Segui Marianne e Connell, provenienti da ambienti diversi vivono nella stessa piccola città in Irlanda, mentre si intrecciano dentro e fuori dalle reciproche vite romantiche.Segui Marianne e Connell, provenienti da ambienti diversi vivono nella stessa piccola città in Irlanda, mentre si intrecciano dentro e fuori dalle reciproche vite romantiche.Segui Marianne e Connell, provenienti da ambienti diversi vivono nella stessa piccola città in Irlanda, mentre si intrecciano dentro e fuori dalle reciproche vite romantiche.
- Candidato a 4 Primetime Emmy
- 19 vittorie e 53 candidature totali
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Recensioni in evidenza
Outspoken student Marianne Sheridan (Daisy Edgar-Jones) is an outcast at school. Connell Waldron (Paul Mescal) is the quiet popular jock. His mother works as a cleaning lady in the Sheridan's large family home. The two Irish teens have a secret sexual relationship but he refuses to acknowledge her in public. Their lives and loves would intertwine over the years.
I have to be really honest. I was a little unconvinced at first. The actors are too old to play teens. Both characters have issues that put me off. Marianne is too bitter. Connell is too quiet and his treatment of her is emotionally brutal. By the fourth episode, the age thing stops mattering. Quite frankly if I knew they would be aging up in the show, I wouldn't sweat that issue. As for these characters, they really grow on me, both as roles and the actors. These young new faces are truly engaging and they are beautiful to boot. As characters, there are emotions beneath that are really worthwhile to explore. They become more and more fully formed people and that's the brilliance of this limited series. These are great characters performed by compelling new faces.
I have to be really honest. I was a little unconvinced at first. The actors are too old to play teens. Both characters have issues that put me off. Marianne is too bitter. Connell is too quiet and his treatment of her is emotionally brutal. By the fourth episode, the age thing stops mattering. Quite frankly if I knew they would be aging up in the show, I wouldn't sweat that issue. As for these characters, they really grow on me, both as roles and the actors. These young new faces are truly engaging and they are beautiful to boot. As characters, there are emotions beneath that are really worthwhile to explore. They become more and more fully formed people and that's the brilliance of this limited series. These are great characters performed by compelling new faces.
Brilliant, heartbreaking viewing experience. Give yourself over to this wonderful story and be ready for a genuine rollercoaster. Graphic intimacy in many movies and tv series often seems gratuitous and difficult to watch. I was immediately and pleasantly surprised, therefore, by this story which explores the sexual awakening and the ultimate love story between two young people. The scenes of their lovemaking are both graphic and beautifully choreographed.
I suppose, the freshness is the main virtue of this series about life. The freshness of story and storytelling and acting. An old fashion film, like one of the most profound useful refuges in the circle of eccentric or political correct projects. A story easy to perceive as a personal one. A great exploration of high school and college years. And lovely, precise, wise, splendid crafted definition of friendship. Using naturalism tools.
In short, a great series of the last decade.
And admirable example of storytelling and acting.
In short, a great series of the last decade.
And admirable example of storytelling and acting.
Another show lifted from the Guardian's Best of 2020 list was "Normal People", a show I'd seen hyped quite a lot, but evidently missed when it aired. I'm glad I took a little bit of time to watch the show slowly over the Christmas break, as, despite not being as salacious as I thought it might be, it has some truly wonderful performances.
In a small town in Ireland, two students, Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) begin a relationship, which they keep secret from their school friends. The connection seems to end though when both regret Connell's decision to take a different girl to the debs ball. Months later, the pair reconnect as both attend Trinity college, in Dublin. Though the dynamics of their relationship has changed, their connection remains tangible.
What I liked is that I felt both Marianne and Connell were well rounded characters that didn't fall into stereotypes. Connell is the school star Gaelic footballer, but he isn't a "jock" cliché - in that he's bright, bashful and soft spoken. Though it is a stretch to see Marianne as the "ugly duckling" at any point, she's spiky and damaged but that mostly comes from her family, rather than her schoolmates. I knew nothing about the story going in, so was really pleased when we got to the secret relationship coming to a head in the first few episodes. The show then resets, jumping forward to them both at University for a few months and the ability that gave for the characters to reinvent themselves.
I don't want to raise one to knock the other, as Daisy Edgar-Jones is excellent too, but I've seen her in other things. Paul Mescal is revelatory. So vulnerable and open to showing that Connell is as broken as Marianne, even if he has been able to mask it more.
That it pierced the heart of this wretched old soul speaks volumes to the quality of the series. I'll have to come to the next Sally Rooney adaptation a bit sooner.
In a small town in Ireland, two students, Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) begin a relationship, which they keep secret from their school friends. The connection seems to end though when both regret Connell's decision to take a different girl to the debs ball. Months later, the pair reconnect as both attend Trinity college, in Dublin. Though the dynamics of their relationship has changed, their connection remains tangible.
What I liked is that I felt both Marianne and Connell were well rounded characters that didn't fall into stereotypes. Connell is the school star Gaelic footballer, but he isn't a "jock" cliché - in that he's bright, bashful and soft spoken. Though it is a stretch to see Marianne as the "ugly duckling" at any point, she's spiky and damaged but that mostly comes from her family, rather than her schoolmates. I knew nothing about the story going in, so was really pleased when we got to the secret relationship coming to a head in the first few episodes. The show then resets, jumping forward to them both at University for a few months and the ability that gave for the characters to reinvent themselves.
I don't want to raise one to knock the other, as Daisy Edgar-Jones is excellent too, but I've seen her in other things. Paul Mescal is revelatory. So vulnerable and open to showing that Connell is as broken as Marianne, even if he has been able to mask it more.
That it pierced the heart of this wretched old soul speaks volumes to the quality of the series. I'll have to come to the next Sally Rooney adaptation a bit sooner.
This series is fantastic. It's pace, the acting and the soundtrack all add to a beautiful simple story.
Having spent lots of time in Ireland with my partners family I know that this is an important social subject. Men/boys in the country struggle massively to express emotions and this does such a great job of showing how this effects life.
Amazing watch
Having spent lots of time in Ireland with my partners family I know that this is an important social subject. Men/boys in the country struggle massively to express emotions and this does such a great job of showing how this effects life.
Amazing watch
Daisy Edgar-Jones Receives the IMDb STARmeter Award
Daisy Edgar-Jones Receives the IMDb STARmeter Award
Daisy Edgar-Jones accepts her IMDb Breakout STARmeter Award for her standout performance in IMDb's top-rated show, "Normal People."
Lo sapevi?
- QuizAfter filming wrapped, Paul Mescal gave his character's signature chain necklace as a gift to Daisy Edgar-Jones.
- ConnessioniFeatured in Jeremy Vine: Episodio #3.87 (2020)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Нормальні люди
- Luoghi delle riprese
- Sligo, County Sligo, Irlanda(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione28 minuti
- Mix di suoni
- Proporzioni
- 1.78 : 1
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