VALUTAZIONE IMDb
4,7/10
7245
LA TUA VALUTAZIONE
Un pazzo per amore diventa una celebrità accidentale solo per poi perdere tutto.Un pazzo per amore diventa una celebrità accidentale solo per poi perdere tutto.Un pazzo per amore diventa una celebrità accidentale solo per poi perdere tutto.
- Regia
- Sceneggiatura
- Star
Aixa Maldonado
- Maria
- (as Aixa I. Maldonado)
Recensioni in evidenza
Just to be clear Charlie Day is among my favourite comedic actors ever, IASIP is a masterpiece. For that reason I had extremely high hopes for Fool' Paradise, however my rating of 7 is generous. Fool's paradise slightly misses the mark with concept, does not have enough laughs (most coming from Adrien Brody) and it felt clear that the ending was written years after the body of the script. Charlie Day was funny but not nearly expressive enough for a silent character, 90% of the time he was showing just confusion. This film was carried by an amazing cast who all delivered excellent performances and Charlie Day's direction which was smooth and shows clear potential. Overall it was a lacking script but I 1000% would watch another film written and directed by Charlie Day as there were obvious signs of potential.
Just a total snooze fest. It's been said in other reviews, and I'm not normally one to pile on, but dead lord... what happened here? I like Charlie Day just fine, the rest of the cast is good, the plot is of course quite dumb which isn't always a bad thing in a comedy such as this one, but it's simply not funny... ever, at all. It's just like the world's worst episode of curb your enthusiasm or something where there's no script at all and we're all expected to find it funny because the actors were funny in other things we've already seen.
I am someone who sticks out bad movies - almost always - but I gave up and stopped watching a little more than halfway through. I just didn't care, wasn't laughing, and had better things to do.
Skip this one.
I am someone who sticks out bad movies - almost always - but I gave up and stopped watching a little more than halfway through. I just didn't care, wasn't laughing, and had better things to do.
Skip this one.
"Fool's Paradise" tries to be funny and entertaining. It tries. Charlie Day wrote & directed an homage to Buster Keaton and the Peter Sellers film "Being There," but he didn't deliver an entertaining film. It is meant to be a satire of who we make celebrities and how quickly our opinions can change. By the end, though, I just didn't care.
I love Charlie Day and thought he was perfectly cast to be the lead. His eyes portrayed his naivety perfectly, but he lacked the physical comedy and over expression that would have made this more entertaining.
What he needed was help. He needed a partner to help with both writing and directing duties. Someone to say "that's not funny" or "this scene makes no sense and needs a rewrite." I get what he was trying to accomplish and I hope it leads to more attempts by Charlie Day. But I hope the next attempts are better.
I love Charlie Day and thought he was perfectly cast to be the lead. His eyes portrayed his naivety perfectly, but he lacked the physical comedy and over expression that would have made this more entertaining.
What he needed was help. He needed a partner to help with both writing and directing duties. Someone to say "that's not funny" or "this scene makes no sense and needs a rewrite." I get what he was trying to accomplish and I hope it leads to more attempts by Charlie Day. But I hope the next attempts are better.
I've probably watched Always Sunny through 10 times and love satirical film, but the pacing was rough. Movie started out great, and then seemed to drag heavily in the last half. Some of the bits just got old and somethings just got played out. Plus, the film just kind of ended and didn't feel resolved at all.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
I really hope we get more like this, but a little more buttoned up on the editing. I realize it's hard to make an entire movie around someone who doesn't speak, but you might need to have people speak to each other more, rather than speaking to a wall the entire time. Charlie day puts his heart and soul into it, plus Jimmi Simpson is always great. It's just a rough viewing experience.
I shouldn't have paid attention to this movie as long as I did. The premise was kind of interesting and had the potential for a mid to good plot, but it was just so chaotic without actually going anywhere.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
Lo sapevi?
- QuizFilmed in 2018, this is one of Ray Liotta's last films, before his death in 2022.
- BlooperWhen Lenny takes Latte back to his motel room, he walks down the row of rooms and when he reaches room 3, he points and explains that that is his room. When the shot changes from inside the room, as he opens the door you can clearly see the number 7 on the door. Room 7 was at the top of the row of rooms, which they already passed.
- Colonne sonoreWipeout
Written by Robert Berryhill, Jim Fuller (as James Fuller), Patrick Connolly and Ronald Wilson
Performed by The Surfaris
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 855.173 USD
- Fine settimana di apertura Stati Uniti e Canada
- 464.259 USD
- 14 mag 2023
- Lordo in tutto il mondo
- 885.712 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 2.39:1
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