . It's a 'big' role with a physical transformation, (the race for best makeup begins here) ;To recreate her famous look, from the wigs, to the shoulder pads, and, of course, the spidery lashes, Chastain underwent a full transformation to portray Bakker over four decades, requiring four to seven hours in the makeup chair as makeup, wigs, and extensive prosthetic's were applied. It is a radiant , soulful performance and one that was very entertaining . Worth seeking out . 8/10.
Lo sapevi?
- QuizJessica Chastain said she initially had the impression that Tammy Faye Bakker often had running mascara, as parodies and impressions of Tammy Faye on late night TV and Il Saturday Night Live (1975) often featured her crying with heavily running mascara. Chastain noted that when researching Tammy Faye, she couldn't find a single image or video of her with mascara running; Tammy Faye only wore waterproof mascara.
- BlooperWhen their son was born and Tammy admitted to her affair the President was Ford not Reagan. So Jim did not receive a letter from President Reagan at that time.
- Citazioni
Rachel Grover: Oh, Tammy Faye. You follow blindly. In the end, all you are is blind.
- Curiosità sui creditiTammy Faye (Jessica Chastain) gives a thumbs up at the end of the closing credits.
- Colonne sonoreHow Great Thou Art
Written by Carl Gustav Boberg (as Carl Boberg)
Arranged and Performed by Michael Parnell
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Los Ojos De Tammy Faye
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 2.404.127 USD
- Fine settimana di apertura Stati Uniti e Canada
- 652.358 USD
- 19 set 2021
- Lordo in tutto il mondo
- 2.676.180 USD
- Tempo di esecuzione2 ore 6 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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