Uno sguardo alla vita di Lali Sokolov, un prigioniero ebreo incaricato di tatuare i numeri identificativi sulle braccia dei prigionieri nel campo di concentramento di Auschwitz-Birkenau dura... Leggi tuttoUno sguardo alla vita di Lali Sokolov, un prigioniero ebreo incaricato di tatuare i numeri identificativi sulle braccia dei prigionieri nel campo di concentramento di Auschwitz-Birkenau durante la Seconda Guerra Mondiale.Uno sguardo alla vita di Lali Sokolov, un prigioniero ebreo incaricato di tatuare i numeri identificativi sulle braccia dei prigionieri nel campo di concentramento di Auschwitz-Birkenau durante la Seconda Guerra Mondiale.
- Candidato a 2 Primetime Emmy
- 5 vittorie e 8 candidature totali
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I don't think that I have watched anything that moved me so much. The horrors of the camp were so well portrayed. At times it was overwhelming but the excellent way in which the series was produced as well as the quality of the acting made me keep watching. I could not stop. The story was ultimately one of love and hope in the absolute darkest of times. Everyone should watch it to see the depths of human nature but also the goodness that can survive in spite of that. It is productions like this one that need to be seen by everyone to prevent this ever happening again. Well done to everyone involved.
10gpfisher
Beyond moved having experienced this incredible show. From the acting, music through to the raw pain and truth on display, absolutely blown away with this show. This is a true story, of one man's journey, that should be told the world over. We can never forget the horrors of the holocaust, and the Tattooist of Auschwitz is a crucial part of this.
The lengths the actors, directors and producers went to to do justice to those who endured the holocaust is commendable. Jewish actors for Jewish role, Polish for Polish etc. The piano music is also from an authentic piano from the 1940s belonging to the grandmother of the score composer. The detail in this show is phenomenal.
The lengths the actors, directors and producers went to to do justice to those who endured the holocaust is commendable. Jewish actors for Jewish role, Polish for Polish etc. The piano music is also from an authentic piano from the 1940s belonging to the grandmother of the score composer. The detail in this show is phenomenal.
The initial low rating for this, 6.0, is quite perplexing. High quality drama with a real feeling of the absolute bleakness, randomness and inhumanity that existed in these camps. Yet showing human spirit and humanity amongst people treated as inhuman by their captors. Really well acted with every character having depth. I think enjoying it is probably the wrong word but it is quality tv
Not quite a perfect 10, I did appreciate the value of moving beween ww2 and the present day but it was done a bit too frequently for me and disrupted the drama a bit. And old Lali had an accent which young Lali didnt..did he develop it in Australia?
As i write the current rating here is 6.9, i should expect that to rise over the coming weeks as more and more discover this gem of a series. It is, as one would expect, a tough watch. I felt sad, sick and angry whilst viewing this. A powerful subject that has been covered many times over the years and i would say this series is up amongst the best films/series covering the holocaust. Outstanding acting from all the main characters coupled with the bleak scenery befitting the storyline, this is a 'must see' series. Be prepared to shed some tears. Be prepared to be ashamed of some of the human race, and be prepared to witness the power of love.
This is a fine series recounting the horrors of the nazi death camp, auschwitz. The story is told by Lali Sokolov, played in old age by Harvey Keitel who is recounting his story to budding Australian writer Heather Morris played by Melanie Lynskey.
It tells us how Lali became the Auschwitz tatooist which means he tatoo's the prison number on the arm of all new arrivals. In doing this he meets Gita, Anna Prochniak, and they immediately bond so he then seeks her out in the femail quarters where their relationship develops.
As the tatooist has relative freedom in the camp, with even his own room, an SS officer, Stefan Baretski played by Jonas Nay is appointed to supervise him. This, for me, was one of the most fascinating aspects of the story. A strange relationship develops between captive and captor. While Baretski demonstrates his evil side with violence and killing, including beating Lali occasionally, he is clearly not a happy soldier and uses Lali as an emotional crutch. To show a slightly more humane side to his character he often enables private meetings for Lali with Gita.
While auschwitz is shown as an evil place with frequent views of the gas chambers and incinerators, I still think that life for the average prisoner was much worse than portrayed here.
However this is a disturbing and also moving watch which I highly recommend.
In an era when 'Nazi' and 'Fascist' is frequently used to tarnish people for simply having a different opinion, often by people who should know better, this serves as a reminder of what Nazism and Fascism really is.
It tells us how Lali became the Auschwitz tatooist which means he tatoo's the prison number on the arm of all new arrivals. In doing this he meets Gita, Anna Prochniak, and they immediately bond so he then seeks her out in the femail quarters where their relationship develops.
As the tatooist has relative freedom in the camp, with even his own room, an SS officer, Stefan Baretski played by Jonas Nay is appointed to supervise him. This, for me, was one of the most fascinating aspects of the story. A strange relationship develops between captive and captor. While Baretski demonstrates his evil side with violence and killing, including beating Lali occasionally, he is clearly not a happy soldier and uses Lali as an emotional crutch. To show a slightly more humane side to his character he often enables private meetings for Lali with Gita.
While auschwitz is shown as an evil place with frequent views of the gas chambers and incinerators, I still think that life for the average prisoner was much worse than portrayed here.
However this is a disturbing and also moving watch which I highly recommend.
In an era when 'Nazi' and 'Fascist' is frequently used to tarnish people for simply having a different opinion, often by people who should know better, this serves as a reminder of what Nazism and Fascism really is.
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