Molto tempo fa in una lontana campagna fiabesca, una giovane ragazza conduce il suo fratellino in una foresta oscura in cerca di cibo e lavoro, solo per imbattersi in un nesso di male terrif... Leggi tuttoMolto tempo fa in una lontana campagna fiabesca, una giovane ragazza conduce il suo fratellino in una foresta oscura in cerca di cibo e lavoro, solo per imbattersi in un nesso di male terrificante.Molto tempo fa in una lontana campagna fiabesca, una giovane ragazza conduce il suo fratellino in una foresta oscura in cerca di cibo e lavoro, solo per imbattersi in un nesso di male terrificante.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 16 candidature totali
Samuel Leakey
- Hansel
- (as Samuel J. Leakey)
Abdul Alshareef
- Knight
- (non citato nei titoli originali)
Beatrix Perkins
- Clicky
- (non citato nei titoli originali)
Manuel Pombo
- Knight
- (non citato nei titoli originali)
Recensioni in evidenza
The only thing (apart from the title), I knew going into this, was that this was supposed to be trash. Now I like me some trash movies from time to time, so I was prepared for that. Turns out that's not the case at all. Actually this is more of an art excercise than anything else. Anything else also including the Hansel & Gretel stories we know - which the title switch of the names might be the first indicator of.
That's not all that is different - certain aspects seem to be as you may have seen them in other movies, but the majority of the movie dares to be different. In a lot of ways - character wise, story wise, setting wise, incidents wise ... Now that should answer the question some might have had, about the necessity of the movie: are there not enough of these already? Well apparently you can spin this another way - and it works.
Now having said that, it is surely not without flaws, yet the fact it goes places you probably don't expect it to go, handles horror in a way I personally prefer to the in your face jump scares (it is about mood and setting it) and how it is shot (visually) is quite exceptional! You have to be in the mood for this type of film and some may have issues with the pacing - but you can't please everyone anyway!
That's not all that is different - certain aspects seem to be as you may have seen them in other movies, but the majority of the movie dares to be different. In a lot of ways - character wise, story wise, setting wise, incidents wise ... Now that should answer the question some might have had, about the necessity of the movie: are there not enough of these already? Well apparently you can spin this another way - and it works.
Now having said that, it is surely not without flaws, yet the fact it goes places you probably don't expect it to go, handles horror in a way I personally prefer to the in your face jump scares (it is about mood and setting it) and how it is shot (visually) is quite exceptional! You have to be in the mood for this type of film and some may have issues with the pacing - but you can't please everyone anyway!
The lighting, ambience, color and soundtrack are spot on to being a dark fantasy. All the things are there for this to be a good movie. It's deeply creepy. It's delightfully pagan and devilishly witchy! I didn't know the rating of this when I watched it for the first time. I honestly thought this film was Rated R from just how unsettling, dreary and nightmarish some of the visuals were. There's no way in hell I'd go into a house that looked like that, resembling a witches pointy hat. NOPE! This movie will rattle your bones if you're an adult but I think the kids will think its just a traditional fable movie to watch on Halloween in the future!
Osgood Perkins' 'Gretel & Hansel' is a visually arresting and atmospherically rich horror tale with a script that doesn't quite reach the heights of the storyline told through imagery. The movie loses itself too often in a dreamscape horror without rectifying or clarifying, which leaves the metaphor foggy and the horror muted. The performances are decent: Sophia Lillis holds the screen with a quiet confidence as Gretel and the sensational Alice Krige making for a supremely chilling The Witch.
...because the only important thing is the atmosphere in every adaptation of a classic fairy tale. The story is familiar and it is almost impossible for director to give to the viewer his expected story version. And the film gives a honest perspective about a world who lives, from decades in ourselves, serves, in beautiful manner, difficult themes, propose the fair supports for reflection . I do not expecting a horror, a fantasy, a moral lesson. Only a new side of a fairy tale Not original but decent. And Gretel and Hansel is a good one.Because, in simple and precise way, gives the tools for understand yours stories. Because, more than a fairy tale, it becomes, scene by scene, a parable. Because the special effects is well used , the tension is delicate buided, the end is the fair one. And the performances are real good. A film of brotherhood , life purpose and black fingers.
....it just falls short, and kind of leaves you unsatisfied. It's beautiful and dark visually, and it had so much potential to be a great movie, but ends up being something better watched at home.
Lo sapevi?
- QuizAt one point a song floats over the soundtrack: "My mother, she killed me, my father, he ate me, and my little sister, my bones she kept, what a pretty bird am I!" This comes from another Grimm fairy tale, "The Juniper Tree,"widely considered by scholars as the darkest of all their tales. In it, a spiteful mother beheads her stepson and blames it on her daughter. She then cooks the corpse and feeds it to his husband, as the daughter picks up the bones from under the table and plants it under a juniper tree on the family's garden. A small bird appears from the grave, singing the song in question while picking a pair of new shoes, a gold chain and a mill stone, and then carries them to the house. The bird then gives the shoes to the daughter, the chain to the father and drops the stone on the stepmother, killing her. As she dies, the bird turns into a boy again and the story ends. The film borrows some thematic elements this tale.
- BlooperGretel and Hansel talk while sitting on a bed in the foreground. On the adjoining bed in the background a cat stands up and jumps to the floor. However the cat reappears on the bed and disappears several times throughout the scene.
- ConnessioniFeatured in Half in the Bag: IT Chapter Two (2019)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Gretel & Hansel: un siniestro cuento de hadas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.347.654 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.154.007 USD
- 2 feb 2020
- Lordo in tutto il mondo
- 22.304.357 USD
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.55 : 1
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